Splat 1.5/4 |
'Til There Was You (1997) |
"Here is the most tiresome and affected movie in many a moon, a 114-minute demonstration of the Idiot Plot, in which everything could be solved with a few well-chosen words that are never spoken." |
Roger Ebert |
Tomato 3.5/4 |
(Untitled) (2009) |
"(Untitled) is a comedy worthy of the best Woody Allen, and Adrian is not unlike Woody's persona: a sincere, intense, insecure nebbish, hopeless with women, aiming for greatness." |
Roger Ebert |
Tomato 4/4 |
10 (1979) |
Click here to see the review. |
Roger Ebert |
Splat 2.5/4 |
10 Things I Hate About You (1999) |
"The high school romance genre has become so popular that it's running out of new ideas and has taken to recycling classic literature." |
Roger Ebert |
Splat 1.5/4 |
100 Rifles (1969) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
101 Dalmatians (1961) |
"If there's one thing that's absolutely first-rate about the film, it's the character of Cruella." |
Roger Ebert |
Splat 2.5/4 |
101 Dalmatians (1996) |
Click here to see the review. |
Roger Ebert |
Splat 2.5/4 |
102 Dalmatians (2000) |
"Taking the dogs out of the central roles leaves you with seriously weird humans and not enough puppy love." |
Roger Ebert |
Splat 2/4 |
The 11th Hour (2007) |
"This movie, for all its noble intentions, is a bore. Rent An Inconvenient Truth instead. Even if you've already seen it." |
Roger Ebert |
Tomato 3.5/4 |
12 (2007) |
"A powerful new film inspired by a powerful older one." |
Roger Ebert |
Tomato 3.5/4 |
12 and Holding (2006) |
"Twelve and Holding could have been a series of horror stories, but the filmmakers and their gifted young actors somehow negotiate the horrors and generate a deep sympathy." |
Roger Ebert |
Tomato 4/4 |
12 Angry Men (1957) |
"This is a film where tension comes from personality conflict, dialogue and body language, not action." |
Roger Ebert |
Tomato 3/4 |
12 Monkeys (1995) |
"As an entertainment, it appeals more to the mind than to the senses." |
Roger Ebert |
Splat 2/4 |
13 Going on 30 (2004) |
"You buy the magic because it comes with the territory. What I couldn't buy was the world of the magazine office, and the awkward scenes in which high-powered professionals don't seem to notice that they're dealing with a 13-year-old mind." |
Roger Ebert |
Tomato 3/4 |
The 13th Floor (1999) |
"A marvelous film right up until its inappropriate ending leaves you feeling betrayed." |
Roger Ebert |
Splat 1.5/4 |
The 13th Warrior (1999) |
"With a budget said to be more than $100 million, it displays a lot of cash on the screen, but little thought." |
Roger Ebert |
Tomato 2.5/4 |
1408 (2007) |
"All the suspense and shock depends on [Cusack's] performance, how he reacts from minute to minute, and he does a terrific job under Mikael Hafstrom's direction." |
Teresa Budasi |
Tomato 3/4 |
1492: Conquest of Paradise (1992) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
15 Minutes (2001) |
"A real movie, rough edges and all, and not another link from the sausage factory." |
Roger Ebert |
Tomato 3/4 |
16 Blocks (2006) |
"The bedrock of the plot is the dogged determination of the Bruce Willis character. Jack may be middle-aged, he may be tired, he may be balding, he may be a drunk, but if he's played by Bruce Willis you don't want to bet against him." |
Roger Ebert |
Tomato 3/4 |
17 Again (2009) |
"17 Again is pleasant, harmless PG-13 entertainment, with a plot a little more surprising and acting a little better than I expected." |
Roger Ebert |
Splat 2/4 |
1776 (1972) |
Click here to see the review. |
Roger Ebert |
Splat 1.5/4 |
18 Again! (1988) |
Click here to see the review. |
Roger Ebert |
Splat 2/4 |
187 (1997) |
Click here to see the review. |
Roger Ebert |
Splat 2/4 |
1900 (1977) |
"What high hopes were inspired by Bernardo Bertolucci's 1900 -- and how few of them are realized." |
Roger Ebert |
Tomato 3.5/4 |
