- |
A Cab for Three (2001) |
Click here to see the review. |
Ted Shen |
Tomato |
Cabaret (1972) |
"Whatever this 1972 feature is, it's entertaining and stylish, though maybe not quite as serious as it wants to be." |
Jonathan Rosenbaum |
- |
Cabeza De Vaca (1993) |
Click here to see the review. |
Jonathan Rosenbaum |
- |
Cabin in the Sky (1943) |
Click here to see the review. |
Dave Kehr |
Tomato |
The Cabinet of Dr. Caligari (1919) |
"This is more than just a textbook classic; the narrative frame creates ambiguities that hold certain elements of the story in disturbing suspension. A one-of-a-kind masterpiece." |
Jonathan Rosenbaum |
Tomato |
Cabiria (1914) |
"Giovanni Pastrone's 1914 film is one of several early Italian epics that significantly influenced the form and flow of the feature film, then in its developmental infancy." |
Pat Graham |
Tomato |
The Cable Guy (1996) |
"It's a fairly interesting effort -- much more ambitious than most Carrey vehicles." |
Jonathan Rosenbaum |
Tomato 4/4 |
Caché (2005) |
"Caché is about how the way we look at people -- a spouse, a child, a homeless person, a security guard -- reflects our own humanity, exactly the sort of thing the best works of cinematic art aspire to reveal." |
Kevin Lee |
- |
Cactus (1986) |
Click here to see the review. |
Pat Graham |
- |
Cactus Flower (1969) |
Click here to see the review. |
Dave Kehr |
Splat |
Caddyshack (1980) |
"The first-time director, Harold Ramis, can't hold it together: the picture lurches from style to style (including some ill-placed whimsy with a gopher puppet) and collapses somewhere between sitcom and sketch farce." |
Dave Kehr |
Tomato |
Cadillac Records (2008) |
"The electrifying music helps camouflage the screenplay's hyperbole." |
Andrea Gronvall |
- |
Caesar's Park (2000) |
Click here to see the review. |
|
- |
Cafe Flesh (1982) |
Click here to see the review. |
Dave Kehr |
- |
Cafe Lumiere (2004) |
Click here to see the review. |
Jonathan Rosenbaum |
- |
The Caged Heart (1985) |
Click here to see the review. |
Dave Kehr |
Splat |
Caged Heat (1974) |
"Jonathan Demme's debut film is campy, choppy, and generally immature, though his bonding themes are fitfully discernible amid the cartoonish action." |
Dave Kehr |
Splat |
The Caine Mutiny (1954) |
"Despite a few flashes of talent in the 40s, Edward Dmytryk had descended to hack status by the time he filmed this 1954 version of Herman Wouk's novel." |
Dave Kehr |
- |
Cal (1984) |
Click here to see the review. |
Dave Kehr |
Tomato |
California Split (1974) |
"Robert Altman's masterful 1974 study of the psychology of the compulsive gambler." |
Don Druker |
Splat |
California Suite (1978) |
"Means middle-class angst covered with a thin veneer of snappy one-liners and presented in the most anonymous directorial style imaginable." |
Dave Kehr |
- |
Call Me (1988) |
Click here to see the review. |
Jonathan Rosenbaum |
Tomato |
Callas Forever (2004) |
"Despite a faintly campy script by Martin Sherman, Zeffirelli captures the artistic imperative that drives both characters -- and deepens their loneliness." |
Ted Shen |
Tomato |
Camera Buff (1979) |
"Suffused with Kieslowski's dry wit and intelligence, this early feature provides an excellent introduction to his work." |
Jonathan Rosenbaum |
- |
The Cameraman (1928) |
Click here to see the review. |
Don Druker |
- |
Cameron's Closet (1987) |
Click here to see the review. |
|
- |
Camila (1984) |
Click here to see the review. |
Dave Kehr |
- |
Camille Claudel (1989) |
Click here to see the review. |
Jonathan Rosenbaum |
Tomato |
Can Mr. Smith Get to Washington Anymore? (2006) |
"[Director Frank] Popper sticks close to the fierce campaigner and his young, mostly inexperienced staffers, capturing all the energy, idealism, dour humor, and unreasoning hope of a Cinderella candidacy." |
Jonathan Rosenbaum |
Tomato |
Can't Hardly Wait (1998) |
"It's not supposed to be a revelation--just a pleasant rendition of a teen-comedy trope." |
Lisa Alspector |
Splat |
Candy (2006) |
"Unfortunately too many elements of this Australian feature have been recycled from other addiction stories..." |
J. R. Jones |
Tomato |
Candy Mountain (1987) |
"Ambling along like a wry, laid-back "Heart of Darkness," this likable and touching film makes good use of Frank's remarkable photographic eye and Wurlitzer's witty, acerbic, and quasi-mystical handling of myth that has served him well in his novels." |
Jonathan Rosenbaum |
Splat |
Candyman (1992) |
"Like so many post-Val Lewton horror films, this 1992 feature starts out promisingly while the plot is mainly a matter of suggestion, but gradually turns gross and obvious as the meanings become literal and unambiguous." |
Jonathan Rosenbaum |
- |
Cannery Row (1982) |
Click here to see the review. |
|
- |
Canoa (1975) |
Click here to see the review. |
Ted Shen |
Splat |
El Cantante (2007) |
"Marc Anthony plays the smack-addicted singer, who has some dynamite numbers but not much to say for himself." |
J. R. Jones |
- |
A Canterbury Tale (1944) |
Click here to see the review. |
Dave Kehr |
Splat |
The Canterbury Tales (1971) |
"If Pasolini had something more than grubby fantasy on his mind -- and presumably he did -- it isn't immediately apparent." |
Dave Kehr |
- |
The Canterville Ghost (1944) |
Click here to see the review. |
Dave Kehr |
Splat |
Capitalism: A Love Story (2009) |
"Like most of his movies, this will probably make your blood boil, but it functions at a level of such blubbering emotionality that it might as well be a Glenn Beck rant." |
J. R. Jones |
Tomato 3/4 |
Capote (2005) |
"Skillfully and economically put together." |
Jonathan Rosenbaum |
- |
Captains Courageous (1937) |
Click here to see the review. |
Dave Kehr |
- |
Captive Hearts (1987) |
Click here to see the review. |
|
- |
Captive Wild Woman (1943) |
Click here to see the review. |
Jonathan Rosenbaum |
Splat |
Captivity (2007) |
"It's not scary because not one second is believable." |
Andrea Gronvall |
Tomato 4/4 |
Capturing the Friedmans (2003) |
"As an investigation into the psychology and processes of witch-hunts, Capturing the Friedmans is one of the most valuable film documents we've had since Carl Dreyer's 1943 Day of Wrath." |
Jonathan Rosenbaum |
Splat |
The Car (1977) |
"As silly as it sounds, but strangely dull." |
Dave Kehr |
Tomato |
Car Wash (1976) |
"Critics seemed to like this less than audiences; personally, I had a ball." |
Jonathan Rosenbaum |
Tomato |
Les Carabiniers (1963) |
"Jean-Luc Godard set out in 1963 to deliberately make a war film that would be neither dramatically involving nor formally compelling -- and he succeeded so brilliantly that the film was seen as a disaster." |
Don Druker |
Tomato |
Caramel (2008) |
"Labaki elicits expressive performances from a cast of amateurs, aided by Khalad Mouzanar's entrancing score and Yves Sehnaoui's lush cinematography." |
Andrea Gronvall |
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