Splat 2/4 |
S.W.A.T. (2003) |
"S.W.A.T the movie is two hours long, but doesn't contain enough interesting material to fill a one-hour episode of the short-lived television series." |
Glenn Whipp |
Splat 2.5/4 |
S1m0ne (2002) |
"The same old cliches underneath the smooth, digitized surface." |
Bob Strauss |
Tomato 3/4 |
The Saddest Music in the World (2004) |
"Maddin, like beer, is something of an acquired taste, best appreciated by those with an affinity to mainstream cinema's silent past and independent cinema's occasionally absurdist present." |
Glenn Whipp |
Splat 2/4 |
The Safety of Objects (2003) |
"An unmemorable stew of familiar suburban angst." |
Glenn Whipp |
Splat 1/4 |
Sahara (2005) |
"A mediocre action-adventure flick that's compelling only for its strange mixture of B-movie elements and a completely hollow social consciousness." |
Glenn Whipp |
Tomato 3/4 |
Saint Ralph (2005) |
"Saint Ralph sticks, for the most part, to the road less traveled, delivering a droll feel-good movie that has a little something to say about modern-day miracles." |
Glenn Whipp |
Splat 2.5/4 |
Salton Sea (2002) |
"The Salton Sea is such a hit-and-miss proposition, whether anything about it should matter much to us at all becomes the movie's most pertinent question." |
Bob Strauss |
Tomato 3/4 |
The Same River Twice (2003) |
"Sweet, sensitive and insightful." |
Bob Strauss |
Tomato |
Sangre de Mi Sangre (2008) |
"Sangre De Mi Sangre could have done without a few plot coincidences and the film's relentless mean street look seems studied at times. But the film's behavioral honesty pumps vibrant, undeniable life through every frame." |
Bob Strauss |
Tomato 2.5/4 |
The Santa Clause 2 (2002) |
"Like the original, this version is raised a few notches above kiddie fantasy pablum by Allen's astringent wit." |
Bob Strauss |
Splat 1.5/4 |
The Santa Clause 3: The Escape Clause (2006) |
"The Santa Clause 3 is holiday filler, stuffed with unearned emotion and trite sentimentality. The good news is it runs just over and hour and a half, which means parents won't have to glance nervously at their watches." |
Nathaniel Bell |
Tomato 4/4 |
Saraband (2005) |
"Watching old hands Ullmann and Josephson hit every nuance of feeling with consummate grace brings an odd giddiness to an otherwise sad tale." |
Bob Strauss |
Tomato 3/4 |
Sarah Silverman: Jesus is Magic (2005) |
"It's easy to get angry at a lot of the things she says. But it's hard to stay mad at her for very long." |
Bob Strauss |
Tomato 3.5/4 |
Satin Rouge (2002) |
"A terrifically subtle piece about one woman's personal liberation in a patriarchal Muslim society." |
Bob Strauss |
Splat |
Save the Last Dance (2001) |
"More interesting as a barometer of suburban girls' fantasies than it is as a movie." |
Glenn Whipp |
Splat 1/4 |
Saved! (2004) |
"A bad high school movie with grand illusions of being about something important instead of being just another run-of-the-mill, unfunny, broad teen comedy." |
Glenn Whipp |
Tomato 3/4 |
Saving Face (2005) |
"Wu, who wrote and directed the movie, has put together an enjoyable film that combines elements of the romantic-comedy and Asian-American generational conflict saga to nice effect." |
Glenn Whipp |
Tomato |
Saving Grace (2000) |
"Saving Grace veers frequently and dangerously toward playing as a little too cute, but it's rescued by a number of sage and funny performances." |
David Kronke |
- |
Saving Shiloh (2006) |
Click here to see the review. |
|
Splat 2/4 |
Saw (2004) |
"Some have suggested that this is an intentional genre parody, but it's really the same old saw with uglier teeth." |
Bob Strauss |
Splat |
Say It Isn't So (2001) |
"Another witless slob comedy." |
Bob Strauss |
Splat 1.5/4 |
Say Uncle (2006) |
"Peter Paige's Say Uncle aims to be a dark comedy about the dangers of preconceived ideas, but the movie plays as a broad cartoon that speaks to the peril of having no ideas as a filmmaker." |
Glenn Whipp |
Splat |
Scarlet Diva (2000) |
"As original and insightful as last week's episode of Behind the Music." |
Bob Strauss |
Splat |
Scary Movie (2000) |
"The jokes are predominantly tired, unimaginative and poorly delivered." |
Glenn Whipp |
Splat |
Scary Movie 2 (2001) |
"The Wayans family certainly has comic smarts, but they're just slumming it here." |
David Kronke |
Splat 1.5/4 |
Scary Movie 3 (2003) |
"A tedious run-through of all-too- familiar plot points, spiced up with lots of banged heads and people getting thrown out of windows." |
