Splat 1.5/4 |
G (2002) |
"The filmmakers are going for something operatic here with their mix of love and loss, rap and race. They miss. By a lot." |
Allison Benedikt |
Splat 2/4 |
G-Force (2009) |
"Producer Bruckheimer and...director...Hoyt H. Yeatman Jr. see no stylistic difference between the frenetic derring-do of G-Force and the atmosphere of such Bruckheimer hits as Con Air or The Rock." |
Michael Phillips |
Splat 2/4 |
G.I. Joe: The Rise of Cobra (2009) |
"[Director] Sommers did the first two chaotic Mummy remakes; those play like Tender Mercies compared to this one." |
Michael Phillips |
Tomato 4/4 |
Gabrielle (2005) |
"Husband and wife, upper-class couple Jean and Gabrielle Hervey, are played, to perfection, by two of France's premier film actors: Pascal Greggory and Isabelle Huppert." |
Michael Wilmington |
Splat |
Galaxy Quest (1999) |
"It's a clever premise but not one that lends itself to an hour and 42 minutes of high jinks." |
Mark Caro |
Tomato 3.5/4 |
Game Over - Kasparov and the Machine (2003) |
"One of the most exciting, instructive and sheerly entertaining of all chess films." |
Michael Wilmington |
Splat 1/4 |
Games People Play: New York (2004) |
"99 minutes of excruciating 'reality.'" |
Robert K. Elder |
Tomato 4/4 |
Gangs of New York (2002) |
"A magnificent throwback to an almost vanished era of epic filmmaking by great filmmakers in thrall to their own passions, rather than to the studio bookkeepers." |
Michael Wilmington |
Splat 2/4 |
Garage Days (2003) |
"This movie could only work if the jokes were funny, and writers David Warner and Michael Udesky don't deliver the goods." |
Michael Wilmington |
Tomato 3/4 |
Garcon Stupide (2006) |
"Brooding, beautiful and ultimately redemptive story of sex, more sex and -- just maybe -- love." |
Jessica Reaves |
Tomato 3/4 |
Garden State (2004) |
"Braff, now a proven triple-threat, is blessed with his own comic chops, an eye for the small details of regular life and a simple, straightforward directorial style." |
Allison Benedikt |
Splat 2/4 |
Garfield the Movie (2004) |
"Feels like an 82-minute commercial for Garfield, The Brand rather than cinematic dumb fun." |
Robert K. Elder |
Tomato 2.5/4 |
Garfield: A Tail of Two Kitties (2006) |
"I've always had a soft spot for Garfield, and this may account, at least in part, for the fact that I enjoyed a lot of this movie. When the humans have the sense to keep quiet, and the animals are doing their shtick, there's great fun to be had." |
Jessica Reaves |
Splat 2.5/4 |
The Gatekeeper (2002) |
"Propaganda with its heart in the right place is still propaganda, and seldom easy to watch." |
Robert K. Elder |
Tomato 2.5/4 |
The Gates (2007) |
"Anyone with an interest in contemporary art on a heroic scale should find Christo's practice fascinating." |
Alan G. Artner |
Splat 2.5/4 |
Gay Sex in the 70's (2005) |
"... Lovett's tribute to a bygone era feels like it might resonate deeper if context and character overpowered story upon story of sexual excess." |
Robert K. Elder |
Splat |
The General's Daughter (1999) |
"A self-destructive movie." |
Michael Wilmington |
Tomato 3/4 |
Genesis - Where Are We Coming From? (2005) |
"With quiet skill and some poetry, Nuridsany and Perennou -- who began as award-winning nature photographers and popular book writers -- give us a big peek into their infinite theme and subject." |
Michael Wilmington |
Tomato 3/4 |
George A. Romero's Diary of the Dead (2008) |
"The way Diary of the Dead chooses to deliver its gore, you know you're in the hands of a grown-up uninterested in the excesses of the Saw or Hostel pictures." |
Michael Phillips |
Tomato 4/4 |
George A. Romero's Land of the Dead (2005) |
"Land of the Dead proves the most socially trenchant, irreverent and politically daring of the series, the one with the most food (and gore) for thought." |
Michael Wilmington |
Splat 2/4 |
Georgia Rule (2007) |
"Maybe Georgia Rule should be required viewing for Paris Hilton during her term in the slammer. But not for us." |
Michael Wilmington |
Tomato 3.5/4 |
Gerry (2003) |
"It's definitely one of the strangest films ever made by a major U.S. director -- yet I liked it." |
Michael Wilmington |
Splat |
Get Carter (2000) |
"The result is Get Carter for dummies, the biggest ones being those who pay to see it. It's also an incoherent, irredeemable mess." |
Mark Caro |
Splat 2.5/4 |
Get Rich or Die Tryin' (2005) |
"Sheridan's ensemble ensures that Get Rich, the film, comes to life around the edges, if not at its center." |
Michael Phillips |
Splat 2/4 |
Get Smart (2008) |
"Missed it by that much. Actually, the new version of Get Smart misses by a fair-size margin. It's too bad. It's just trying to give us a good time at the retroplex." |
