Tadpole (2002)

"Weaver and Neuwirth are the sparks in this film, as they project a maternal sexiness and sincerity that's entirely believable."

The Tailor of Panama (2001)

"Like a Bach toccata or a frosty drink on a sunlit veranda, a first--class movie spy thriller can offer one of life's cooler, more elegant treats. The Tailor of Panama fits that category."

Take My Eyes (2006)

"An extraordinarily truthful and piercing drama about spousal abuse."

Taken (2009)

"Taken, which tells the story of how Liam Neeson blows a gasket and flies off to France and kills 75 Albanians in 90 minutes, is crisp, efficient and deeply insane."

The Taking of Pelham 1 2 3 (2009)

"Denzel Washington is that valuable paradox, the relatable supernova. [But] it's too bad the movie around him isn't better -- the '74 edition, propelled by David Shire's incredibly badass theme music, kicks the remake's behind all the way to Coney Island."

Taking Woodstock (2009)

"This is very light material, and, unusually for a Lee picture, not everybody in the ensemble appears to be acting in the same universe, let alone the same story. On the other hand: It’s fun."

A Tale Of Two Sisters (2003)

"It's a stunningly creepy specimen of Asian horror."

The Talented Mr. Ripley (1999)

"The movie gives us enticing sights and sounds, brilliant scenes, gifted actors and artists and at least part of one of the all-time great nerve-jangling thriller plots."

Talk to Me (2007)

"Blessedly free of the usual biopic freight and sanctimony, the exuberant new film Talk to Me has a great subject and a great actor working in tandem."

Talladega Nights: The Ballad of Ricky Bobby (2006)

"Now and then, the movie allows you to relax into its brand of stupid-smart comedy. The rest of the time your shoulders scrunch up and ask the eternal question: Why is this routine not quite working?"

Tarnation (2004)

"As raw and personal as a movie can be, the equivalent of a cinematic journal or diary. But it's also artfully constructed and articulated, written, edited and musically designed with often jolting brilliance."

The Taste of Others (2001)

"[Characters] stand revealed in subtle, unexpected ways."

Tattoo (2002)

"While Tattoo borrows heavily from both Seven and The Silence of the Lambs, it manages to maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in."

Taxi to the Dark Side (2008)

"The most extraordinary thing about the grim Best Documentary Academy Award nominee Taxi to the Dark Side is how straightforward its interviewees are about the military prisoner they collectively murdered in Afghanistan in 2002."

Teaching Mrs. Tingle (1999)

"A dull assignment."

Tears of the Black Tiger (2000)

"The result is something so old it's new, so corny it's funny. And while Tears of the Black Tiger is nothing more than entertaining, at least it's that."

Teeth (2008)

"Given how thoroughly all the subtext spells out the message, then, it seems unnecessary to make the actual text so raw, grotesque and graphic. Granted, a horror movie about vagina dentata was probably never destined to be tasteful, but Lichtenstein's comp"

Tell No One (2008)

"Under the direction of Guillaume Canet, who adapted Harlan Coben's English-language best seller with Philippe Lefebvre, this is a splendid ensemble doing its level best to keep the audience guessing all the way through an increasingly knotty narrative."

Ten (2003)

"A film made by a master, with a simplicity that is really revolutionary."

The Ten Commandments (2007)

"There's an endearing, earnest quality to The Ten Commandments that transcends its star-studded cast and computer-generated animation."

The Terminal (2004)

"An unabashed romantic comedy and Capraesque fable that takes Spielberg into realms he's rarely traveled before."

Testosterone (2003)

"This is a movie in which things happen for no reason other than that the director wills them to happen in order for something else to happen, logic be damned."

Texas Rangers (2001)

"The end result may not be a full-blown disaster, but it comes close."

The Cats of Mirikitani (2006)

"If you're not moved by his movie, you're really a hard case."

The Counterfeiters (2008)

"It is a mark of the filmmaking and storytelling intelligence of The Counterfeiters that Ruzowitzky neither pours on the melodrama nor plays coy with the reality of things."