Tomato 3/4 |
Rabbit-Proof Fence (2002) |
"All of Rabbit-Proof Fence's characters are so well-drawn, so human -- that even in the harsh light of history -- it remains difficult to understand how Australia allowed such inhumanity to become institutional, mechanized and accepted." |
Robert K. Elder |
Tomato 2.5/5 |
Race to Witch Mountain (2009) |
"...while "Race to Witch Mountain" rarely rises above the functional, either as storytelling or as visual kinetics, it moves like it means it and keeps Johnson front and center, either fuming or sputtering." |
Michael Phillips |
Tomato 3.5/4 |
Rachel Getting Married (2008) |
"Hathaway, DeWitt, Irwin and especially Winger are working at a very high level. So is their director. His intuition regarding how to film this particular milestone event, and the stories unfolding in the margins, turned out to be just right." |
Michael Phillips |
Tomato 2.5/4 |
Racing Stripes (2005) |
"The message comes across loud and clear without being preachy or treacly, the voice work is top-notch and the zebras (they used eight to play the teenage Stripes) beautiful." |
Allison Benedikt |
Splat 2/4 |
Radio (2003) |
"Inoffensive family fare." |
Robert K. Elder |
Tomato 3/4 |
Rain (2002) |
"Far from the first female coming-of-age movie, but it's one of the most vivid." |
Mark Caro |
Splat 1.5/4 |
Raise Your Voice (2004) |
"Yes, parents surely want a family film they can take their young daughters to -- but not one so bland and colorless." |
Robert K. Elder |
Splat 2/4 |
Raising Helen (2004) |
"You can take the director out of television, but sometimes you can't take television out of the director." |
Mark Caro |
Tomato 3.5/4 |
Raising Victor Vargas (2003) |
"Both intimate and universal, the film ripples with little human moments we've all lived, whether or not we were raised on Manhattan's poor Lower East Side." |
Robert K. Elder |
Tomato 3/4 |
Rana's Wedding (2002) |
"As Rana, Khoury gives the film a sympathetic center, but also a maddening one." |
Robert K. Elder |
Splat 2.5/4 |
Random Hearts (1999) |
"Not written well enough." |
Michael Wilmington |
Splat 2.5/4 |
The Rape Of Europa (2007) |
"This one has focus trouble, canvassing too many countries, too many issues, and the filmmaking is on the ordinary side." |
Michael Phillips |
Splat 1.5/4 |
Rare Birds (2001) |
"Rendered bland and frustrating by its endless attempts to make the odd odder." |
Allison Benedikt |
Splat |
Rat Race (2001) |
"A few gags are too inspired for Rat Race to be lumped in with the recent spate of wretched comedies. But it also includes too many broad, shrill and gratuitously vulgar moments to be defended without apologies." |
Mark Caro |
Tomato 4/4 |
Ratatouille (2007) |
"The film may be animated, and largely taken up with rats, but its pulse is gratifyingly human. And you have never seen a computer-animated feature with this sort of visual panache and detail." |
Michael Phillips |
Tomato 4/4 |
Ray (2004) |
"Ray is a fit tribute to an entertainer who, no matter what hate or hardship threw in his way or how many mistakes he made, we can't stop loving." |
Michael Wilmington |
Tomato 3.5/4 |
Read My Lips (2002) |
"This is a finely written, superbly acted offbeat thriller." |
Michael Wilmington |
Splat 2/4 |
The Reader (2008) |
"Told, coolly...the novel was hugely popular as well as controversial worldwide and an Oprah's Book Club selection besides. I'm afraid it needed a different set of interpreters to make any emotional sense of it onscreen." |
Michael Phillips |
Splat 0/4 |
The Real Cancun (2003) |
"Purports to be reality TV's first major incursion into the movie world, but this isn't just loathsome cinema; it would be terrible television, too." |
Mark Caro |
Tomato 3/4 |
The Real Dirt on Farmer John (2007) |
"Effectively links the political and artistic rebellions of the '60s to the ecological movements of today, while mounting a strong case against the effects of today's agribusiness monoliths." |
Michael Wilmington |
Tomato 3/4 |
Real Women Have Curves (2002) |
"There's a virtue to pleasing crowds when you do it as well as this movie does." |
Michael Wilmington |
Tomato 3/4 |
A Real Young Girl (2001) |
"An intelligent coming-of-age story about a girl who realizes, for better or for worse, that there's no turning back." |
John Petrakis |
Splat 1.5/4 |
The Reaping (2007) |
"The Reaping proves that you reap what you sow, and what these particular screenwriters have sown is just another word for manure." |
Michael Phillips |
Splat 1/4 |
Rebound (2005) |
"A misbegotten mix of crude jokes, ludicrous fantasies and bland sentimentality." |
Michael Wilmington |
Tomato |
Recess: School's Out (2001) |
"An amusing and entertaining animated feature, and it's harmless enough for the elementary-school set." |
Loren King |