Michael Phillips |
Tomato |
Ghost Dog: The Way of the Samurai (1999) |
"Ghost Dog is... a delight for those who know his work, maybe a mystery for those who don't." |
Michael Wilmington |
Tomato 3/4 |
Ghost in the Shell 2: Innocence (2004) |
"Those able to pick through the hiss-tangled web of circuitry and wiring will find Ghost in the Shell 2 an electrically-charged philosophical action movie." |
Robert K. Elder |
Splat 2/4 |
Ghost Ship (2002) |
"An adequate horror movie for the Halloween season, but it too easily sinks into haunted-house-film conventions, even if the haunted house is decked out as an Italian luxury liner." |
Loren King |
Tomato 3/4 |
Ghost World (2001) |
"Enid and Rebecca ring true. Their attitudes seem real; so do their dilemmas." |
Michael Wilmington |
- |
Ghostbusters (1984) |
"Harold Ramis Confirms Ghostbusters III" |
Mark Caro |
Tomato 2.5/4 |
Ghosts of Girlfriends Past (2009) |
"Despite my McConaughey resistance I got more guilty chuckles from Ghosts of Girlfriends Past than Failure to Launch or Four Christmases." |
Michael Phillips |
Splat 2/4 |
Ghosts of the Abyss (2003) |
"A trip to the bottom of the sea that has no real purpose save to flog the wreck of the Titanic, Cameron's cash cow." |
Kevin M. Williams |
Tomato |
The Gift (2001) |
"Within its limits, it has rock-solid craftsmanship and a dream cast that may be better than the material." |
Michael Wilmington |
Tomato 3.5/4 |
Gigantic (A Tale of Two Johns) (2003) |
"Their sheer existence affirms that all things corporate and bland don't always win out -- that music can be intimate, political and alienating, sometimes all on the same album." |
Robert K. Elder |
Splat 1/4 |
Gigli (2003) |
"Put together enough pointless, random details, and you get Gigli, a movie that's less incompetent than bewildering." |
Mark Caro |
Tomato 3.5/4 |
Gilles' Wife (2006) |
"Like those '30 classics it suggests, Gilles' Wife seduces us with true cinematic magic: rich characters, great acting and that rapturous old French blend of realism and theatricality." |
Michael Wilmington |
Tomato 3.5/4 |
A Girl Cut in Two (2008) |
"Spectacularly assured, A Girl Cut in Two keeps you off-balance as it establishes a world where every conversation is a flirtation, and trouble and heartbreak sneak in on little cat feet when no ones looking." |
Michael Phillips |
Tomato 3/4 |
The Girl From Monaco (2009) |
"This is a modest but expertly performed piece. And this summer, surrounded by lesser, louder, bigger and dumber diversions, it's especially welcome." |
Michael Phillips |
Tomato 2.5/4 |
The Girl Next Door (2004) |
"Well matched with Cuthbert's nicely vulnerable performance, [Hirsch and Cuthbert] create a believable relationship on screen, despite the contrived nerd-meets-sexpot circumstances." |
Allison Benedikt |
Splat |
Girl, Interrupted (1999) |
"Unsatisfying and unconvincing." |
Michael Wilmington |
Tomato |
Girlfight (2000) |
"Will please many. It's a shame it's no knockout." |
Michael Wilmington |
Tomato 2.5/4 |
Girls Can't Swim (2002) |
"Despite its shortcomings, Girls Can't Swim represents an engaging and intimate first feature by a talented director to watch, and it's a worthy entry in the French coming-of-age genre." |
Loren King |
Splat 2/4 |
Girls Rock (2004) |
"There's too little clarity or thoroughness in the biographies, too few prolonged scenes of the girls creating their songs." |
Sid Smith |
Splat 2/4 |
Girls Rock! (2008) |
"There's too little clarity or thoroughness in the biographies, too few prolonged scenes of the girls creating their songs." |
Sid Smith |
Tomato 2.5/4 |
Girls Will Be Girls (2003) |
"While Day doesn't succeed in making us empathize with anyone on screen, he makes his characters definitely watchable and his dialogue crackles." |
Robert K. Elder |
Tomato |
Gladiator (2000) |
"The most visually spectacular of all Roman Empire epics." |
Michael Wilmington |
Splat 2/4 |
The Glamorous Life Of Sachiko Hanai (2007) |
"Conceptually outlandish but routinely executed, this comic exploration of macho, control-freaky power struggles the world over remains skin-deep." |
Michael Phillips |
Splat 2.5/4 |
The Glass House (2001) |
"Like a recurring nightmare, The Glass House is something that gets your motor racing briefly, but which you've seen all too often." |
Michael Wilmington |
Tomato 3/4 |
Glastonbury (2007) |
"The portrait is spectacular and inclusive, if sometimes a bit overwhelming and confusing." |
Michael Wilmington |
Tomato |
The Gleaners and I (2001) |
"In its frames, we see [Varda's] empathy, skill, curiosity, wit, poetry and passion for life: everything she has gleaned from a lifetime of love and movies." |
Michael Wilmington |