Splat 1/4 |
S.F.W. (1994) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
S.W.A.T. (2003) |
"A well-made police thriller." |
Roger Ebert |
Splat 2/4 |
S1m0ne (2002) |
"It's fitfully funny but never really takes off." |
Roger Ebert |
Tomato 3.5/4 |
Sabrina (1995) |
"Just as satisfying, if not as dry and cynical, as the original." |
Roger Ebert |
Tomato 3.5/4 |
Sacco and Vanzetti (1971) |
"... one of the best." |
Roger Ebert |
Tomato 4/4 |
The Sacrifice (1986) |
"The Sacrifice is not the sort of movie most people will choose to see, but those with the imagination to risk it may find it rewarding." |
Roger Ebert |
Tomato 3.5/4 |
The Saddest Music in the World (2004) |
"To see this film, to enter the world of Guy Maddin, is to understand how a film can be created entirely by its style, and how its style can create a world that never existed before, and lure us, at first bemused and then astonished, into it." |
Roger Ebert |
Tomato 3/4 |
Safe (1995) |
Click here to see the review. |
Roger Ebert |
Tomato 4/4 |
Safe Conduct (2002) |
"[While The Last Metro] was more melodramatic, confined to a single theater company and its strategies and deceptions, while Tavernier is more concerned with the entire period of history." |
Roger Ebert |
Splat 1/4 |
Safe Men (1998) |
Click here to see the review. |
Roger Ebert |
Splat 2/4 |
Safe Passage (1994) |
Click here to see the review. |
Roger Ebert |
- |
Safety Last (1923) |
Click here to see the review. |
Roger Ebert |
Splat 2/4 |
The Safety of Objects (2003) |
"The Safety of Objects is like a hike through the swamp of despond, with ennui sticking to our shoes." |
Roger Ebert |
Tomato 3/4 |
Sahara (2005) |
" I enjoyed this movie on its own dumb level, which must mean (I am forced to conclude) in my own dumb way." |
Roger Ebert |
Splat 2/4 |
The Saint (1997) |
"Compared with the sensational stunts and special effects in the Bond series, The Saint seems positively leisurely." |
Roger Ebert |
Tomato 3/4 |
The Saint of Fort Washington (1993) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
Saints And Soldiers |
"It has the strengths and the clean lines of a traditional war movie, without high-tech special effects to pump up the noise level." |
Roger Ebert |
Tomato 4/4 |
Salaam Bombay! (1988) |
"Nair has been able to make a film that has the everyday, unforced reality of documentary, and yet the emotional power of great drama." |
Roger Ebert |
Splat 2/4 |
Salome's Last Dance (1989) |
Click here to see the review. |
Roger Ebert |
Splat 1/4 |
The Salon (2005) |
"Everything about it is whompingly (whoopingly?) obvious, from the hit-you-over-the-head narration to the tidy ending." |
Paige Wiser |
Tomato 3/4 |
Salton Sea (2002) |
"I liked it because it was so endlessly, grotesquely, inventive." |
Roger Ebert |
Tomato 3/4 |
Salvador (1986) |
"Salvador is long and disjointed and tries to tell too many stories...But the heart of the movie is fascinating." |
Roger Ebert |
Splat 2/4 |
Samantha (1992) |
"The movie, which is intended as a comedy, turns into a test of patience." |
Roger Ebert |
Tomato 3.5/4 |
Sammy and Rosie Get Laid (1987) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
Samurai Rebellion (1967) |
"As extreme a samurai film as I've seen in both senses (the ethics and the violence), and one of the best." |
Roger Ebert |
Tomato 3/4 |
The Sandlot (1993) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
Sangre de Mi Sangre (2008) |
"Stumbles through a maddening screenplay but nevertheless generates true emotional energy." |
Roger Ebert |
Splat 2.5/4 |
Santa Claus - The Movie (1986) |
Click here to see the review. |
Roger Ebert |
Splat 2.5/4 |
The Santa Clause (1994) |
"Despite its charms, the movie didn't push over the top into true inspiration." |
Roger Ebert |
Tomato 3/4 |
The Santa Clause 2 (2002) |
"More of the same tinsel-draped malarkey that made the original film into a big hit, but it's more engaging, assured and funny, and I liked it more." |
Roger Ebert |
Tomato 4/4 |
Santa Sangre (1990) |
"The quality that Jodorowsky has above all is passionate sincerity. Apart from his wildly creative style, apart from his images, apart from his story inventions, he has strong moral feelings." |
Roger Ebert |
Tomato 4/4 |
Saraband (2005) |
"Powerfully, painfully honest." |
Roger Ebert |
Splat 2/4 |
Sarafina! (1992) |
Click here to see the review. |
Roger Ebert |
Splat 1.5/4 |
Sarah Silverman: Jesus is Magic (2005) |
"A movie that filled me with an urgent desire to see Sarah Silverman in a different movie." |
Roger Ebert |
Tomato 3.5/4 |
Saturday Night Fever (1977) |
"There's a lot in the movie that's sad and painful, but after a few years what you remember is John Travolta on the dance floor in that classic white disco suit, and the Bee Gees on the soundtrack." |
Roger Ebert |
Splat 1/4 |
Saturn 3 (1979) |
Click here to see the review. |
Roger Ebert |
Splat 2.5/4 |
Savage Grace (2008) |
"Living these lives, for these people, must have been sad and tedious, and so, inevitably, is their story, and it must be said, the film about it." |
Roger Ebert |
Tomato 3/4 |
Savage Messiah (1972) |
Click here to see the review. |
Roger Ebert |
Splat 2.5/4 |
Savage Nights (1994) |
Click here to see the review. |
Roger Ebert |
Tomato 3.5/4 |
The Savages (2007) |
"Both Linney and Hoffman are so specific in creating these characters that we see them as people, not elements in a plot." |
Roger Ebert |
Tomato 3/4 |
Save the Last Dance (2001) |
"The setup promises cliches, but the development is intelligent, the characters are more complicated than we expect, and the ending doesn't tie everything up in a predictable way." |
Roger Ebert |
Tomato 3/4 |
Save the Tiger (1973) |
Click here to see the review. |
Roger Ebert |
Tomato 3.5/4 |
Saved! (2004) |
"An important film as well as an entertaining one." |
Roger Ebert |
Splat 2/4 |
Saving Grace (2000) |
"We're left with a promising idea for a comedy, which arrives at some laughs but never finds its destination." |
Roger Ebert |
Tomato 4/4 |
Saving Private Ryan (1998) |
"A powerful experience." |
Roger Ebert |
Tomato 3.5/4 |
Saving Shiloh (2006) |
"It's a family film that deals with real problems and teaches real values, and yet is exciting and entertaining." |
Roger Ebert |
Splat 0.5/4 |
Saving Silverman (2001) |
"So bad in so many different ways that perhaps you should see it, as an example of the lowest slopes of the bell-shaped curve." |
Roger Ebert |
Tomato 3.5/4 |
Savior (1998) |
Click here to see the review. |
Roger Ebert |
Splat 2/4 |
Saw (2004) |
"An efficiently made thriller, cheerfully gruesome, and finally not quite worth the ordeal it puts us through." |
Roger Ebert |
Tomato 4/4 |
Say Amen, Somebody (1983) |
Click here to see the review. |
Roger Ebert |
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