Tomato 3/4 |
W. (2008) |
"The film may be ill-timed, arguably unnecessary and no more psychologically probing than any other Stone movie. But much of it works as deft, brisk, slyly engaging docudrama." |
Michael Phillips |
Splat 2/4 |
The Wackness (2008) |
"For about half its length, Jonathan Levine's film The Wackness resembles a grunge remake of The Graduate, updated for the peculiarly specific setting of 1994 New York City." |
Tasha Robinson |
Tomato |
Wag the Dog (1997) |
"A bright idea well realized by director Barry Levinson." |
Gene Siskel |
Splat 2/4 |
Wah-Wah (2006) |
"Watching it is like trying to assemble a puzzle that's missing pieces: You can see the outline of a story, and some shapes fit neatly together, but there are undeniable holes." |
Jessica Reaves |
Tomato 2.5/4 |
Waist Deep (2006) |
"Even with the movie's multiple personas, its message -- that salvation sometimes doesn't arrive in the expected form, and that escaping isn't the same thing as running away -- is delivered loud and clear." |
Jessica Reaves |
Splat 1.5/5 |
Waiting for Dublin (2009) |
"Now and then comes an Irish comedy that pinches your cheek so hard in its attempt to charm the only recourse is to hole up with a triple bill of fatalistic Romanian dramas. And quickly" |
Michael Phillips |
Splat 1/4 |
Waiting... (2005) |
"Remember Office Space, with Jennifer Aniston as a flair-wearing Chotchkie's waitress? See, writer/director Mike Judge got his chain-dining establishment just right." |
Allison Benedikt |
Tomato 3/4 |
Waitress (2007) |
"Written and directed by the late Adrienne Shelly, it's a scrumptious romantic comedy, a mostly adorable movie from a witty and winning movie talent whom we lost all too soon." |
Michael Wilmington |
Tomato 4/4 |
Waking Life (2001) |
"Truly special, truly different -- a wondrous talky roundelay about and for people who love life." |
Michael Wilmington |
Splat 1/4 |
Waking Up in Reno (2002) |
"A feature-length, R-rated, road-trip version of Mama's Family." |
Mark Caro |
Tomato 2.5/4 |
Walk Hard: The Dewey Cox Story (2007) |
"While "Walk Hard" makes for a fine soundtrack, it's less entertaining as a movie." |
Michael Phillips |
Tomato 2.5/4 |
Walk on Water (2005) |
"Even when Walk on Water doesn't quite have you by the heart, its little fingers fumble around in your brain." |
Ellen Fox |
Tomato 3/4 |
Walk the Line (2005) |
"You won't go out humming the filmmaking, but Walk the Line showcases two of this year's most vivid screen performances." |
Michael Phillips |
Splat 1/4 |
A Walk to Remember (2002) |
"It's sad that Moore's first major cinematic outing scrapes the bottom of the melodramatic barrel." |
Robert K. Elder |
Splat 2/4 |
Walking Tall (2004) |
"I know it's a movie, and sure, the bad guys are pretty brutal, but siccing this hulk of a man on the town, no matter what his intentions, doesn't spell justice to me." |
Allison Benedikt |
Splat 2/4 |
Walking to Werner (2007) |
"Even the most ardent Herzog admirer may want to hail this fledgling documentarian a cab and call it a day." |
Michael Phillips |
Tomato 4/4 |
WALL-E (2008) |
"It's remarkable to see any film, in any genre, blend honest sentiment with genuine wit and a visual landscape unlike any other." |
Michael Phillips |
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Wallace & Gromit Gift Set (1990) |
Click here to see the review. |
|
Tomato 3/4 |
Wallace & Gromit: The Curse of the Were-Rabbit (2005) |
"Most of us come from common clay. Wallace & Gromit do not." |
Michael Phillips |
Splat 2/2 |
Wanted (2008) |
"If you went for Sin City or Shoot 'Em Up, you'll probably enjoy Wanted. I like my trash with a little less fetishism when it comes to instruments of slaughter." |
Michael Phillips |
Tomato 4/4 |
War and Peace (1968) |
"If you haven't seen it, you have an incredible treat in store." |
Michael Wilmington |
Tomato 3.5/4 |
War of the Worlds (2005) |
"A first-class pop entertainment packed to the brim with astounding effects and near-non-stop action and suspense." |
Michael Wilmington |
Tomato 3/4 |
War Photographer (2002) |
"Watching War Photographer, you come to believe that Nachtwey hates the wars he shows and empathizes with the victims he reveals." |
Michael Wilmington |
Tomato 4/4 |
The War Tapes (2006) |
"A fascinating chronicle of wartime, told by several distinct and vivid narrators." |
Michael Phillips |
