Splat 2.5/4 |
Nacho Libre (2006) |
"Nacho Libre may settle for too little, but at least it isn't a miserable high-concept vanity project." |
Michael Phillips |
Splat 1/4 |
Naked Boys Singing (2007) |
"Naked Boys live are a hoot. Frozen on celluloid, they're tacky." |
Sid Smith |
Tomato 4/4 |
The Namesake (2007) |
"The Namesake brims with intelligence, compassion and sensuous delight in the textures, sights and sounds of life -- all the way from the Taj Mahal to Pearl Jam." |
Michael Wilmington |
Tomato 2.5/4 |
Nancy Drew (2007) |
"The film itself is more nice than good, but nice isn't the worst trait." |
Michael Phillips |
Tomato 3/4 |
Nanking (2007) |
"Sheds light on particular wartime atrocities largely neglected in the collective memory." |
Sid Smith |
Splat 2/4 |
The Nanny Diaries (2007) |
"The casting is all fine; everything else is pushy and out of joint." |
Michael Phillips |
Tomato 3/4 |
Nanny McPhee (2006) |
"With Yours, Mine and Ours and Cheaper By the Dozen 2 lately cluttering up the multiplexes with teeming masses of onscreen children in search of a better agent, Nanny McPhee arrives as a jolly improvement." |
Michael Phillips |
Splat 2/4 |
Napoleon Dynamite (2004) |
"This is the sort of Sundance audience hit that doesn't necessarily travel." |
Michael Wilmington |
Tomato 3/4 |
Naqoyqatsi (2002) |
"A disturbing and frighteningly evocative assembly of imagery and hypnotic music composed by Philip Glass." |
Patrick Z. McGavin |
Tomato 3/4 |
Narc (2002) |
"Narc is a gritty cop movie for people who like gritty cop movies." |
Mark Caro |
Splat 2/4 |
NASCAR: The Imax Experience (2004) |
"True fans (i.e., the people who are most likely to buy tickets) probably know a lot of this stuff already, and they might be disappointed by the lack of drama and the brevity of 3-D racing action." |
Ellen Fox |
Splat 1/4 |
National Lampoon's Gold Diggers (2004) |
"For the most part, The Gold Diggers is not even chuckle-producing. At best, it might warm a cockle or two or provoke a bit of a smile." |
Achy Obejas |
Splat 1.5/4 |
National Lampoon's Van Wilder (2002) |
"An unabashedly bad movie full of cliches, claptrap, fairly good rock 'n' roll and stomach-turning gross-out gags." |
Michael Wilmington |
Tomato 2/4 |
National Security (2003) |
"I wouldn't race out to see National Security, but it does give you exactly what you'd expect: yuks, explosions and brawling buddies rolling all over those overused L.A. freeways." |
Michael Wilmington |
Tomato 3/4 |
National Treasure (2004) |
"Alluringly over-the-top without being overcooked." |
Allison Benedikt |
Splat 1.5/4 |
National Treasure 2 : Book of Secrets (2007) |
"All you want from a movie like this, really, is a little brainless fun, and it keeps holding out on you." |
Michael Phillips |
Tomato 3/4 |
The Nativity Story (2006) |
"Nativity is a movie that may not take full advantage of its tale but doesn't betray it either." |
Michael Wilmington |
Splat 2/4 |
Neil Young - Greendale (2004) |
"An odd but sometimes lovable little mixture of great rock 'n' roll and charmingly primitive filmmaking." |
Michael Wilmington |
Tomato 3.5/4 |
Neil Young - Heart of Gold (2006) |
"Heart of Gold is the work of an egalitarian lover of music. Demme uses the camera as a divining rod, pointing at the man with the guitar." |
Michael Phillips |
Splat 1.5/4 |
Never Again (2002) |
"I doubt if the solution to the movie industry's ludicrous ageism is showing 50-year-olds acting like randy 20-year-olds." |
Michael Wilmington |
Splat 2/4 |
Never Back Down (2008) |
"It's a little Karate Kid, a smidge of Fight Club...a lot of The O.C. (evil boy Gigandet played an evil boy on that series), and presto: probable hit." |
Michael Phillips |
Splat |
Never Been Kissed (1999) |
"Dumb plot and poor script!" |
Mark Caro |
- |
Never Been Thawed (2006) |
Click here to see the review. |
Jessica Reaves |
Splat 2/4 |
Never Die Alone (2004) |
"Purports to be literate film noir but comes off more like the overwritten project of a film school kid who just memorized his textbook on the style." |
Allison Benedikt |
Splat 1/4 |
The New Guy (2002) |
"Bad beyond belief and ridiculous beyond description." |
Michael Wilmington |
Splat 2/4 |
New in Town (2009) |
"New in Town is The Pajama Game without the songs, the laughs or the bare-knuckled realism." |
Michael Phillips |
Splat |
New Port South (2001) |
"A movie that feels like three hours of detention -- even though the film is only 97 minutes." |