1984 (1984) |
Click here to see the review. |
Roger Ebert |
- |
1999 Year-in-Review (1999) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
2 Brothers & a Bride (2003) |
"It's Tim Blake Nelson's character who keeps the plot from spinning out of control, because he has a natural and unforced respect for these women that he yanks his brother's chain and keeps their mission on course." |
Roger Ebert |
Tomato 3/4 |
2 Days In Paris (2007) |
"[Delpy has] created two original, quirky characters so obsessed with their differences that Paris is almost a distraction. I don't think I heard a single accordion in the whole film." |
Roger Ebert |
Tomato 3/4 |
2 Days In The Valley (1996) |
"The plot underlies even the most inexplicable scenes and eventually links even the most widely separated characters, but what makes the movie fun is the dialogue and the behavior." |
Roger Ebert |
Tomato 3/4 |
2 Fast 2 Furious (2003) |
"It doesn't have a brain in its head, but it's made with skill and style and, boy, is it fast and furious." |
Roger Ebert |
Splat 0.5/4 |
20 Dates (1998) |
"The film has the obnoxious tone of a boring home movie narrated by a guy shouting in your ear." |
Roger Ebert |
Splat 0.5/4 |
200 Cigarettes (1999) |
"Seeing a film like this helps you to realize that actors are empty vessels waiting to be filled with characters and dialogue." |
Roger Ebert |
Tomato 3/4 |
200 Motels (1971) |
"It assaults the mind with everything on hand." |
Roger Ebert |
- |
2001 Year-in-Review (2001) |
Click here to see the review. |
Roger Ebert |
Tomato 4/4 |
2001: A Space Odyssey (1968) |
"The film creates its effects essentially out of visuals and music. It is meditative. It does not cater to us, but wants to inspire us, enlarge us." |
Roger Ebert |
- |
2002 Year-in-Review (2002) |
Click here to see the review. |
Richard Roeper |
- |
2003 Year-in-Review (2003) |
Click here to see the review. |
Richard Roeper |
- |
2004 Year-in-Review (2004) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
2010: The Year We Make Contact (1984) |
Click here to see the review. |
Roger Ebert |
Tomato 3.5/4 |
2012 (2009) |
"This is fun. 2012 delivers what it promises, and since no sentient being will buy a ticket expecting anything else, it will be, for its audiences, one of the most satisfactory films of the year." |
Roger Ebert |
Splat 2.5/4 |
2046 (2005) |
"It's like a sketchbook. These are images, tones, dialogue and characters that Wong is sure of, and he practices them, but he does not seem very sure why he is making the movie, or where it should end." |
Roger Ebert |
Splat 1.5/4 |
21 (2008) |
"Inspired by the real-life story of the M.I.T. students who took Las Vegas casinos for millions, 21 has been reshaped to fit a simple movie template -- and it's nearly as much fun as watching an insurance professional compute actuarial tables." |
Jim Emerson |
Splat 1.5/4 |
21 and a Wake-Up (2009) |
"I'm sure [McIntyre's] motivations were heartfelt, but his film is awkward and disjointed, and outstays its welcome." |
Roger Ebert |
Tomato 3/4 |
21 Grams (2003) |
"It grips us, moves us, astonishes us." |
Roger Ebert |
Tomato 4/4 |
24 Hour Party People (2002) |
"Shines with a kind of inspired madness." |
Roger Ebert |
Tomato 3/4 |
The 24 Hour Woman (1999) |
Click here to see the review. |
Roger Ebert |
Tomato 3.5/4 |
25th Hour (2002) |
"The film is unusual for not having a plot or a payoff." |
Roger Ebert |
Tomato 3/4 |
27 Dresses (2008) |
"27 Dresses is one heck of a happy date movie. Smiling faces are guaranteed on all seen exiting when the credits finally do roll here." |
Bill Zwecker |
Tomato 3/4 |
28 Days Later (2003) |
"A tough, smart, ingenious movie that leads its characters into situations where everything depends on their (and our) understanding of human nature." |
Roger Ebert |
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