Tomato 3.5/4 |
Baadasssss! (2004) |
"It works as a biopic, as a truly American story, and as a sentimental, but never cloying, gift from son to father -- and from father to son." |
Allison Benedikt |
Tomato 3/4 |
Bab'Aziz - The Prince Who Contemplated His Soul (2008) |
"The cycle of youth and age and the trope of a journey come together inevitably, maybe predictably, but not without sparks of wisdom." |
Sid Smith |
Tomato 3.5/4 |
Babel (2006) |
"It sweeps you along in a tide of cinematic energy and high-voltage drama." |
Michael Wilmington |
Tomato |
Baby Boy (2001) |
"Baby Boy is a movie that will act like a smack in the face to some audiences, while others may simply laugh in recognition." |
Michael Wilmington |
Splat 2/4 |
Baby Mama (2008) |
"Every moment of this project feels beat-driven, focus-grouped and designed to package Fey as a viable movie star with great pins (as one character takes pains to note) to go with the breasts (ditto). This isn't writing, it's advertising." |
Michael Phillips |
Splat |
The Bachelor (1999) |
"You know a movie is desperately overreaching when Peter Ustinov, affecting a dreadful southern accent as Jimmy's grandfather, must yell into a megaphone for no apparent reason: 'The human condition!'" |
Mark Caro |
- |
Backstage (2000) |
Click here to see the review. |
|
Splat 2/4 |
Backstage (2006) |
"From that very first scene, which plays like a berserk fantasy erupting into the movie's 'reality,' I found Backstage almost impossible to believe." |
Michael Wilmington |
Splat 2.5/4 |
Bad Boys II (2003) |
"Bad Boys II gives new meaning to that overused phrase 'over the top.'" |
Michael Wilmington |
- |
Bad City (2006) |
Click here to see the review. |
Michael Wilmington |
Splat 2/4 |
Bad Company (2002) |
"If you've seen the trailer, you've seen almost everything good in Bad Company." |
Michael Wilmington |
Splat 2.5/4 |
Bad Education (2004) |
"If only Bad Education engaged the heart as much as the head, Almodovar's fractured tale might have risen above its alienating noir conventions." |
Robert K. Elder |
Tomato 3.5/4 |
Bad Lieutenant: Port of Call New Orleans (2009) |
"Herzog has found his ideal interpreter, a performer whose truth lies deep in the artifice of performance: ladies and gentlemen, Nicolas Cage, at his finest." |
Michael Phillips |
Tomato 3/4 |
Bad News Bears (2005) |
"A good movie, not the disgraceful, witlessly modernized rip-off we have grown to expect from remakes." |
Michael Wilmington |
Tomato 3.5/4 |
Bad Santa (2003) |
"The foulest holiday movie I've ever seen -- and the funniest." |
Mark Caro |
Tomato 4/5 |
Baghead (2008) |
"Delightfully unpredictable." |
Michael Ordoña |
Splat |
Baise Moi (2001) |
"A fast-moving shocker, but it's a dull shocker, so morally dead that it deadens you to watch it." |
Michael Wilmington |
Splat |
Bait (2000) |
"This film wastes a lot of good actors." |
Michael Wilmington |
Splat 2.5/4 |
The Ballad of Jack and Rose (2005) |
"The film disappoints, partly because it inspires such large expectations." |
Michael Wilmington |
Tomato 4/4 |
Ballast (2008) |
"Ballast strikes me as one of the few American pictures of 2008 to say what it wants to say, visually and narratively, about a specific situation and part of the country, in a way that transcends regional specifics." |
Michael Phillips |
Tomato 3/4 |
Ballerina (2008) |
"Dance aficionados will be sent over the moon by this compelling documentary from director Bertrand Norman, chronicling what it takes to be a prima ballerina in the Mariinski Theatre." |
Michael Phillips |
Tomato 4/4 |
Ballets Russes (2005) |
"Ballets Russes may not be the greatest dance documentary ever made, but it could well be the most accessible and touching." |
Sid Smith |
Splat 1.5/4 |
Ballistic: Ecks vs. Sever (2002) |
"Ballistic offers little beyond what you'd find in a typical subpar Hollywood action film." |
Robert K. Elder |
Tomato 3.5/4 |
Balzac and the Little Chinese Seamstress (2005) |
"A fine, gentle film love story and a cinematic tribute to the power and manifold benefits of communications between different cultures and nations." |
Michael Wilmington |
Tomato 3.5/4 |
Bamako (2006) |
"[Director] Sissako has an unusual camera eye, patient and alert to the ebb and flow of both the courtroom sequences and the outside scenes. The music is wonderful as well." |
Michael Phillips |
Tomato |
Bamboozled (2000) |