Splat 2.5/4 |
The Reckoning (2004) |
"The central conceit of 'let's save lives by putting on a play' seems not only artificial, but also hollow." |
Robert K. Elder |
Splat 2.5/4 |
The Recruit (2003) |
"While The Recruit is fast and slick enough to carry us along during its setup scenes, the screenplay isn't witty or tricky enough to sustain the payoff." |
Michael Wilmington |
Splat 2/4 |
Red Betsy (2003) |
"The movie is so general, so afraid to get specific with feelings and complicated characters, that of course I can relate -- just as I can almost always relate to my daily horoscope." |
Allison Benedikt |
Tomato 3/4 |
Red Dragon (2002) |
"Red Dragon is less baroque and showy than Hannibal, and less emotionally affecting than Silence. But, like Silence, it's a movie that gets under your skin." |
Michael Wilmington |
Tomato 3/4 |
Red Eye (2005) |
"[A] brisk, efficient B movie." |
Michael Phillips |
Tomato 3/4 |
Red Lights (2004) |
"From Simenon's taut, breath-catching tale, writer-director Cedric Kahn has made an engrossing film with a great central performance by Jean-Pierre Darroussin." |
Michael Wilmington |
Splat |
Red Planet (2000) |
"The year's second Mars movie isn't as laughable as the first, Brian De Palma's Mission to Mars, but it also offers far fewer signs of life." |
Mark Caro |
Tomato 4/4 |
Red Road (2007) |
"It's a fully realized portrait of a city, Glasgow, a portrait of a smart, watchful woman who works as a security monitor and who has endured great loss; and a portrait of the act and psychological implications of surveillance." |
Michael Phillips |
Splat 2/4 |
Red Roses and Petrol (2008) |
"Little about the Doyles makes you want to partake of their sour hospitality, even if it’s only for an hour and a half." |
Maureen M. Hart |
Splat 2/4 |
Red Trousers (2003) |
"Feels more like a 'making-of' piece or vanity project for actor and first-time director Robin Shou ... than a tight, thorough documentary." |
Ellen Fox |
Tomato 2.5/4 |
Redacted (2007) |
"It's an effective experiment and a hackle-raising drama, and it's far better controlled than De Palma's last film, the flailing noir mess The Black Dahlia." |
Tasha Robinson |
Tomato 3/4 |
Redbelt (2008) |
"Like everything Mamet touches, whether predominantly comic or dramatic, this stern cautionary tale concerns whom we can trust (ourselves, if we live by a few simple, honorable rules of conduct) and whom we cannot (others, especially if they're in the film" |
Michael Phillips |
Tomato 3.5/4 |
Reel Paradise (2005) |
"The results stay with you, like memories of an unexpected and surprising vacation." |
Michael Phillips |
Tomato 3.5/4 |
Refusenik (2008) |
"There are fascinating archival clips that show rare glimpses of early years of struggle behind the Iron Curtain, while the story eventually moves through such momentous footage as the Helsinki Accords and the fall of the Berlin Wall." |
Sid Smith |
Splat 2.5/4 |
Reign of Fire (2002) |
"With McConaughey in an entirely irony-free zone and Bale reduced mainly to batting his sensitive eyelids, there's not enough intelligence, wit or innovation on the screen to attract and sustain an older crowd." |
Chris Jones |
Tomato 3/4 |
Reign Over Me (2007) |
"It's better than you'd expect but not as good as you'd like it to be." |
Michael Wilmington |
Splat |
Reindeer Games (2000) |
"It's a heist without a plan, a crime without a brain, a thriller without a decent script." |
Michael Wilmington |
Splat 2.5/4 |
Religulous (2008) |
"About half of the movie works in its snide, hit-and-run way. The other half throws more and more darts at the same balloon, long after it pops." |
Michael Phillips |
Tomato |
Remember the Titans (2000) |
"A totally absorbing movie." |
Michael Wilmington |
Splat 2/4 |
Rendition (2007) |
"Director Hood did the satisfying South African Oscar winner Tsotsi, and he wrangles Rendition's multiple storylines with skill. He cannot elevate the writing, however." |
Michael Phillips |
Tomato 3/4 |
Reno 911!: Miami (2007) |
"Comedy Central's Reno 911! -- a spoof of the police ride-along show Cops -- takes a shot at stretching the concept into a feature-length film. Unusual for this misfit crew, the shot pretty much hits its intended target." |
Michael Esposito |
- |
Rent (2005) |
Click here to see the review. |
Michael Phillips |
Splat |
The Replacements (2000) |
"A soggy comedy." |
Mark Caro |
Tomato 4/4 |
Reprise (2008) |
"A kinetic delight, Reprise comes from director Joachim Trier, born in Denmark but raised in Oslo, Norway, and it's a highlight of the filmgoing year so far." |
Michael Phillips |
Tomato 3.5/4 |
Requiem (2006) |
"The confusion and panic and everyday interactions in Requiem feel honest and true-to-life, which has nothing to do with how factual it is, or isn't." |
Michael Phillips |