Tomato |
M (1931) |
"The moral issues are complex and deftly handled: Lorre is at once entirely innocent and absolutely evil. Lang's detached, modified expressionist style gives the action a plastic beauty." |
Dave Kehr |
Tomato 4/4 |
M (1931) |
"This astonishing movie represents an unsurpassed grand synthesis of storytelling." |
Jonathan Rosenbaum |
Tomato |
M*A*S*H (1970) |
"This is still watchable for the verve of the ensemble acting and dovetailing direction, but some of the crassness leaves a sour aftertaste." |
Jonathan Rosenbaum |
Splat |
Macao (1952) |
"Sternberg's personality survives; what's missing is the soul that might have turned the artifice and self-parody into poetry." |
Dave Kehr |
- |
Macaroni (1985) |
Click here to see the review. |
|
- |
MacArthur's Children (1986) |
Click here to see the review. |
|
Tomato |
Macbeth (1971) |
"The wide-screen visuals swamp the dialogue, and the thematics have been turned inside out -- but that's what movie adaptations ought to do." |
Dave Kehr |
Tomato |
Macbeth (2007) |
"This is both an exciting thriller and a worthy addition to the canon of Shakespearean cinema." |
|
Tomato |
Macbeth (Restored Version) (1948) |
"There is force in this rough, hasty rendering; the sheer speed of the pacing gives it a quality of crushing delirium." |
Dave Kehr |
- |
Machine to Kill Bad People (1948) |
Click here to see the review. |
Jonathan Rosenbaum |
- |
Macho Dancer (1988) |
Click here to see the review. |
|
- |
The Mack (1973) |
Click here to see the review. |
|
- |
Mack the Knife (1990) |
Click here to see the review. |
Jonathan Rosenbaum |
- |
The Macomber Affair (1947) |
Click here to see the review. |
Jonathan Rosenbaum |
- |
Macross II - The Movie (1992) |
Click here to see the review. |
|
- |
Macunaima (1969) |
Click here to see the review. |
Fred Camper |
- |
The Mad Adventures of Rabbi Jacob (1973) |
Click here to see the review. |
Don Druker |
- |
The Mad Magician (1954) |
Click here to see the review. |
Dave Kehr |
Tomato |
Mad Max (1979) |
"Some of the most determinedly formalist filmmaking this side of Michael Snow." |
Dave Kehr |
Splat |
Mad Max Beyond Thunderdome (1985) |
"The punky energy of the earlier films has given way to a self-conscious striving for significance, obscuring Miller's considerable kinetic talents in favor of a lumpy didacticism." |
Dave Kehr |
- |
The Mad Miss Manton (1938) |
Click here to see the review. |
Dave Kehr |
Splat |
Mad Money (2008) |
"he stars phone in their expected personas (Keaton testy, Latifah earthy), except for Holmes, who's unconvincing as a gum-chewing trailer babe." |
J. R. Jones |
Tomato |
Madagascar: Escape 2 Africa (2008) |
"Lessons about family loyalty, tolerance, ingenuity, and sacrifice add depth to the screenplay by Etan Cohen and directors Eric Darnell and Tom McGrath." |
Andrea Gronvall |
Tomato |
Madame Bovary (1934) |
"Not the best Renoir, but Renoir nonetheless -- and so, very well worth seeing." |
Dave Kehr |
- |
Madame Bovary (1949) |
Click here to see the review. |
Jonathan Rosenbaum |
- |
Madame Brouette (2002) |
Click here to see the review. |
Ted Shen |
- |
Madame Rosa (1977) |
Click here to see the review. |
Dave Kehr |
- |
Madame Sousatzka (1988) |
Click here to see the review. |
Jonathan Rosenbaum |
Tomato |
Made of Honor (2008) |
"Patrick Dempsey and Michelle Monaghan make an agreeable pair in this above-average comedy, another go-round for the reliable premise of longtime pals awakening to each other romantically." |
J. R. Jones |
- |
Maedchen In Uniform (1931) |
Click here to see the review. |
Don Druker |
- |
Maeve (1982) |
Click here to see the review. |
|
Tomato |
Mafioso (1962) |
"Filmed in Milan, Sicily, and New York, Alberto Lattuada's 1962 black comedy is one of his most critically suc" |
Pat Graham |
Tomato |
The Magdalene Sisters (2003) |
"Grimly believable." |
Jonathan Rosenbaum |
Splat |
The Magic Christian (1969) |
"A curdled, unfunny satire made more painful by McGrath's inappropriately jubilant style." |
Dave Kehr |
Tomato |
The Magic Flute (1975) |
"Ingmar Bergman's mounting of the Mozart masterpiece is appealingly conventional." |
Dave Kehr |
Splat |
Magical Mystery Tour (1967) |
"As 60 minutes of self-indulgent psychedelics, it's nearly impossible to watch." |
Dave Kehr |
Tomato |
The Magician (1958) |
"It is one of Bergman's most tightly structured and frightening films." |
Don Druker |
Tomato |
The Magnificent Ambersons (1942) |
"A masterpiece in every way (but ignore the awkward ending the studio tacked on without Welles's approval)." |
Don Druker |
Tomato |
The Magnificent Ambersons (1942) |
"The emotional sense of America in the late 19th and early 20th centuries is so palpable you can taste it." |
Jonathan Rosenbaum |
Tomato |
Magnolia (1999) |
"A wonderful mess." |
Jonathan Rosenbaum |
- |
Mahjong Dragon (1997) |
Click here to see the review. |
|
- |
Mahogany (1975) |
Click here to see the review. |
Dave Kehr |
- |
Maid to Order (1987) |
Click here to see the review. |
Pat Graham |
- |
The Maids (1975) |
Click here to see the review. |
Don Druker |
- |
Maids of Wilko (1979) |
Click here to see the review. |
Ted Shen |
Tomato |
The Major and the Minor (1942) |
"The Wilder ironies and favorite themes--sexual deception, innuendo, the power of words to slice up and serve a character -- are all present in abundance." |
Don Druker |
- |
Major Barbara (1941) |
Click here to see the review. |
Don Druker |
Tomato |
Major Dundee (1965) |
"Charlton Heston is the cavalry officer assigned to eliminate Apache resistance; Peckinpah makes a fine, ironic use of his stentorian presence in what becomes a very grubby context." |
Dave Kehr |
Splat |
Major League (1989) |
"Slick predictability is about all it has in mind, down to the last trite freeze-frame." |
Jonathan Rosenbaum |
- |
Make Way for Tomorrow (1937) |
Click here to see the review. |
Jonathan Rosenbaum |
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