Tomato |
M (1931) |
"The film doesn't ask for sympathy for the killer Franz Becker, but it asks for understanding: As he says in his own defense, he cannot escape or control the evil compulsions that overtake him." |
Roger Ebert |
Splat 2.5/4 |
M Butterfly (1993) |
Click here to see the review. |
Roger Ebert |
Tomato 4/4 |
M*A*S*H (1970) |
"One of the reasons M*A*S*H is so funny is that it's so desperate." |
Roger Ebert |
Tomato 3/4 |
Ma Vie En Rose (1997) |
Click here to see the review. |
Roger Ebert |
Tomato 4/4 |
Maborosi (1995) |
"Maborosi is one of those valuable films where you have to actively place yourself in the character's mind. There are times when we do not know what she is thinking, but we are inspired with an active sympathy." |
Roger Ebert |
Tomato 3.5/4 |
Mac (1993) |
Click here to see the review. |
Roger Ebert |
Splat 1/4 |
Macaroni (1985) |
Click here to see the review. |
Roger Ebert |
Splat 2/4 |
MacArthur's Children (1986) |
Click here to see the review. |
Roger Ebert |
Tomato 4/4 |
Macbeth (1971) |
"This is an original film by an original film artist, and not an 'interpretation.'" |
Roger Ebert |
Tomato 3/4 |
Macbeth (2007) |
"This Macbeth is true to the ugly-hearted original. No one is redeemed by gore, or absolved of madness. Nor do lines sound any less sublime when channeled through underlings and overlords." |
Bill Stamets |
Tomato 3/4 |
The Machinist (2004) |
"The director Brad Anderson, working from a screenplay by Scott Kosar, wants to convey a state of mind, and he and Bale do that with disturbing effectiveness." |
Roger Ebert |
Splat 1.5/4 |
Mack the Knife (1990) |
"The movie is finally just a slog through a half-digested plot, involving half-understood characters who bear the names, but not the meanings or the spirits, of the Brecht and Weill originals." |
Roger Ebert |
Splat 1.5/4 |
The Mackintosh Man (1973) |
"The movie is irritating in its refusal to make things clear; if spy movies are going to work like clockwork, they have to be put together with some care." |
Roger Ebert |
Splat 2/4 |
Mad City (1997) |
Click here to see the review. |
Roger Ebert |
Tomato 3.5/4 |
Mad Dog and Glory (1993) |
"Mad Dog and Glory is the kind of movie I like to see more than once." |
Roger Ebert |
Splat 0/4 |
Mad Dog Time (1996) |
"The first movie I have seen that does not improve on the sight of a blank screen viewed for the same length of time." |
Roger Ebert |
Tomato 3/4 |
Mad Love (1995) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
Mad Max Beyond Thunderdome (1985) |
"More visionary and more entertaining than the first two." |
Roger Ebert |
Splat 1.5/4 |
Mad Money (2008) |
"There is little suspense, no true danger; their plan is simple, the complications are few, and they don't get excited much beyond some high-fives and hugs and giggles." |
Roger Ebert |
Tomato 3/4 |
Madadayo (1993) |
"This is the kind of film we would all like to make, if we were very old and very serene. There were times when I felt uncannily as if Kurosawa were filming his own graceful decline into the night." |
Roger Ebert |
Splat 2.5/4 |
Madagascar (2005) |
"It'll be fun for the smaller kids, but there's not much crossover appeal for their parents." |
Roger Ebert |
Tomato 3/4 |
Madagascar: Escape 2 Africa (2008) |
"This is a brighter, more engaging film than the original Madagascar." |
Roger Ebert |
Tomato 3/4 |
Madame Bovary (1992) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
Madame Butterfly (1995) |
Click here to see the review. |
Roger Ebert |
Splat 2/4 |
Madame Sata (2003) |
"If we never really understand Joao, there is another problem with the character, and that is: He isn't very nice. I refer not to his crimes, but to the way he treats those who care for him." |
Roger Ebert |
Tomato 4/4 |
Madame Sousatzka (1988) |
"An extraordinary movie that loves music and loves the people it is about, and has the patience to do justice to both." |
Roger Ebert |
Tomato 3/4 |
Made (2001) |
"The movie is difficult to describe because it's not what happens that matters, it's how it happens and why." |
Roger Ebert |
Tomato 3/4 |
Made in America (1993) |
Click here to see the review. |
Roger Ebert |
Splat 2/4 |
Made in Heaven (1987) |
Click here to see the review. |
Roger Ebert |
Splat 2/4 |
Made of Honor (2008) |
"Dempsey and Monaghan -- and the rest of the cast, for that matter -- give it their all, but it just isn't enough to lift this formulaic nonsense out of the stew of mediocrity in which it merely simmers from start to finish." |
Bill Zwecker |
Tomato 3/4 |
Madeline (1998) |
Click here to see the review. |
Roger Ebert |
Splat 2.5/4 |
Mademoiselle (1966) |
Click here to see the review. |
Roger Ebert |
Splat 2/4 |
Madhouse (1990) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
Madigan (1968) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
Madison (2005) |
"What is it about Indiana that inspires movies about small-town dreamers who come from behind to win?" |
Roger Ebert |
Tomato 4/4 |
The Madness of King George (1995) |
"The battle of wills between these two strong men [George and Willis] is the centerpiece of the movie, and hugely entertaining." |
Roger Ebert |
Tomato 3.5/4 |
Madonna - Truth or Dare (1991) |
Click here to see the review. |
Roger Ebert |
Splat 2/4 |
The Madwoman of Chaillot (1969) |
Click here to see the review. |
Roger Ebert |
Splat 2/4 |
Mafia! (1998) |
Click here to see the review. |
Roger Ebert |
Tomato 3.5/4 |
The Magdalene Sisters (2003) |
"A harrowing look at institutional cruelty." |
Roger Ebert |
Splat 1.5/4 |
Magic in the Water (1995) |
Click here to see the review. |
Roger Ebert |
Tomato 4/4 |
Magnolia (1999) |
"Magnolia is the kind of film I instinctively respond to. Leave logic at the door. Do not expect subdued taste and restraint, but instead a kind of operatic ecstasy." |
Roger Ebert |
Tomato 4/4 |
Mahanagar (1963) |
"One of the most rewarding screen experiences of our time. I warmly encourage you to see it." |
Roger Ebert |
Splat 2/4 |
Mahogany (1975) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
Maid in Manhattan (2002) |
"A skillful, glossy, formula picture, given life by the appeal of its stars." |
Roger Ebert |
Splat 2/4 |
Maid to Order (1987) |
Click here to see the review. |
Roger Ebert |
Splat 2/4 |
The Main Event (1979) |
Click here to see the review. |
Roger Ebert |
Tomato 3.5/4 |
The Majestic (2001) |
"It tells a full story with three acts, it introduces characters we get to know and care about, and it has something it passionately wants to say." |
Roger Ebert |
Splat 1.5/4 |
Major League 2 (1994) |
"The humor is so predictable, forced and awkward that the actors sometimes seem like helpless bystanders." |
Roger Ebert |
Tomato 3/4 |
Major Payne (1995) |
Click here to see the review. |
Roger Ebert |
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