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Critics / Publications / Chicago Tribune

Other Info

Authors
    • Robert Abele
    • Sam Adams
    • Alan G. Artner
    • Allison Benedikt
    • Geoff Berkshire
    • Christopher Borrelli
    • Brett Buckalew
    • Lou Carlozo
    • Mark Caro
    • Kelley L. Carter
    • Carina Chocano
    • Colin Covert
    • Vicky Edwards
    • Robert K. Elder
    • Monica Eng
    • Michael Esposito
    • Ellen Fox
    • Gary Goldstein
    • Eric Gwinn
    • Allison Arnold Helminski
    • Allan Johnson
    • Chris Jones
    • Loren King
    • Rick Kogan
    • Greg Kot
    • Donald Liebenson
    • Sheri Linden
    • Alexis Loinaz
    • Maureen M. Hart
    • Patrick Z. McGavin
    • Roger Moore
    • Emily Nunn
    • Achy Obejas
    • Mark Olsen
    • Michael Ordoņa
    • Matt Pais
    • John Petrakis
    • Michael Phillips
    • Scott L. Powers
    • Jessica Reaves
    • Alejandro Riera
    • Tasha Robinson
    • Scott Schueller
    • Betsy Sharkey
    • Barbara Shulgasser
    • Gene Siskel
    • Sid Smith
    • Jan Stuart
    • Kevin Thomas
    • Phil Vettel
    • John von Rhein
    • Glenn Whipp
    • Kevin M. Williams
    • Michael Wilmington

Chicago Tribune

  
a b c d e f ( g ) h i j k l m n o p q r s t u v w x y z Other   (1-50) of 133 3346 Total Next
  
Source Table
Rating Title Year Quote Author

Splat
1.5/4

G (2002)

"The filmmakers are going for something operatic here with their mix of love and loss, rap and race. They miss. By a lot."

Allison Benedikt

Splat
2/4

G-Force (2009)

"Producer Bruckheimer and...director...Hoyt H. Yeatman Jr. see no stylistic difference between the frenetic derring-do of G-Force and the atmosphere of such Bruckheimer hits as Con Air or The Rock."

Michael Phillips

Splat
2/4

G.I. Joe: The Rise of Cobra (2009)

"[Director] Sommers did the first two chaotic Mummy remakes; those play like Tender Mercies compared to this one."

Michael Phillips

Tomato
4/4

Gabrielle (2005)

"Husband and wife, upper-class couple Jean and Gabrielle Hervey, are played, to perfection, by two of France's premier film actors: Pascal Greggory and Isabelle Huppert."

Michael Wilmington

Splat

Galaxy Quest (1999)

"It's a clever premise but not one that lends itself to an hour and 42 minutes of high jinks."

Mark Caro

Tomato
3.5/4

Game Over - Kasparov and the Machine (2003)

"One of the most exciting, instructive and sheerly entertaining of all chess films."

Michael Wilmington

Splat
1/4

Games People Play: New York (2004)

"99 minutes of excruciating 'reality.'"

Robert K. Elder

Tomato
4/4

Gangs of New York (2002)

"A magnificent throwback to an almost vanished era of epic filmmaking by great filmmakers in thrall to their own passions, rather than to the studio bookkeepers."

Michael Wilmington

Splat
2/4

Garage Days (2003)

"This movie could only work if the jokes were funny, and writers David Warner and Michael Udesky don't deliver the goods."

Michael Wilmington

Tomato
3/4

Garcon Stupide (2006)

"Brooding, beautiful and ultimately redemptive story of sex, more sex and -- just maybe -- love."

Jessica Reaves

Tomato
3/4

Garden State (2004)

"Braff, now a proven triple-threat, is blessed with his own comic chops, an eye for the small details of regular life and a simple, straightforward directorial style."

Allison Benedikt

Splat
2/4

Garfield the Movie (2004)

"Feels like an 82-minute commercial for Garfield, The Brand rather than cinematic dumb fun."

Robert K. Elder

Tomato
2.5/4

Garfield: A Tail of Two Kitties (2006)

"I've always had a soft spot for Garfield, and this may account, at least in part, for the fact that I enjoyed a lot of this movie. When the humans have the sense to keep quiet, and the animals are doing their shtick, there's great fun to be had."

Jessica Reaves

Splat
2.5/4

The Gatekeeper (2002)

"Propaganda with its heart in the right place is still propaganda, and seldom easy to watch."

Robert K. Elder

Tomato
2.5/4

The Gates (2007)

"Anyone with an interest in contemporary art on a heroic scale should find Christo's practice fascinating."

Alan G. Artner

Splat
2.5/4

Gay Sex in the 70's (2005)

"... Lovett's tribute to a bygone era feels like it might resonate deeper if context and character overpowered story upon story of sexual excess."

Robert K. Elder

Splat

The General's Daughter (1999)

"A self-destructive movie."

Michael Wilmington

Tomato
3/4

Genesis - Where Are We Coming From? (2005)

"With quiet skill and some poetry, Nuridsany and Perennou -- who began as award-winning nature photographers and popular book writers -- give us a big peek into their infinite theme and subject."

Michael Wilmington

Tomato
3/4

George A. Romero's Diary of the Dead (2008)

"The way Diary of the Dead chooses to deliver its gore, you know you're in the hands of a grown-up uninterested in the excesses of the Saw or Hostel pictures."

Michael Phillips

Tomato
4/4

George A. Romero's Land of the Dead (2005)

"Land of the Dead proves the most socially trenchant, irreverent and politically daring of the series, the one with the most food (and gore) for thought."

Michael Wilmington

Splat
2/4

Georgia Rule (2007)

"Maybe Georgia Rule should be required viewing for Paris Hilton during her term in the slammer. But not for us."

