- |
Kameradschaft (1931) |
Click here to see the review. |
Dave Kehr |
- |
Kamikaze Hearts (1986) |
Click here to see the review. |
Jonathan Rosenbaum |
Tomato |
Kamp Katrina (2007) |
"Ashley Sabin and David Redmon's gently observational videography and editing let the story emerge without any controlling structure or narration..." |
Fred Camper |
Tomato 3/4 |
Kandahar (2001) |
Click here to see the review. |
Fred Camper |
Splat |
Kangaroo Jack (2003) |
"Likable but negligible." |
Bill Stamets |
- |
Kansas City Confidential (1952) |
Click here to see the review. |
Jonathan Rosenbaum |
- |
Kaos (1984) |
Click here to see the review. |
Pat Graham |
Splat |
The Karate Kid (1984) |
"It's primitive, predatory stuff." |
Dave Kehr |
Tomato |
Katyn (2007) |
"Andrzej Wajda has spent much of his long career dramatizing major events in Polish history, and this poignant feature depicts the circumstances surrounding the Soviet Union's massacre of thousands of Polish officers in the spring of 1940." |
Joshua Katzman |
Tomato |
Katzelmacher (1969) |
"There's less plot than usual, but the portraiture already seems firmly in place." |
Jonathan Rosenbaum |
Tomato |
Keep Your Right Up! (1987) |
"This isn't one of Godard's best features, though it certainly has its moments." |
Jonathan Rosenbaum |
- |
Keeper of the Flame (1942) |
Click here to see the review. |
Jonathan Rosenbaum |
- |
Keepers Of The Frame (1999) |
Click here to see the review. |
Jonathan Rosenbaum |
Tomato |
Kentucky Fried Movie (1977) |
"It's easy to spoof cliches; it's something else again to string them together with the insight into narrative structure these boys evidence." |
Dave Kehr |
- |
Key Exchange (1985) |
Click here to see the review. |
|
Tomato |
Key Largo (1948) |
"A little windy and rhetorical for my taste, but still one of John Huston's best efforts." |
Dave Kehr |
- |
Kickboxer (1989) |
Click here to see the review. |
|
- |
Kickboxer 2 (1990) |
Click here to see the review. |
|
Splat |
Kickin' It Old Skool (2007) |
"About eight minutes of this comedy is devoted to some terrific breakdancing; the rest consists of wall-to-wall product placement and politically incorrect bad-taste comedy." |
Jonathan Rosenbaum |
Tomato |
Kid Blue (1973) |
"A gentle little fable about the mechanization of the west and its effects on a small-time outlaw." |
Don Druker |
- |
The Kid Brother (1927) |
Click here to see the review. |
|
- |
The Kid From Brooklyn (1946) |
Click here to see the review. |
Dave Kehr |
- |
The Kid From Spain (1932) |
Click here to see the review. |
Don Druker |
- |
Kid Galahad (1937) |
Click here to see the review. |
Dave Kehr |
- |
Kid Millions (1934) |
Click here to see the review. |
Dave Kehr |
- |
Kiki + Tiger (2003) |
Click here to see the review. |
|
- |
Kikujiro (2000) |
Click here to see the review. |
Jonathan Rosenbaum |
Splat |
Kill Bill Vol. 1 (2003) |
"Even more gory and adolescent than its models, which explains both the fun and the unpleasantness of this globe-trotting romp." |
Jonathan Rosenbaum |
Tomato 3/4 |
Kill Bill Vol. 2 (2004) |
"If he doesn't take care Tarantino could make something significantly worse." |
Noah Berlatsky |
Tomato |
The Killer (1989) |
"A lot of claims have been made for this campy bloodbath concerto by Hong Kong director John Woo, and I must admit that he's even better than Brian De Palma at delivering emotional and visceral excess with staccato relentlessness." |
Jonathan Rosenbaum |
- |
Killer Angels (1989) |
Click here to see the review. |
|
- |
The Killer Is Loose (1956) |
Click here to see the review. |
Ted Shen |
Tomato 4/4 |
Killer of Sheep (1977) |
"It shouldn't be missed." |
Jonathan Rosenbaum |
- |
The Killer Shrews (1959) |
Click here to see the review. |
|
Tomato |
Killer's Kiss (1955) |
"A noirish thriller with experimental trimmings that holds back most of the emotions, sensitive as well as otherwise, that threatened to make Kubrick's first feature mawkish." |
Jonathan Rosenbaum |
Tomato |
The Killers (1946) |
"An example of film noir at its most expressive." |
Don Druker |
Tomato |
The Killers (1964) |
"The second film version (1964) of Ernest Hemingway's short story, directed by Don Siegel with far more energy than Robert Siodmak could muster for his overrated 1946 effort." |
Dave Kehr |
Tomato |
The Killing (1956) |
"Arguably Stanley Kubrick's most perfectly conceived and executed film." |
Jonathan Rosenbaum |
Splat |
The Killing Fields (1984) |
"The screen is swamped by a bathetic, self-preening sententiousness." |
Dave Kehr |
- |
Killing Grandpa (1991) |
Click here to see the review. |
|
Tomato |
The Killing of a Chinese Bookie (1976) |
"A postnoir masterpiece." |
Jonathan Rosenbaum |
Splat |
The Killing of Sister George (1968) |
"Robert Aldrich's "daring" 1968 mating of lesbianism and commerce was, as I recall, considered pretty tame even then; lord knows what it looks like today." |
Pat Graham |
Splat 1/4 |
King Arthur (2004) |
"If this is history demystified, give me myth." |
Jonathan Rosenbaum |
- |
King David (1985) |
Click here to see the review. |
Dave Kehr |
- |
A King in New York (1957) |
Click here to see the review. |
Dave Kehr |
Splat 1/4 |
The King is Alive (2001) |
"If I'd been interested in this movie's acrimonious characters I might have appreciated the actors' performances more." |
Jonathan Rosenbaum |
Tomato |
King Kong (1933) |
"Willis O'Brien did the stop-action animation for this 1933 feature, which is richer in character than most of the human cast." |
Dave Kehr |
Splat |
King of California (2007) |
"The product placement is so egregious that it actually nurtures Cahill's theme of treasure lurking just beyond the crapola of American life. Unfortunately, that's also the theme of The Price Is Right." |
J. R. Jones |
Tomato |
The King of Comedy (1982) |
"The uncenteredness of the film is irritating, though it's irritating in an ambitious, risk-taking way." |
Dave Kehr |
Tomato |
King of Hearts (1967) |
"It's the kind of comic allegory about war that depends on muddleheadedness in order to make much sense, but if you're feeling muddleheaded, you might find yourself charmed and enchanted by the conceit." |
Jonathan Rosenbaum |
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