Bob Strauss |
Splat 2.5/4 |
Scary Movie 4 (2006) |
"The latest example of cultural degeneration: The stupid Scary Movie franchise now has one more entry than the smart, satiric Scream series it originally set out to spoof." |
Bob Strauss |
Splat 2/4 |
School for Scoundrels (2006) |
"The writing, by Phillips and his usual collaborator, Scot Armstrong, doesn't give either comic performer much that's interesting to do." |
Bob Strauss |
Tomato 3.5/4 |
School of Rock (2003) |
"An inspired, invigorating comedy that will have you laughing from its opening moments to its closing credits." |
Glenn Whipp |
Splat 2/4 |
Schultze Gets the Blues (2005) |
"There is so little to him, really, that Schultze's journey from there to here is rather less meaningful than we're supposed to imagine." |
Bob Strauss |
Tomato 3/4 |
The Science of Sleep (2006) |
"With Science, [Gondry] conjures up some of the most surreal visual images you'll see in a movie this year." |
Glenn Whipp |
Tomato 2.5/4 |
Scooby Doo 2: Monsters Unleashed (2004) |
"A fairly watchable 88 minutes of filmmaking." |
Evan Henerson |
Splat 1.5/4 |
Scooby-Doo - The Movie (2002) |
"The relentless poor thinking behind this project almost plays like an intentional joke." |
David Kronke |
Splat 1.5/4 |
Scoop (2006) |
"The dead serious Match Point was actually funnier, which should tell you all you need to know about Allen's latest exercise in laziness." |
Glenn Whipp |
Splat |
The Score (2001) |
"There's nothing particularly bad about this movie, and there are a number of scenes that are competently done. But given the acting talent involved, such faint praise is pretty damning." |
Glenn Whipp |
Tomato 2.5/4 |
The Scorpion King (2002) |
"More a load of enjoyable, Conan-esque claptrap than the punishing, special-effects soul assaults the Mummy pictures represent." |
Bob Strauss |
Tomato 3.5/4 |
Scotland, PA (2002) |
"Every performance, whether LeGros' slow development from sedentary to sinister or Kevin Corrigan's dimwitted but always fully realized 'Banco' character, is a gem." |
Bob Strauss |
Tomato 3/4 |
Screamers (2006) |
"Garapedian and producer Peter McAlevey offer much to ponder, not to mention a group with more than fame on its mind." |
Evan Henerson |
Tomato 3/4 |
The Sea Inside (2004) |
"Bardem gives Sampedro enough vulnerability, fear and touchiness to keep the character's limp feet on the ground." |
Bob Strauss |
Splat 2.5/4 |
The Sea is Watching (2003) |
"Though formally beautiful, Sea Is Watching is remarkably trite in comparison to the great Japanese films on the subject." |
Bob Strauss |
Tomato 3/4 |
Seabiscuit (2003) |
"Say what you will about Seabiscuit's overall insistence on turning life into legend. Its action scenes are truly legendary in their own unique way." |
Bob Strauss |
Tomato 2.5/4 |
Secondhand Lions (2003) |
"It's basically innocuous, more or less predictable and mildly diverting. And if it didn't star Michael Caine, Robert Duvall and Haley Joel Osment, it would probably be insufferable." |
Bob Strauss |
Splat 2.5/4 |
The Secret Life of Bees (2008) |
"It comes across more as a connect-the-dots Southern literary concept than as a tale of real, damaged people bonding on a persuasively deep level." |
Bob Strauss |
Tomato 3/4 |
The Secret Lives of Dentists (2003) |
"A powerful examination of contemporary family life." |
Bob Strauss |
Tomato |
The Secret of the Grain (2008) |
"A long but always engaging movie, intimately framed and exuberantly acted by a mixed cast of amateurs and professionals." |
Bob Strauss |
Tomato 3/4 |
Secret Window (2004) |
"Star Johnny Depp and adapter-director David Koepp bring enough wit and peculiarity to the proceedings to make for an entertaining, and sometimes even smart, time." |
Bob Strauss |
Tomato |
Secretary (2002) |
"Secretary is one of the rare films that knows how to make fun of fetishes while having fun with them, and all the while taking them as seriously as the people on screen surely do." |
Bob Strauss |
Splat 2/4 |
Seed of Chucky (2004) |
Click here to see the review. |
|
Splat 2.5/4 |
Seeing Other People (2004) |
"A hit-and-miss sex farce that, though recognizably independent and refreshingly raunchy, could've benefited from less sitcomy slickness." |
Bob Strauss |
Splat 2/4 |
Self-Medicated (2007) |
"Heartfelt it clearly is. Disciplined and focused on what's truly intriguing about the story, not so much." |
Bob Strauss |