Splat |
U-571 (2000) |
"A strange, volatile mix of history and movie cliches." |
Michael Wilmington |
Tomato 3/4 |
The U.S. vs. John Lennon (2006) |
"It's a movie that, at its best, makes you ache with the memory of an anguished era and its fallen pop culture hero." |
Michael Wilmington |
Tomato 3/4 |
U2 3D (2008) |
"While U2 3D doesn't rank with Stop Making Sense or The Last Waltz in the realm of top-shelf concert films, it's enjoyable and a fine fat eyeful." |
Michael Phillips |
Tomato 4/4 |
Ugetsu (1953) |
"A marvelously wise and moving classic, but also one full of sights that might make you cry, like Genjuro, 'I never imagined such pleasures existed!'" |
Michael Wilmington |
Splat 1.5/4 |
The Ugly Truth (2009) |
"Aside from being relational science-fiction, The Ugly Truth feels about 150 years out of date -- or it would, if the script weren't so clinically dependent on the topics of masturbation and genitalia and raunch." |
Michael Phillips |
Splat 2/4 |
The Ultimate Gift (2007) |
"There's an anti-abortion message jammed into one scene with all the subtlety of an avalanche. Just in case you miss it, it's repeated in the credits too. Some gift, eh?" |
Lou Carlozo |
Splat 2.5/4 |
Ultimate X: The Movie (2002) |
"Writer/director Bruce Hendricks subtracts from the experience by crafting a corporate propaganda film posing as a documentary." |
Robert K. Elder |
- |
Ultraviolet (1992) |
Click here to see the review. |
|
Tomato 4/4 |
Umberto D. (1952) |
"One of the great humanist cinema works: a portrayal of age, poverty and simple lives in postwar Rome that is both luminous and heartbreaking." |
Michael Wilmington |
Tomato 3/4 |
Un Secret (2008) |
"The acting is exceptional. If parts of A Secret veer toward soap opera, the ensemble work reduces the suds to a minimum." |
Michael Phillips |
Splat 1.5/4 |
Unaccompanied Minors (2006) |
"It's a prefab slapstick-'n'-pathos stew that doesn't taste like anything." |
Michael Phillips |
Splat 1.5/4 |
The Unborn (2009) |
"Filmed in Chicago but universal in its lameness...The Unborn is the story of a dybbuk who makes trouble for the skinny North Shore college girl played by Odette Yustman, who's always out jogging when she should be considering a sandwich." |
Michael Phillips |
Tomato |
Unbreakable (2000) |
"Unbreakable is as compellingly watchable, stylish and intriguing as its predecessor, its ending has almost the opposite effect on the overall picture." |
Mark Caro |
Splat 1.5/4 |
Uncle Nino (2003) |
"It's all neat and sweet and one-dimensional, more the moral to a story than a story." |
Allison Benedikt |
Tomato 3/4 |
Uncovered: The War on Iraq (2004) |
"If you've ever wondered why we got into the Iraq war and what still faces us there, this is the film that can explain it to you (even if you agree with Bush's policies)." |
Michael Wilmington |
Splat 1/4 |
Undead (2005) |
"Away from the killing field, the Spierigs' actors prove themselves to be the most zombie-like, devolving into a din of screechy bickering that'll leave you running for the exits." |
Robert K. Elder |
Tomato 2.5/4 |
Under the Same Moon (2008) |
"What does it say about a film when you believe only parts of the journey, yet are moved by the arrival?" |
Michael Phillips |
Tomato 3/4 |
Under the Sand (2001) |
"Ozon shoots it all with such haunting economy and breathless intimacy, and Rampling acts it with such candor and recklessness, that the film keeps lingering in your mind after you see it." |
Michael Wilmington |
Tomato 3/4 |
Under the Sea 3D (2009) |
"The images are impressive, and include shots of some cuttlefish 'hey-hey' cleverly set to the song Perhaps, Perhaps, Perhaps (the theme song for the Britcom Coupling)." |
Michael Esposito |
Tomato |
Under the Sun (2001) |
"Mostly, Under the Sun keeps sex under wraps -- and there's a lesson in that." |
Michael Wilmington |
Splat 2/4 |
Under the Tuscan Sun (2003) |
"If the screen version of Under the Tuscan Sun doesn't make your mouth water or inspire you to price out flights to Italy, what's the point?" |
Mark Caro |
Splat 1/4 |
Underclassman (2005) |
"Underclassman flunks out." |
Robert K. Elder |
Tomato 3/4 |
Undercover Brother (2002) |
"It's breezily entertaining and culturally specific without resorting to gross-out jokes or cruelty." |
Mark Caro |
- |
Underground Zero (2002) |
Click here to see the review. |
|
Tomato 3.5/4 |
Undertow (2004) |