"It's a movie that both entertains and provokes -- would we expect anything less from Spike Lee?" |
Michael Wilmington |
Tomato |
Band of Outsiders (1964) |
"Watching it, you can almost sense the way the world looked and smelled back in the heyday of the young Beatles and the dying Hollywood Golden Age." |
Michael Wilmington |
Tomato 3/4 |
The Band's Visit (2007) |
"You can watch The Band's Visit for its political idealism, or you can watch it for entertainment value alone. In either case, it doesn't disappoint." |
Jessica Reaves |
Tomato 3/4 |
Bandits (2001) |
"A slickly produced, verbally nimble comic thriller." |
Michael Wilmington |
Tomato 3/4 |
Bandslam (2009) |
"The bonus in this modest charmer? Not a single major female character, including Will’s single mother played by Lisa Kudrow, is subjected to the usual Hollywood rom-com demonization." |
Michael Phillips |
Splat 2/4 |
Bang Rajan (2004) |
"The dramatic ploy is so disjointing, it's not often clear if Jitnukul's narrative is in the past or present." |
Robert K. Elder |
Tomato 3/4 |
The Banger Sisters (2002) |
"A lot of fun, with an undeniable energy sparked by two actresses in their 50s working at the peak of their powers." |
Mark Caro |
Tomato 2.5/4 |
Bangkok Dangerous (2001) |
"If you're looking for something different, the movie certainly qualifies. How many visually snappy Thai urban romance/crime thrillers have you seen lately?" |
Michael Wilmington |
Splat 2/4 |
The Bank (2002) |
"Like the film itself, Jim Doyle is smart enough to be engaging and lovely to look at, but he's too one-dimensional to be satisfying." |
Emily Nunn |
Tomato 3/4 |
Bank Ban (2001) |
"An operatic rarity worth catching even if you don't happen to be an opera fan." |
John von Rhein |
Tomato 3/4 |
The Bank Job (2008) |
"Any heist film containing the line 'I will not be lectured by the porn king of Soho!' is on the right track." |
Michael Phillips |
Tomato 2.5/4 |
Baraka (1994) |
"The form is ravishing, though the content suffers by comparison." |
Patrick Z. McGavin |
Tomato 3.5/4 |
Baran (2002) |
"A mix of gritty realism, crisp storytelling and radiant compassion that effortlessly draws you in." |
Michael Wilmington |
Tomato 4/4 |
The Barbarian Invasions (2003) |
"A film that effortlessly makes you laugh with delight, cringe with pain and weep for life's inevitable end." |
Michael Wilmington |
Tomato 3/4 |
Barbershop (2002) |
"An entertaining, surprisingly well-written and often rowdily amusing picture." |
Michael Wilmington |
Splat 2.5/4 |
Barbershop 2: Back in Business (2004) |
"This time around, the razors are a little duller, the clicks not as slick, the patter not as snappy." |
Michael Wilmington |
Tomato 3/4 |
Barnyard: The Original Party Animals (2006) |
"Barnyard can at least hold its head up as a sharply scripted effort that, while assembled from familiar elements, does not feel focus-grouped and committeed to death." |
Michael Phillips |
Splat 2.5/4 |
Basic (2003) |
"When you get to the last Basic twist, I doubt you'll feel the movie played very fair with you, or that the situation makes much sense." |
Michael Wilmington |
Splat 1.5/4 |
Basic Instinct 2 (2006) |
"In Basic Instinct 2 the manufactured thrill is gone." |
Michael Phillips |
Tomato 3/4 |
Batman Begins (2005) |
"Nolan turns Batman Begins into something much closer to Miller's 'Dark Knight' interpretation than the glamorous, slam-bang Hollywood jokefests into which the series had slipped by Batman and Robin time." |
Michael Wilmington |
Splat 2/4 |
Battle for Terra (2009) |
"Why is the film almost good, which is to say, not bad but not more? Largely, I think, it's because screenwriter Evan Spiliotopoulos invents a lot of narrative complication of minimal interest to stretch out a short film to feature length." |
Michael Phillips |
Splat 1.5/4 |
Battle in Seattle (2008) |
"... will leave you slightly better informed than two hours spent staring at a wall." |
Colin Covert |
Splat 2/4 |
The Battle of Shaker Heights (2003) |
"Without any of the dramatic transitions, we're left with a pileup of scenes, none of them very funny, and a thin, linear plot." |
Allison Benedikt |
Splat |
Battlefield Earth (2000) |
"The movie plays like an uglier, Earth-bound Star Wars, interrupted by frequent Psychlo temper tantrums." |
Michael Wilmington |
Splat 2/4 |
The Baxter (2005) |
"Michael Showalter is a funny man, but … how to put this gently … not a funny movie star." |
Allison Benedikt |