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Critics / Publications / Chicago Tribune

Other Info

Authors
    • Robert Abele
    • Sam Adams
    • Alan G. Artner
    • Allison Benedikt
    • Geoff Berkshire
    • Christopher Borrelli
    • Brett Buckalew
    • Lou Carlozo
    • Mark Caro
    • Kelley L. Carter
    • Carina Chocano
    • Colin Covert
    • Vicky Edwards
    • Robert K. Elder
    • Monica Eng
    • Michael Esposito
    • Ellen Fox
    • Gary Goldstein
    • Eric Gwinn
    • Allison Arnold Helminski
    • Allan Johnson
    • Chris Jones
    • Loren King
    • Rick Kogan
    • Greg Kot
    • Donald Liebenson
    • Sheri Linden
    • Alexis Loinaz
    • Maureen M. Hart
    • Patrick Z. McGavin
    • Roger Moore
    • Emily Nunn
    • Achy Obejas
    • Mark Olsen
    • Michael Ordoña
    • Matt Pais
    • John Petrakis
    • Michael Phillips
    • Scott L. Powers
    • Jessica Reaves
    • Alejandro Riera
    • Tasha Robinson
    • Scott Schueller
    • Betsy Sharkey
    • Barbara Shulgasser
    • Gene Siskel
    • Sid Smith
    • Jan Stuart
    • Kevin Thomas
    • Phil Vettel
    • John von Rhein
    • Glenn Whipp
    • Kevin M. Williams
    • Michael Wilmington

Chicago Tribune

  
a b c d e f g h i j k l m n o p q ( r ) s t u v w x y z Other   (1-50) of 127 3339 Total Next
  
Source Table
Rating Title Year Quote Author

Tomato
3/4

Rabbit-Proof Fence (2002)

"All of Rabbit-Proof Fence's characters are so well-drawn, so human -- that even in the harsh light of history -- it remains difficult to understand how Australia allowed such inhumanity to become institutional, mechanized and accepted."

Robert K. Elder

Tomato
2.5/5

Race to Witch Mountain (2009)

"...while "Race to Witch Mountain" rarely rises above the functional, either as storytelling or as visual kinetics, it moves like it means it and keeps Johnson front and center, either fuming or sputtering."

Michael Phillips

Tomato
3.5/4

Rachel Getting Married (2008)

"Hathaway, DeWitt, Irwin and especially Winger are working at a very high level. So is their director. His intuition regarding how to film this particular milestone event, and the stories unfolding in the margins, turned out to be just right."

Michael Phillips

Tomato
2.5/4

Racing Stripes (2005)

"The message comes across loud and clear without being preachy or treacly, the voice work is top-notch and the zebras (they used eight to play the teenage Stripes) beautiful."

Allison Benedikt

Splat
2/4

Radio (2003)

"Inoffensive family fare."

Robert K. Elder

Tomato
3/4

Rain (2002)

"Far from the first female coming-of-age movie, but it's one of the most vivid."

Mark Caro

Splat
1.5/4

Raise Your Voice (2004)

"Yes, parents surely want a family film they can take their young daughters to -- but not one so bland and colorless."

Robert K. Elder

Splat
2/4

Raising Helen (2004)

"You can take the director out of television, but sometimes you can't take television out of the director."

Mark Caro

Tomato
3.5/4

Raising Victor Vargas (2003)

"Both intimate and universal, the film ripples with little human moments we've all lived, whether or not we were raised on Manhattan's poor Lower East Side."

Robert K. Elder

Tomato
3/4

Rana's Wedding (2002)

"As Rana, Khoury gives the film a sympathetic center, but also a maddening one."

Robert K. Elder

Splat
2.5/4

Random Hearts (1999)

"Not written well enough."

Michael Wilmington

Splat
2.5/4

The Rape Of Europa (2007)

"This one has focus trouble, canvassing too many countries, too many issues, and the filmmaking is on the ordinary side."

Michael Phillips

Splat
1.5/4

Rare Birds (2001)

"Rendered bland and frustrating by its endless attempts to make the odd odder."

Allison Benedikt

Splat

Rat Race (2001)

"A few gags are too inspired for Rat Race to be lumped in with the recent spate of wretched comedies. But it also includes too many broad, shrill and gratuitously vulgar moments to be defended without apologies."

Mark Caro

Tomato
4/4

Ratatouille (2007)

"The film may be animated, and largely taken up with rats, but its pulse is gratifyingly human. And you have never seen a computer-animated feature with this sort of visual panache and detail."

Michael Phillips

Tomato
4/4

Ray (2004)

"Ray is a fit tribute to an entertainer who, no matter what hate or hardship threw in his way or how many mistakes he made, we can't stop loving."

Michael Wilmington

Tomato
3.5/4

Read My Lips (2002)

"This is a finely written, superbly acted offbeat thriller."

Michael Wilmington

Splat
2/4

The Reader (2008)

"Told, coolly...the novel was hugely popular as well as controversial worldwide and an Oprah's Book Club selection besides. I'm afraid it needed a different set of interpreters to make any emotional sense of it onscreen."

Michael Phillips

Splat
0/4

The Real Cancun (2003)

"Purports to be reality TV's first major incursion into the movie world, but this isn't just loathsome cinema; it would be terrible television, too."

Mark Caro

Tomato
3/4

The Real Dirt on Farmer John (2007)

"Effectively links the political and artistic rebellions of the '60s to the ecological movements of today, while mounting a strong case against the effects of today's agribusiness monoliths."

Michael Wilmington

Tomato
3/4

Real Women Have Curves (2002)

"There's a virtue to pleasing crowds when you do it as well as this movie does."

