Eagle Eye (2008)

"For all its digitally effected chaos, the cinematic threat level in Eagle Eye never even comes close to orange."

Eating Out 2: Sloppy Seconds (2006)

"... cheerful but one-note ..."

Edmond (2006)

"The most effective Mamet play adaptation I've seen since James Foley's blistering 1992 Glengarry Glen Ross."

Edvard Munch (1976)

"Brings us close to both the creator and his creations."

Eight Legged Freaks (2002)

"However many screaming teenagers it produces at the multiplexes, Eight Legged Freaks isn't good or funny enough to reinvigorate the style. It can't even maintain its own initial zing."

Eisenstein (2002)

"If you're content with a clever pseudo-bio that manages to have a good time as it doles out pieces of the famous director's life, Eisenstein delivers."

El Camino (2009)

"An existentially loaded road trip, El Camino succeeds thanks to director Erik Weigel, tackling his first full-length feature, and a talented cast that includes Elisabeth Moss of Mad Men."

Elegy (2008)

"Elegy is a curious example of misplaced good taste. Spanish-born director Isabel Coixet's film, adapted by Nicholas Meyer, recasts into softer, more palatable material the...third in Philip Roth's stories driven by the sensual obsessions of Roth al"

Elephant (2003)

"An exercise in voyeurism and a trancelike plunge into the dark side of American teen life that can both fascinate and repel you."

Elf (2003)

"Formulaic but lovable."

Elizabethtown (2005)

"It dares you to care about any of its people or incidents or sentiments, foisting the characters' little comic quirks on the audience like they're fenced goods."

Ellie Parker (2005)

"The premise -- someone trying to inject meaning into a necessarily vacuous existence -- is depressing, but there are moments of vaguely uncomfortable hilarity. The whole endeavor, however, winds up feeling flat and a bit dull."

Emmanuel's Gift (2005)

"This film becomes memorable through the sheer force of Emmanuel's personality: his ready smile, his intent gaze, his fierce resolution and the way he keeps moving forward, against all barriers."

The Emperor's New Clothes (2002)

"A sumptuous showcase for Ian Holm, who delivers not one but two great performances."

Empire (2002)

"Looks and feels like a low-budget hybrid of Scarface or Carlito's Way."

Enchanted (2007)

"[Amy Adams is] every Disney princess in one ebullient package."

End of Days (1999)

"End of Days is an overblown, overspectacular, oversold movie without an original idea in its head."

End of the Spear (2006)

"End of the Spear is a childish and visually repetitive movie, ham-fisted, proselytizing and overtly simplified."

Enduring Love (2004)

"Slowly, inexorably, it ties you in knots."

Enemy of the State (1998)

"If the creation of paranoia is entertainment, Enemy of the State works."

The English Surgeon (2009)

"Exceptionally well-crafted, this doc may appeal most to those who have a doctor in the family. But I can't imagine anyone seeing it dispassionately."

Enough (2002)

"Despite a story that starts off convincingly, this movie turns into melodramatic, revenge-crazy Hollywood mush."

Entrapment (1999)

"A wildly expensive movie full of computers, nonsense and violence, a film where wit, romance, elegance - everything - is sacrificed on the altar of giganticism, cliche and over-the-top action."

Equilibrium (2002)

"The characters act like robots, and the story unfolds like a computer program."

Erin Brockovich (2000)

"One of the gutsiest, most exciting, and most satisfying courtroom docudramas ever, one that genuinely lifts the spirits as you watch it."