Robert K. Elder |
Tomato 3.5/4 |
The New World (2005) |
"The film, which is superb on every technical and design level, has both greatness and fuzzy-headedness in it." |
Michael Phillips |
Splat 2/4 |
New York Minute (2004) |
"The sense of calculation is overwhelming, down to the loose threads on Roxy's Metallica T-shirt." |
Mark Caro |
Splat |
The Next Best Thing (2000) |
"This movie remains full of high Hollywood cliches." |
Michael Wilmington |
Splat 2/4 |
Next Day Air (2009) |
"Next Day Air is sort of bracing, though it isn't very good: Its total lack of dramatic and comic bearings, to say nothing of a point, keeps you wondering about the next fatality, in a half-interested way." |
Michael Phillips |
Tomato 3/4 |
Nice Bombs (2007) |
"A surprisingly warm first-person video diary, blending a series of reunions with relatives and footage of the bazaars, streets, homes and everyday perils of life in post-Saddam, mid-occupation and mid-chaos Iraq." |
Michael Phillips |
Tomato 3/4 |
Nicholas Nickleby (2002) |
"McGrath's version of Nicholas Nickleby cashes in on age-old show biz wisdom of 'always leave 'em wanting more.'" |
Robert K. Elder |
Tomato 3/4 |
Nick and Norah's Infinite Playlist (2008) |
"Sollett works easily and well with Cera and Dennings, and lends a touch of awkward realism to what, from a screenwriting perspective, is pure formula." |
Michael Phillips |
Tomato |
Nico and Dani (2001) |
"Manages to be both joyful and unnerving in its unflinching portrayal of emerging sexuality." |
Robert K. Elder |
Tomato 3.5/4 |
Nicotina (2004) |
"It arrests with violent bursts and anxious pauses until its three plots merge in a satisfying resolution; its laughs caught in my throat like smoker's cough." |
Lou Carlozo |
Splat 1.5/4 |
Night at the Museum (2006) |
"The writers are content to let the magical beings simply run around and crash into things. I got a Jumanji headache about 30 minutes in." |
Michael Phillips |
Tomato 3/4 |
Night at the Museum: Battle of the Smithsonian (2009) |
"Night at the Museum: Battle of the Smithsonian, is breezier than the first Museum, at least to me, which means in three years I'll be revising my opinion downward." |
Michael Phillips |
Tomato 3/4 |
The Night Listener (2006) |
"The pacing and staging of the later scenes could use a little more electricity and momentum, and a little less restraint. Yet The Night Listener keeps you watching. And listening." |
Michael Phillips |
Tomato 3.5/4 |
Night Watch (2005) |
"Even though you couldn't call it a great science fiction movie, on the level of Tarkovsky's Solaris and Stalker it's often a great, heart-pumping, blow-you- to-the walls movie experience." |
Michael Wilmington |
Splat 2/4 |
Nights in Rodanthe (2008) |
"The comparative savvy that Wolfe showed in HBO’s stage-to-TV transfer of Lackawanna Blues has gone missing." |
Michael Phillips |
Splat 2/4 |
Nijinsky: The Diaries of Vaslav Nijinsky (2002) |
"Cox offers plenty of glimpses at existing photos, but there are no movies of Nijinsky, so instead the director treats us to an aimless hodgepodge." |
Sid Smith |
Tomato 3/4 |
Nim's Island (2008) |
"There's a lot to like about spunky Breslin, even when she's unnecessarily recapping events or recapitulating Home Alone as she chases caricatured cruise-ship tourists from her island. She's a charismatic, energetic presence at the heart of the film" |
Tasha Robinson |
Tomato 3.5/4 |
Nina's Tragedies (2005) |
"Nina's Tragedies is full of gentle, labyrinthian turns, sly and sweet." |
Achy Obejas |
Tomato 3.5/4 |
Nine Lives (2005) |
"A disturbingly frank look at people and relationships in contemporary Los Angeles and a thrilling dramatic showcase for a brilliant cast." |
Michael Wilmington |
Tomato 3.5/4 |
Nine Queens (2002) |
"One of the most clever, most enjoyable thrillers in years." |
Michael Wilmington |
Splat 1.5/4 |
Ninja Assassin (2009) |
"McTeigue can barely shoot straight, and the editing is so hack-y, you have to take the stunts and fight choreography on faith." |
Michael Phillips |
Splat 2/4 |
The Ninth Day (2005) |
"A film that strives for meaning and resonance but doesn't quite work." |
Achy Obejas |
Tomato |
The Ninth Gate (1999) |
"Elegant, scary fun." |
Michael Wilmington |
Tomato 3.5/4 |
No Country for Old Men (2007) |
"As pure craftsmanship, No Country for Old Men is as good as we've ever gotten from Joel and Ethan Coen." |
Michael Phillips |