"Seething with violence, bleeding with lyricism, it's a poem from the junk heap, a cry from the swamp, another night for another hunter." |
Michael Wilmington |
- |
Underworld (1997) |
Click here to see the review. |
|
Splat 2.5/4 |
Underworld (2003) |
"Revels in more flash than fantasy. There's awful lot of story fat here between the form-fitting plastic jumpsuits." |
Robert K. Elder |
Splat 2/4 |
Undiscovered (2005) |
"A movie about artistic authenticity in search of its own." |
Robert K. Elder |
Tomato 3/4 |
Undisputed (2002) |
"It should have been more memorable, but at least it doesn't stumble in the ring." |
Michael Wilmington |
Tomato 3.5/4 |
Unfaithful (2002) |
"A movie about sexuality that really throbs with eroticism." |
Michael Wilmington |
Splat 2.5/4 |
An Unfinished Life (2005) |
"In this careful, dot-to-dot prestige picture, everybody learns their lessons on cue, the abusive ex gets his comeuppance and the bear (played by Bart the Bear) who nearly murdered Mitch is freed from confinement by Einar and Griff." |
Michael Phillips |
Tomato 2.5/4 |
The Uninvited (2009) |
"There's a substantial twist in The Uninvited, a pretty fair and reasonably scary remake of South Korean director Kim Jee-Woon's thriller A Tale of Two Sisters." |
Michael Phillips |
Tomato 4/4 |
United 93 (2006) |
"The film is lean, harsh and remarkably free of cant." |
Michael Phillips |
Splat 2/4 |
The United States of Leland (2004) |
"Among its weaknesses are an overpopulated cast and a disposable victim." |
Robert K. Elder |
Splat 2/4 |
Unknown (2006) |
"While Brand manages a couple of effectively brutal bits of violence, Matthew Waynee's gassy screenplay is all premise and no propulsion." |
Michael Phillips |
Tomato 3/4 |
Unknown White Male (2005) |
"Though problematic, repetitive and stylistically rough, the film raises intriguing questions, the most compelling of which is, does our memory determine who we are?" |
Allison Benedikt |
Splat 2/4 |
Unleashed (2005) |
"Even with its clever gimmick, Unleashed is like an old dog: No new tricks." |
Allison Benedikt |
Tomato 3/4 |
An Unreasonable Man (2007) |
"Surely, Ralph Nader deserves better press than he's been getting ever since the 2004 elections -- and the legendary consumer advocate and so-called presidential spoiler receives his due, from both sides, in the documentary An Unreasonable Man." |
Michael Wilmington |
Tomato 3/4 |
Untold Scandal (2003) |
"Pictorially sumptuous and sexually provocative." |
Michael Wilmington |
Tomato 3/4 |
The Untold Story of Emmet Louis Till (2005) |
"Beauchamp must be applauded for not only for his investigative daring but also for his unflinching courage." |
Robert K. Elder |
Splat 1.5/4 |
Untraceable (2008) |
"In addition to being dull, Untraceable is a monster hypocrite, wagging its finger at the mass audience's appetite for strictly regimented, 'creative' torture scenarios. This film is not really in a position to point a finger." |
Michael Phillips |
Tomato 4/4 |
Up (2009) |
"It feels nervy and adventurous and a little messy, the result of formidable creators and genuine wits working on an enormous budget, enormously well-spent." |
Michael Phillips |
Tomato 3.5/4 |
Up and Down (2005) |
"It's been a long time since a movie allowed so many diverse narratives to fold into so unexpected, unified and satisfying a story." |
Achy Obejas |
Tomato |
Up at the Villa (2000) |
"Up at the Villa has the flavor of one of those after-dinner yarns." |
Michael Wilmington |
Tomato 3/4 |
Up for Grabs (2005) |
"... low on technology but high on hilarity." |
Michael Wilmington |
Tomato 3/4 |
Up in the Air (2009) |
"Up in the Air has been shaped for Clooney's prodigious, slightly melancholy charm as a comic leading man. Happily he has worthy sparring partners." |
Michael Phillips |
Splat 2/4 |
The Upside of Anger (2005) |
"Allen and Costner get to flirt and fool around and distract us from the rest of the movie. They're doing it a favor." |
Michael Wilmington |
Splat 2/4 |
Uptown Girls (2003) |
"The screenplay is by the numbers." |
Mark Caro |
Splat |
Urban Legends: Final Cut (2000) |
"As the body count continues to grow, along with the inevitable clues as to who the killer really is, it's hard not to feel angry that you've spent almost two hours watching this moronic exercise." |
John Petrakis |
Tomato 3/4 |
Ushpizin (2005) |
"A touching and amusing tale that expands our horizon and also should open our hearts." |
Michael Wilmington |