Michael Wilmington

Tomato
3.5/4

Gerry (2003)

"It's definitely one of the strangest films ever made by a major U.S. director -- yet I liked it."

Michael Wilmington

Splat

Get Carter (2000)

"The result is Get Carter for dummies, the biggest ones being those who pay to see it. It's also an incoherent, irredeemable mess."

Mark Caro

Splat
2.5/4

Get Rich or Die Tryin' (2005)

"Sheridan's ensemble ensures that Get Rich, the film, comes to life around the edges, if not at its center."

Michael Phillips

Splat
2/4

Get Smart (2008)

"Missed it by that much. Actually, the new version of Get Smart misses by a fair-size margin. It's too bad. It's just trying to give us a good time at the retroplex."

Michael Phillips

Tomato

Ghost Dog: The Way of the Samurai (1999)

"Ghost Dog is... a delight for those who know his work, maybe a mystery for those who don't."

Michael Wilmington

Tomato
3/4

Ghost in the Shell 2: Innocence (2004)

"Those able to pick through the hiss-tangled web of circuitry and wiring will find Ghost in the Shell 2 an electrically-charged philosophical action movie."

Robert K. Elder

Splat
2/4

Ghost Ship (2002)

"An adequate horror movie for the Halloween season, but it too easily sinks into haunted-house-film conventions, even if the haunted house is decked out as an Italian luxury liner."

Loren King

Tomato
3/4

Ghost World (2001)

"Enid and Rebecca ring true. Their attitudes seem real; so do their dilemmas."

Michael Wilmington

-

Ghostbusters (1984)

"Harold Ramis Confirms Ghostbusters III"

Mark Caro

Tomato
2.5/4

Ghosts of Girlfriends Past (2009)

"Despite my McConaughey resistance I got more guilty chuckles from Ghosts of Girlfriends Past than Failure to Launch or Four Christmases."

Michael Phillips

Splat
2/4

Ghosts of the Abyss (2003)

"A trip to the bottom of the sea that has no real purpose save to flog the wreck of the Titanic, Cameron's cash cow."

Kevin M. Williams

Tomato

The Gift (2001)

"Within its limits, it has rock-solid craftsmanship and a dream cast that may be better than the material."

Michael Wilmington

Tomato
3.5/4

Gigantic (A Tale of Two Johns) (2003)

"Their sheer existence affirms that all things corporate and bland don't always win out -- that music can be intimate, political and alienating, sometimes all on the same album."

Robert K. Elder

Splat
1/4

Gigli (2003)

"Put together enough pointless, random details, and you get Gigli, a movie that's less incompetent than bewildering."

Mark Caro

Tomato
3.5/4

Gilles' Wife (2006)

"Like those '30 classics it suggests, Gilles' Wife seduces us with true cinematic magic: rich characters, great acting and that rapturous old French blend of realism and theatricality."

Michael Wilmington

Tomato
3.5/4

A Girl Cut in Two (2008)

"Spectacularly assured, A Girl Cut in Two keeps you off-balance as it establishes a world where every conversation is a flirtation, and trouble and heartbreak sneak in on little cat feet when no one’s looking."

Michael Phillips

Tomato
3/4

The Girl From Monaco (2009)

"This is a modest but expertly performed piece. And this summer, surrounded by lesser, louder, bigger and dumber diversions, it's especially welcome."

Michael Phillips

Tomato
2.5/4

The Girl Next Door (2004)

"Well matched with Cuthbert's nicely vulnerable performance, [Hirsch and Cuthbert] create a believable relationship on screen, despite the contrived nerd-meets-sexpot circumstances."

Allison Benedikt

Splat

Girl, Interrupted (1999)

"Unsatisfying and unconvincing."

Michael Wilmington

Tomato

Girlfight (2000)

"Will please many. It's a shame it's no knockout."

Michael Wilmington

Tomato
2.5/4

Girls Can't Swim (2002)

"Despite its shortcomings, Girls Can't Swim represents an engaging and intimate first feature by a talented director to watch, and it's a worthy entry in the French coming-of-age genre."

Loren King

Splat
2/4

Girls Rock (2004)

"There's too little clarity or thoroughness in the biographies, too few prolonged scenes of the girls creating their songs."

Sid Smith

Splat
2/4

Girls Rock! (2008)

"There's too little clarity or thoroughness in the biographies, too few prolonged scenes of the girls creating their songs."

Sid Smith

Tomato
2.5/4

Girls Will Be Girls (2003)

"While Day doesn't succeed in making us empathize with anyone on screen, he makes his characters definitely watchable and his dialogue crackles."

Robert K. Elder

Tomato

Gladiator (2000)

"The most visually spectacular of all Roman Empire epics."

Michael Wilmington

Splat
2/4

The Glamorous Life Of Sachiko Hanai (2007)

"Conceptually outlandish but routinely executed, this comic exploration of macho, control-freaky power struggles the world over remains skin-deep."

Michael Phillips

Splat
2.5/4

The Glass House (2001)

"Like a recurring nightmare, The Glass House is something that gets your motor racing briefly, but which you've seen all too often."

Michael Wilmington

Tomato
3/4

Glastonbury (2007)

"The portrait is spectacular and inclusive, if sometimes a bit overwhelming and confusing."

Michael Wilmington

Tomato

The Gleaners and I (2001)

"In its frames, we see [Varda's] empathy, skill, curiosity, wit, poetry and passion for life: everything she has gleaned from a lifetime of love and movies."

Michael Wilmington

  
a b c d e f ( g ) h i j k l m n o p q r s t u v w x y z Other   (1-50) of 133 3346 Total Next
  
 
 
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