Splat 2.5/4 |
C'era una Volta... (1967) |
Click here to see the review. |
Roger Ebert |
Tomato 3.5/4 |
Cabaret (1972) |
"...the context of Germany on the eve of the Nazi ascent to power makes the entire musical into an unforgettable cry of despair." |
Roger Ebert |
Tomato 4/4 |
Cabaret Balkan (1998) |
Click here to see the review. |
Roger Ebert |
Splat 1.5/4 |
Cabin Fever (2003) |
"The movie adds up to a few good ideas and a lot of bad ones, wandering around in search of an organizing principle." |
Roger Ebert |
Tomato 4/4 |
Cabiria (1914) |
"In its particular way, Cabiria is beautiful and enthralling." |
Roger Ebert |
Splat 2/4 |
The Cable Guy (1996) |
"As it is, themovie goes in one direction and the cable guy goes in another, and by the end we aren't really looking forward to seeing Jim Carrey reappear on the screen." |
Roger Ebert |
Tomato 4/4 |
Caché (2005) |
"When Caché played at Cannes, some critics deplored its lack of a resolution. I think it works precisely because it leaves us hanging." |
Roger Ebert |
Tomato 3/4 |
Cactus (1986) |
Click here to see the review. |
Roger Ebert |
Tomato 3.5/4 |
Cactus Flower (1969) |
Click here to see the review. |
Roger Ebert |
Splat 2.5/4 |
Caddyshack (1980) |
"Caddyshack never finds a consistent comic note of its own, but it plays host to all sorts of approaches from its stars, who sometimes hardly seem to be occupying the same movie." |
Roger Ebert |
Splat 2/4 |
Cadillac Man (1990) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
Cadillac Records (2008) |
"The film is a fascinating record of the evolution of a black musical style, and the tangled motives of the white men who had an instinct for it." |
Roger Ebert |
Splat 2/4 |
Cafe Au Lait (1994) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
The Cake Eaters (2009) |
"Masterson, like many actors, is an assured director even in her debut; working with her brother Pete as cinematographer, she creates a spell and a tenderness and pushes exactly as far as this story should go." |
Roger Ebert |
Tomato 3/4 |
Cal (1984) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
Calendar Girls (2003) |
"[A] sweet, good-humored comedy." |
Roger Ebert |
Tomato 4/4 |
California Split (1974) |
"What Altman comes up with is sometimes almost a documentary feel; at the end of California Split we know something about organized gambling in this country we didn't know before." |
Roger Ebert |
Splat 0/4 |
Caligula (1979) |
"Caligula is sickening, utterly worthless, shameful trash. If it is not the worst film I have ever seen, that makes it all the more shameful: People with talent allowed themselves to participate in this travesty." |
Roger Ebert |
Splat 2.5/4 |
Callas Forever (2004) |
"Most of the budget seems to have gone to the moments of Carmen that we see; they look sumptuous and robust, and the surrounding film looks, well, like a low-budget art movie." |
Roger Ebert |
Splat 2/4 |
Camilla (1994) |
Click here to see the review. |
Roger Ebert |
Splat 1/4 |
Camille 2000 (1969) |
Click here to see the review. |
Roger Ebert |
Tomato 3.5/4 |
Camille Claudel (1989) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
Can Hieronymus Merkin Ever Forget Mercy Humppe and Find True Happiness? (1969) |
Click here to see the review. |
Roger Ebert |
Splat 2.5/4 |
Can Mr. Smith Get to Washington Anymore? (2006) |
"Can Mr. Smith Get to Washington Anymore? is an amusing case study in youthful enthusiasm for the electoral process, but this modest documentary skips the weighty issues posed by its namesake, the Frank Capra 1939 drama." |
Bill Stamets |
Splat 0.5/4 |
Can't Buy Me Love (1987) |
"It doesn't have a thought in its head and probably no notion of the corruption at its core." |
Roger Ebert |
Splat 1.5/4 |
Can't Hardly Wait (1998) |
"The movie lumbers ungracefully from romantic showdowns to Deep Conversations to bathroom humor." |
Roger Ebert |
Splat 1/4 |
Cancel My Reservation (1972) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
Candy (1968) |
Click here to see the review. |
Roger Ebert |
Splat 1/4 |
The Candy Tangerine Man (1975) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
Candyman (1992) |
"What I liked was a horror movie that was scaring me with ideas and gore, instead of simply with gore." |
Roger Ebert |
Splat 2/4 |
Candyman 2 - Farewell to the Flesh (1995) |
Click here to see the review. |
Roger Ebert |
Splat 2.5/4 |
Cannery Row (1982) |
Click here to see the review. |
Roger Ebert |
Splat 1/4 |
Cannonball (1976) |
Click here to see the review. |
Roger Ebert |
Splat 0.5/4 |
Cannonball Run (1981) |
"The Cannonball Run is an abdication of artistic responsibility at the lowest possible level of ambition. In other words, they didn't even care enough to make a good lousy movie." |
Roger Ebert |
Splat 0.5/4 |
Cannonball Run 2 (1984) |
Click here to see the review. |
Roger Ebert |
Splat 2/4 |
El Cantante (2007) |
"The director (Leon Ichaso) and his co-writers haven't licked a crucial question: Why do we need to see this movie and not just listen to the music?" |
Roger Ebert |
Tomato 3/4 |
Canvas (2007) |
"Canvas is a serious film about mental illness and a sentimental heartwarmer, and succeeds in both ways." |
Roger Ebert |
Tomato 3/4 |
Cape Fear (1991) |
"Impressive moviemaking, showing Scorsese as a master of a traditional Hollywood genre who is able to mold it to his own themes and obsessions." |
Roger Ebert |
Tomato 3/4 |
Cape Of Good Hope (2005) |
"A post-apartheid film in which the characters are less concerned with politics than with matters of the heart." |
Roger Ebert |
Tomato 3.5/4 |
Capitalism: A Love Story (2009) |
"The film's title is never explained. What does Moore mean? Maybe it's that capitalism means never having to say you're sorry." |
Roger Ebert |
Tomato 4/4 |
Capote (2005) |
"Capote is a film of uncommon strength and insight." |
Roger Ebert |
Splat 2/4 |
Captain Corelli's Mandolin (2001) |
"What we get is kind of a condensed version of some of the sights and sounds of the novel, without the heart, the spirit and the juicy detail." |
Roger Ebert |
Tomato 3.5/4 |
Capturing the Friedmans (2003) |
"Disturbing and haunting." |
Roger Ebert |
Tomato 3.5/4 |
Car Wash (1976) |
"The screenplay and the direction juggle the characters so adroitly, this is almost a wash-and-wax M*A*S*H." |
Roger Ebert |
Tomato 4/4 |
Les Carabiniers (1963) |
"Godard has chosen a subject on which to exercise his style. The result is one of his most successful films, and, incidentally, one easier to understand and enjoy than his later work." |
Roger Ebert |
Tomato 3/4 |
Caramel (2008) |
"Perceptive and poignant, Caramel observes the love lives of the establishment's owner, her employees and their customers." |
Bill Stamets |
Tomato 3/4 |
Carandiru (2004) |
"It shows 8,000 men jammed into space meant for 4,000, and enforcing their own laws in a place their society has abandoned." |
Roger Ebert |
Tomato 3/4 |
Career Girls (1997) |
Click here to see the review. |
Roger Ebert |
Tomato 3.5/4 |
Carlito's Way (1993) |
Click here to see the review. |
Roger Ebert |
Tomato 4/4 |
Carmen (1984) |
Click here to see the review. |
Roger Ebert |
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