Michael Wilmington

Tomato
3/4

A Real Young Girl (2001)

"An intelligent coming-of-age story about a girl who realizes, for better or for worse, that there's no turning back."

John Petrakis

Splat
1.5/4

The Reaping (2007)

"The Reaping proves that you reap what you sow, and what these particular screenwriters have sown is just another word for manure."

Michael Phillips

Splat
1/4

Rebound (2005)

"A misbegotten mix of crude jokes, ludicrous fantasies and bland sentimentality."

Michael Wilmington

Tomato

Recess: School's Out (2001)

"An amusing and entertaining animated feature, and it's harmless enough for the elementary-school set."

Loren King

Splat
2.5/4

The Reckoning (2004)

"The central conceit of 'let's save lives by putting on a play' seems not only artificial, but also hollow."

Robert K. Elder

Splat
2.5/4

The Recruit (2003)

"While The Recruit is fast and slick enough to carry us along during its setup scenes, the screenplay isn't witty or tricky enough to sustain the payoff."

Michael Wilmington

Splat
2/4

Red Betsy (2003)

"The movie is so general, so afraid to get specific with feelings and complicated characters, that of course I can relate -- just as I can almost always relate to my daily horoscope."

Allison Benedikt

Tomato
3/4

Red Dragon (2002)

"Red Dragon is less baroque and showy than Hannibal, and less emotionally affecting than Silence. But, like Silence, it's a movie that gets under your skin."

Michael Wilmington

Tomato
3/4

Red Eye (2005)

"[A] brisk, efficient B movie."

Michael Phillips

Tomato
3/4

Red Lights (2004)

"From Simenon's taut, breath-catching tale, writer-director Cedric Kahn has made an engrossing film with a great central performance by Jean-Pierre Darroussin."

Michael Wilmington

Splat

Red Planet (2000)

"The year's second Mars movie isn't as laughable as the first, Brian De Palma's Mission to Mars, but it also offers far fewer signs of life."

Mark Caro

Tomato
4/4

Red Road (2007)

"It's a fully realized portrait of a city, Glasgow, a portrait of a smart, watchful woman who works as a security monitor and who has endured great loss; and a portrait of the act and psychological implications of surveillance."

Michael Phillips

Splat
2/4

Red Roses and Petrol (2008)

"Little about the Doyles makes you want to partake of their sour hospitality, even if it’s only for an hour and a half."

Maureen M. Hart

Splat
2/4

Red Trousers (2003)

"Feels more like a 'making-of' piece or vanity project for actor and first-time director Robin Shou ... than a tight, thorough documentary."

Ellen Fox

Tomato
2.5/4

Redacted (2007)

"It's an effective experiment and a hackle-raising drama, and it's far better controlled than De Palma's last film, the flailing noir mess The Black Dahlia."

Tasha Robinson

Tomato
3/4

Redbelt (2008)

"Like everything Mamet touches, whether predominantly comic or dramatic, this stern cautionary tale concerns whom we can trust (ourselves, if we live by a few simple, honorable rules of conduct) and whom we cannot (others, especially if they're in the film"

Michael Phillips

Tomato
3.5/4

Reel Paradise (2005)

"The results stay with you, like memories of an unexpected and surprising vacation."

Michael Phillips

Tomato
3.5/4

Refusenik (2008)

"There are fascinating archival clips that show rare glimpses of early years of struggle behind the Iron Curtain, while the story eventually moves through such momentous footage as the Helsinki Accords and the fall of the Berlin Wall."

Sid Smith

Splat
2.5/4

Reign of Fire (2002)

"With McConaughey in an entirely irony-free zone and Bale reduced mainly to batting his sensitive eyelids, there's not enough intelligence, wit or innovation on the screen to attract and sustain an older crowd."

Chris Jones

Tomato
3/4

Reign Over Me (2007)

"It's better than you'd expect but not as good as you'd like it to be."

Michael Wilmington

Splat

Reindeer Games (2000)

"It's a heist without a plan, a crime without a brain, a thriller without a decent script."

Michael Wilmington

Splat
2.5/4

Religulous (2008)

"About half of the movie works in its snide, hit-and-run way. The other half throws more and more darts at the same balloon, long after it pops."

Michael Phillips

Tomato

Remember the Titans (2000)

"A totally absorbing movie."

Michael Wilmington

Splat
2/4

Rendition (2007)

"Director Hood did the satisfying South African Oscar winner Tsotsi, and he wrangles Rendition's multiple storylines with skill. He cannot elevate the writing, however."

Michael Phillips

Tomato
3/4

Reno 911!: Miami (2007)

"Comedy Central's Reno 911! -- a spoof of the police ride-along show Cops -- takes a shot at stretching the concept into a feature-length film. Unusual for this misfit crew, the shot pretty much hits its intended target."

Michael Esposito

-

Rent (2005)

Click here to see the review.

Michael Phillips

Splat

The Replacements (2000)

"A soggy comedy."

Mark Caro

Tomato
4/4

Reprise (2008)

"A kinetic delight, Reprise comes from director Joachim Trier, born in Denmark but raised in Oslo, Norway, and it's a highlight of the filmgoing year so far."

Michael Phillips

Tomato
3.5/4

Requiem (2006)

"The confusion and panic and everyday interactions in Requiem feel honest and true-to-life, which has nothing to do with how factual it is, or isn't."

Michael Phillips

  
a b c d e f g h i j k l m n o p q ( r ) s t u v w x y z Other   (1-50) of 127 3339 Total Next
  
 
 
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