Haiku Tunnel (2001)

"A funny movie, but like 'Josh' himself, it's too self-absorbed, and maybe too nice, for its own good."

Half Nelson (2006)

"A wholly absorbing and delicately shaded portrait of an educator played by Ryan Gosling, a young man harboring an offstage secret."

Halloween: Resurrection (2002)

"Like its parade of predecessors, this Halloween is a gory slash-fest. It can't escape its past, and it doesn't want to."

Hancock (2008)

"In this highly superheroic summer of Iron Man and the forthcoming The Dark Knight, Hancock can offer only an A-list headliner in a D-list project."

Hangman's Curse (2003)

"We definitely could use more wholesome teenage flicks, but Hangman's Curse is just plain hokum -- not so much for the values it tries to convey, but the slipshod way it conveys them."

Hannah Montana The Movie (2009)

"The movie's only mission is to further a brand, and it exists specifically to prop up its song list, which includes the latest dance craze, 'Hoedown Throwdown,' in which Miley exhorts us to pop it, lock it and, to the best of our abilities, 'polka-dot it."

Hannibal (2001)

"Both spectacular and disappointing."

The Happening (2008)

"After the insufferably dense mermaid mythology of Lady in the Water, Shyamalan clearly wanted to keep things simple. He whizzed straight past simple to simplistic."

Happily Ever After (1993)

Click here to see the review.

Happily N'Ever After (2007)

"Happily N'Ever After, with its pseudo-Shrekkeries, tries to be too many things -- and in too many styles and dimensions -- at the same time."

Happy Accidents (2001)

"Doesn't have the negative qualities of many big-studio romantic comedies, but it doesn't quite take flight."

Happy Feet (2006)

"In a genre that relies on too many forgettable wisecracking critters who talk like out-of-work sitcom story editors, Miller's eco-musical goes its own way, defying the usual formulas."

Happy-Go-Lucky (2008)

"The new Mike Leigh film, Happy-Go-Lucky, is a real pleasure, and besides being Leigh's most buoyantly comic feature it's a marvelous showcase for Sally Hawkins, who has worked twice before with the British writer-director."

A Hard Day's Night (1964)

"No movie of the 1960s catches that era's irreverent joy and exuberance as much as director Richard Lester's Beatlemania saga."

Hardball (2001)

"Hardball remains watchable when it's not hitting you like a baseball bat with poignancy. But by the time you've endured all of the shamelessly manipulative plot turns and heart-yanking speeches that close out the movie, all you can do is cry foul."

Harold & Kumar Escape from Guantanamo Bay (2008)

"You find yourself smiling at some of the bits, wincing through many, many others, and ultimately wondering if the pacing would've improved had either H or K developed a terrible cocaine habit."

Harrison's Flowers (2002)

"A powerhouse of a film about modern journalism and war."

Harry Potter and the Half-Blood Prince (2009)

"As the concerns of novelist Rowling's characters gravitate increasingly toward matters of the heart and the hormones, the Potter films are leaving childhood behind. Yet the friendship of the central trio remains the key to the magic."

Harry Potter and the Prisoner of Azkaban (2004)

"Until now Harry Potter has been a great book character and a functional movie hero. With Cuaron leading the way, Harry has burst from the printed page to soar on-screen."

Harsh Times (2006)

"Harsh Times is almost a good, salty urban thriller."

Harvard Beats Yale 29-29 (2008)

"Simply by letting the onetime gridiron stars talk about the game they played and the era it was played in, the capsule cracks open and you're sucked inside and you cannot believe, even if you know the details, how that game turned out the way it did."

Hatchet (2007)

"High expectations and any discerning taste should be thrown out the window for a film of Hatchet's budget. That accomplished, audiences will find a gem of an intentionally bad movie."

The Haunting (1999)

"In The Haunting, the moviemakers succeed in something very difficult: creating a haunted house with real personality and terror."

Havana Nights (2004)

"Maybe I'm just a pushover. But I loved every corny, predictable minute of this sugary remake. It's called entertainment."

He Loves Me, He Loves Me Not (2003)

"Though I wouldn't call He Loves Me a total success, it's smart, intriguing and quite ambitious."