Tomato 3/4 |
O (2001) |
"A good film for most of the way, and then a powerful film at the end." |
Roger Ebert |
Splat 2.5/4 |
O Brother, Where Art Thou? (2000) |
"I had the sense of invention set adrift; of a series of bright ideas wondering why they had all been invited to the same film." |
Roger Ebert |
Splat C |
O Jerusalem (2007) |
"Good intentions often make bad movies." |
Nell Minow |
Tomato 3.5/4 |
O'Horten (2009) |
"The thing about a deadpan comedy is, it must involve us in the lives of its characters, so we can understand why they are funny while at the same time so distant. O'Horten, a bittersweet whimsy by the Norwegian director Bent Hamer, finds that effortless." |
Roger Ebert |
Tomato 3/4 |
Oasis (2004) |
"A brave film in the way it shows two people who find any relationship almost impossible, and yet find a way to make theirs work." |
Roger Ebert |
Tomato 3.5/4 |
The Object of Beauty (1991) |
Click here to see the review. |
Roger Ebert |
Splat 2/4 |
The Object Of My Affection (1998) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
Obsession (1976) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
Ocean's Eleven (2001) |
"It didn't shake me up and I wasn't much involved, but I liked it as a five-finger exercise." |
Roger Ebert |
Splat 2.5/4 |
Ocean's Thirteen (2007) |
"I know full well I'm expected to Suspend My Disbelief. Unfortunately, my disbelief is very heavy, and during Ocean's Thirteen, the suspension cable snapped." |
Roger Ebert |
Tomato 3/4 |
Ocean's Twelve (2004) |
"Soderbergh and his scenarists, George Clayton Johnson, Jack Golden Russell and George Nolfi, are doing a jazz riff. This isn't a caper movie at all, it's an improvisation on caper themes." |
Roger Ebert |
Tomato 3.5/4 |
October Sky (1999) |
"This movie has deep values." |
Roger Ebert |
Tomato 3.5/4 |
The Odd Couple (1968) |
"It does well as an evening's entertainment." |
Roger Ebert |
Splat 1.5/4 |
The Odd Couple II (1997) |
Click here to see the review. |
Roger Ebert |
Splat 2.5/4 |
Ode to Billy Joe (1976) |
Click here to see the review. |
Roger Ebert |
Tomato 3.5/4 |
Of Mice and Men (1992) |
Click here to see the review. |
Roger Ebert |
Tomato 3.5/4 |
Of Time and the City (2009) |
"The film invites a reverie. It inspired thoughts of the transience of life." |
Roger Ebert |
Tomato 3.5/4 |
Off Beat (1985) |
Click here to see the review. |
Roger Ebert |
Splat 1.5/4 |
Off Limits (1988) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
Off the Black (2006) |
"The beauty of this film lies in its sense of promise. All the characters are in crisis, yet no one completely falls apart." |
Teresa Budasi |
Tomato 3.5/4 |
Off the Map (2005) |
"In a stealthy and touching way, it shows how people can work on one another." |
Roger Ebert |
Tomato 3/4 |
Office Space (1999) |
"The movie's dialogue is smart. It doesn't just chug along making plot points." |
Roger Ebert |
Tomato 4/4 |
An Officer and a Gentleman (1982) |
Click here to see the review. |
Roger Ebert |
Tomato 4/4 |
The Official Story (1985) |
Click here to see the review. |
Roger Ebert |
Tomato 4/4 |
Offside (2006) |
"Most of this winning drama shows [girls] bantering with their male keepers, boyish soldiers who don't want to miss the game themselves. Over the crowd's roar, they argue about Islamic prohibitions and the statistics of star players." |
Bill Stamets |
Splat 2/4 |
The Oh in Ohio (2006) |
"At the end of the day, Kent and screenwriter Adam Wierzbianski have given us a mildly amusing premise, but fail to turn it into a story that takes us anywhere pleasurable." |
Bill Zwecker |
Splat 1/4 |
Oh! Heavenly Dog (1980) |
"It's a total miscalculation from beginning to end." |
Roger Ebert |
Tomato 3.5/4 |
Oh, God! (1977) |
"Carl Reiner's Oh, God! is a treasure of a movie: A sly, civilized, quietly funny speculation on what might happen if God endeavored to present himself in the flesh yet once again to forgetful Man." |
Roger Ebert |
Splat 2/4 |
Oh, God! Book 2 (1980) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
Okinawa Rendez-Vous (2000) |
Click here to see the review. |
Roger Ebert |
Splat 1/4 |
Old Dogs (2009) |
"Old Dogs seems to have lingered in post-production while editors struggled desperately to inject laugh cues. It obviously knows no one will find it funny without being ordered to." |
Roger Ebert |
Splat 1/4 |
Old Dracula (1974) |
Click here to see the review. |
Roger Ebert |
Splat 2/4 |
Old Gringo (1989) |
Click here to see the review. |
Roger Ebert |
Splat 1/4 |
Old School (2003) |
"This is not a funny movie, although it has a few good scenes and some nice work by Ferrell as an apparently compulsive nudist." |
Roger Ebert |
Tomato 4/4 |
Oldboy (2005) |
"Oldboy is a powerful film not because of what it depicts, but because of the depths of the human heart which it strips bare." |
Roger Ebert |
Tomato 4/4 |
Oldboy (2006) |
Click here to see the review. |
Roger Ebert |
Splat 2/4 |
Oleanna (1994) |
Click here to see the review. |
Roger Ebert |
Tomato 3.5/4 |
Oliver Twist (2005) |
"Polanski's film is visually exact and detailed without being too picturesque." |
Roger Ebert |
Tomato 4/4 |
Oliver! (1968) |
"A treasure of a movie." |
Roger Ebert |
Splat 2/4 |
The Omega Man (1971) |
"The ghouls are a little too ridiculous to quite fulfill their function in the movie. They make all the wrong decisions, are incompetent and ill-coordinated." |
Roger Ebert |
Splat 2.5/4 |
The Omen (1976) |
"As long as movies like The Omen are merely scaring us, they're fun in a portentous sort of way." |
Roger Ebert |
Tomato 3/4 |
The Omen (2006) |
"The Omen is a faithful remake of the 1976 film, and that's a relief; it depends on characters and situations and doesn't go berserk with visuals." |
Roger Ebert |
Splat 2/4 |
On A Clear Day (2006) |
"Nothing in On a Clear Day is especially compelling. The movie doesn't dig deep enough." |
Roger Ebert |
Tomato 3/4 |
On Any Sunday (1971) |
Click here to see the review. |
Roger Ebert |
Tomato 4/4 |
On Golden Pond (1981) |
"Watching the movie, I felt I was witnessing something rare and valuable." |
Roger Ebert |
Tomato 3.5/4 |
On the Edge (1986) |
"On the Edge may have a familiar formula, but it is an angry, original, unpredictable movie." |
Roger Ebert |
Splat 1/4 |
On the Line (2001) |
"An agonizingly creaky movie that laboriously plods through a plot so contrived that the only thing real about it is its length." |
Roger Ebert |
Tomato 4/4 |
On The Ropes (1999) |
Click here to see the review. |
Roger Ebert |
Tomato 4/4 |
On the Waterfront (1954) |
"It is still possible to feel the power of the film and of Brando and Kazan, who changed American movie acting forever." |
Roger Ebert |
Tomato 4/4 |
Once (2007) |
"[A] wonderful film that is one of the year's best." |
Mary Houlihan |
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