Tomato 3/4 |
A.I. Artificial Intelligence (2001) |
"A movie both wonderful and maddening." |
Roger Ebert |
Tomato 3.5/4 |
About a Boy (2002) |
"Hugh Grant, who has a good line in charm, has never been more charming than in About a Boy." |
Roger Ebert |
Tomato 4/4 |
About Last Night... (1986) |
Click here to see the review. |
Roger Ebert |
Tomato 3.5/4 |
About Schmidt (2002) |
"That Jack Nicholson makes this man so watchable is a tribute not only to his craft, but to his legend." |
Roger Ebert |
Tomato 3/4 |
Above the Law (1988) |
"It contains 50 percent more plot than it needs, but that allows it room to grow in areas not ordinarily covered in action thrillers." |
Roger Ebert |
Tomato 3/4 |
' Above the Rim (1994) |
"The movie lives easily on the streets where it is shot, and the performances -- especially by Martin, Shakur and Pinkins -- are convincing." |
Roger Ebert |
Tomato 3/4 |
Absence of Malice (1981) |
"I not only liked this movie despite its factual and ethical problems -- I'm not even so sure they matter so much to most viewers." |
Roger Ebert |
Tomato 3.5/4 |
Absolute Power (1997) |
"Not many thrillers slow down to notice relationships, but this one does." |
Roger Ebert |
Tomato 4/4 |
The Accidental Tourist (1988) |
Click here to see the review. |
Roger Ebert |
Tomato 3.5/4 |
The Accompanist (1993) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
The Accused (1988) |
Click here to see the review. |
Roger Ebert |
Tomato 4/4 |
Across the Universe (2007) |
"The experience of the movie is joyous." |
Roger Ebert |
Tomato 4/4 |
Adaptation (2002) |
"What a bewilderingly brilliant and entertaining movie this is." |
Roger Ebert |
Tomato 3/4 |
Addams Family Values (1993) |
"Raul Julia and Anjelica Huston are given a lot of one-liners and payoff gags, of course, but what's funny is the stuff that comes in between -- the real affection with which they embrace each other, and the way they delight in their unspeakable lifestyle." |
Roger Ebert |
Tomato 3/4 |
The Adjuster (1991) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
Adoration (2009) |
"Why does Egoyan weave a tangled web? Because his characters are caught in it." |
Roger Ebert |
Tomato 3/4 |
Adventureland (2009) |
"Director Greg Mottola, who made the rather wonderful Superbad, is back now with a sweeter story, more quietly funny, again about a hero who believes he may be a virgin outstaying his shelf life." |
Roger Ebert |
Tomato 3/4 |
The Adventures of Baron Munchausen (1988) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
Adventures of Bullwhip Griffin (1967) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
The Adventures of Huck Finn (1993) |
Click here to see the review. |
Roger Ebert |
Tomato 4/4 |
The Adventures of Robin Hood (1938) |
"In these cynical days when swashbucklers cannot be presented without an ironic subtext, this great 1938 film exists in an eternal summer of bravery and romance." |
Roger Ebert |
Tomato 3/4 |
The Adventures of Rocky and Bullwinkle (2000) |
"There's a word for this movie, and that word is: jolly." |
Roger Ebert |
Tomato 3/4 |
The Adventures of Sebastian Cole (1999) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
The Adventures of the Great Mouse Detective (1986) |
"It's a lot of fun." |
Roger Ebert |
Tomato 3/4 |
The Advocate (1994) |
Click here to see the review. |
Roger Ebert |
Tomato 3.5/4 |
An Affair of Love (2000) |
Click here to see the review. |
Roger Ebert |
Tomato 4/4 |
Affliction (1997) |
Click here to see the review. |
Roger Ebert |
Tomato 4/4 |
After Hours (1985) |
"This is the work of a master filmmaker who controls his effects so skillfully that I was drained by this film." |
Roger Ebert |
Tomato 4/4 |
After Life (1998) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
After Sex (1997) |
"By the end of the film, we have come to admire Rouan's courage as a performer and a filmmaker, in following Diane's mania as far as it will go." |
Roger Ebert |
Tomato 4/4 |
After the Rehearsal (1984) |
"What we are left with at the end of After the Rehearsal, however, is the very strong sense of an artist who has sacrificed many lives for the sake of his art, and now wonders if perhaps one of those lives was his own." |
Roger Ebert |
Tomato 3/4 |
After The Wedding (2007) |
"Sounds like a soap opera. But Danish director Susanne Bier builds a high-minded melodrama from this plot material." |
Bill Stamets |
Tomato 3/4 |
Afterglow (1997) |
"How mysterious and intriguing some performances can be." |
Roger Ebert |
Tomato 3/4 |
Against All Odds (1984) |
Click here to see the review. |
Roger Ebert |
Tomato 3/4 |
Against the Ropes (2003) |
"Meanders until it gets to the final third of its running time, and then it catches fire." |
Roger Ebert |
Tomato 4/4 |
The Age of Innocence (1993) |
"Scorsese, that artist of headlong temperament, here exhibits enormous patience." |
Roger Ebert |
Tomato 3.5/4 |
The Agronomist (2004) |
"We watch Dominique use humor and cynicism as well as anger, and we understand he is not a zealot but simply a reasonable man saying reasonable things in an unreasonable country." |
Roger Ebert |
Tomato 4/4 |
Aguirre, the Wrath of God (1973) |
"One of the great haunting visions of the cinema." |
Roger Ebert |
Tomato 3.5/4 |
Aileen: The Life and Death of a Serial Killer (2003) |
"No one should have to endure the life that Aileen Wuornos led, and we leave the movie believing that if someone, somehow, had been able to help that little girl, her seven victims would never have died." |
Roger Ebert |
Tomato 3/4 |
Aimee & Jaguar (2000) |
"Schrader plays Felice with a kind of doomed and reckless bravery." |
Roger Ebert |
Tomato 3/4 |
Air Bud (1997) |
Click here to see the review. |
Roger Ebert |
Tomato 2.5/4 |
Air Force One (1997) |
"Harrison Ford is one of the most likable and convincing of movie stars, and he almost pulls off the impossible in Air Force One.' I don't mean he saves the day; I mean he almost saves the movie." |
Roger Ebert |
Tomato 3/4 |
Airplane! (1980) |
"It is sophomoric, obvious, predictable, corny, and quite often very funny. And the reason it's funny is frequently because it's sophomoric, predictable, corny, etc." |
Roger Ebert |
Tomato 4/4 |
Akeelah and the Bee (2006) |
"The story of Akeelah's ascent to the finals of the National Spelling Bee makes an uncommonly good movie, entertaining and actually inspirational, and with a few tears along the way." |
Roger Ebert |
Tomato 2.5/4 |
Al Franken: God Spoke (2006) |
"Often entertaining." |
Bill Stamets |
Tomato 3/4 |
Aladdin (1992) |
"Robin Williams and animation were born for one another, and in Aladdin they finally meet." |
Roger Ebert |
Tomato 3.5/4 |
The Alamo (2004) |
"Succeeds in taking those pop-culture brand names like Davy Crockett and Jim Bowie and giving them human form." |
Roger Ebert |
Tomato 4/4 |
Alex in Wonderland (1970) |
Click here to see the review. |
Roger Ebert |
Tomato 3.5/4 |
Alexandra (2008) |
"Remarkable, how little Sokurov tells us, while telling us so much." |
Roger Ebert |
Tomato 3/4 |
Alfie (2004) |
"Law's best scenes are when he doggedly tries to keep smiling as his lifestyle grows grim and depressing." |
Roger Ebert |
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