Splat 2/4 |
The War Within (2005) |
"All this is neatly laid out -- too neatly. The results lack the shadows and fog of real life." |
Michael Phillips |
Tomato 2.5/4 |
War, Inc. (2008) |
"War, Inc. has that provocateur's edge, and it's at least awake to the world around us." |
Michael Phillips |
Tomato 3/4 |
Warm Water Under a Red Bridge (2001) |
"Like its bizarre heroine, it irrigates our souls." |
Michael Wilmington |
Tomato 3.5/4 |
The Warrior (2005) |
"A film for moviegoers who love powerful stories and ravishing imagery." |
Michael Wilmington |
Splat 2/4 |
Wasabi (2002) |
"Like being trapped inside a huge video game, where exciting, inane images keep popping past your head and the same illogical things keep happening over and over again." |
Michael Wilmington |
Tomato 3/4 |
Wassup Rockers (2006) |
"Very different than Kids. Where the earlier film was exhausting in its nihilism, the latest retains a good-natured charm." |
Jessica Reaves |
Splat |
The Watcher (2000) |
"Is neither slick, clever nor especially thrilling." |
Michael Wilmington |
Splat 1.5/4 |
Watchmen (2009) |
"Zack Snyder's bloated screen adaptation will go over best with fanboys, fangirls, fanmen and fanwomen who give high marks for slavish fidelity to the source material." |
Michael Phillips |
Tomato 3.5/4 |
Water (2006) |
"Like India's greatest filmmaker, Satyajit Ray, Mehta is a great pure-hearted storyteller and a maker of shining naturalistic images." |
Michael Wilmington |
Tomato 2.5/4 |
The Water Horse: Legend of the Deep (2007) |
"A sweet, familiar story, beautifully filmed and lovingly told." |
Jessica Reaves |
Tomato 3/4 |
The Way Home (2002) |
"Director Lee has a true cinematic knack, but it's also nice to see a movie with its heart so thoroughly, unabashedly on its sleeve." |
Michael Wilmington |
Splat |
The Way of the Gun (2000) |
"In a way, [McQuarrie] almost seems motivated by the same things that drive his killers: desperation and loot." |
Michael Wilmington |
Tomato 4/4 |
The Way We Laughed (2001) |
"... a masterpiece about filial love and the horrors of poverty." |
Michael Wilmington |
Tomato 3/4 |
We Are Marshall (2006) |
"'Restrained' and 'tasteful' are not words normally associated with McG, the director best known for countless music videos and the Charlie's Angels movie franchise. We Are Marshall could change that." |
Jessica Reaves |
Tomato 3/4 |
We Don't Live Here Anymore (2004) |
"Usually American marital problems are left to the soap operas; it's nice to see them tackled by experts, piercing personas and peeling open hearts." |
Michael Wilmington |
Splat 2/4 |
We Own The Night (2007) |
"The story remains oddly unaffecting, and Gray's camera sense is visually lethargic outside the two big action sequences." |
Michael Phillips |
Tomato 3/4 |
We Were Soldiers (2002) |
"Probably the best thing you can say about We Were Soldiers is that it does justice to an awful conflict." |
Michael Wilmington |
Tomato 3.5/4 |
The Weather Man (2005) |
"A scathing, often right-on look at the follies of contemporary culture." |
Michael Wilmington |
Splat 2.5/4 |
The Weather Underground (2003) |
"What it needs is more context, social and psychological." |
Michael Wilmington |
Splat 2/4 |
Wedding Crashers (2005) |
"An insipid romance, with some of the funniest guys in Hollywood squandered on gay jokes, a foul-mouthed grandmother and a checklist of family dysfunction." |
Allison Benedikt |
Splat 1.5/4 |
The Wedding Date (2005) |
"A tossed bouquet full of dead flowers and bad jokes that belongs in the nearest trash receptacle." |
Michael Wilmington |
Tomato 3/4 |
A Wedding for Bella (2001) |
"Deep intelligence and a warm, enveloping affection breathe out of every frame." |
Michael Wilmington |
Splat |
The Wedding Planner (2001) |
"Lopez and McConaughey aren't the kind of pairing that makes you think these two fit." |
Mark Caro |
Tomato 3/4 |
The Weight of Water (2002) |
"Bigelow directs this screen version of Anita Shreve's complex novel with polish and a flair for the melodramatic." |
Loren King |
Tomato 2.5/4 |
Welcome Home Roscoe Jenkins (2008) |
"Writer/director Malcolm D. Lee delivers a relatable comedy that drops viewers off in this family that just happens to be African-American." |
Kelley L. Carter |
Splat 2.5/4 |
Welcome to Collinwood (2002) |
"It plays like someone took a chomp out of the third act." |
Mark Caro |