Splat 2/4 |
I Am Legend (2007) |
"A very disappointing sci-fi snoozer." |
Steve Rhodes |
Splat 2/4 |
I Am Sam (2002) |
"Wait for video and borrow your neighbor's tape. If, after five minutes, you've already reached sugar overload, you won't have wasted anything." |
Steve Rhodes |
Splat 5/10 |
I Dreamed of Africa (2000) |
"The script reeks with clichés." |
Steve Rhodes |
Splat 1/4 |
I Heart Huckabees (2004) |
"Painfully unfunny, it's a ridiculous mess of a movie." |
Steve Rhodes |
Splat 1.5/4 |
I Know What You Did Last Summer (1997) |
"A goose-bumps-free horror show." |
Steve Rhodes |
Tomato 3/4 |
I Love $ (1986) |
"Adroitly and seductively presented, the film is fascinating, albeit perhaps not for the reasons the filmmaker intended." |
Steve Rhodes |
Tomato 3/4 |
I Served the King of England (2008) |
"Dite is a wonderfully sweet character who leads an interesting life. When the closing credits roll, you'll be glad that you were able to vicariously go along on his little adventures." |
Steve Rhodes |
Splat 1.5/4 |
I Shot Andy Warhol (1996) |
"I had a lot of trouble trying to figure out why this picture was made. What was the director trying to accomplish?" |
Steve Rhodes |
Splat 2/4 |
I Spy (2002) |
"With large portions shot on ugly digital video rather than film stock, the movie frequently looks like a washed out old videotape." |
Steve Rhodes |
Splat 1.5/4 |
I Still Know What You Did Last Summer (1998) |
"The completely formulaic script by Trey Callaway is directed by the numbers by Danny Cannon." |
Steve Rhodes |
Splat 2/4 |
I'll Be Home For Christmas (1998) |
"The most awkward aspect of the movie is the dialog." |
Steve Rhodes |
Splat 2.5/4 |
I'll Do Anything (1994) |
"Director Brooks is too timid with his cast as if he is afraid to open up and take a few risks." |
Steve Rhodes |
Splat 2.5/4 |
I'm Not Rappaport (1996) |
"The beauty of the language does come through, but the net effect of the movie is to make the viewers wish they had gone to the play instead." |
Steve Rhodes |
Tomato 3/4 |
I'm Not Scared (2004) |
"Unlike most boys in films these days, Michele isn't your typically cloying blabbermouth. He is a quiet kid with a strong sense of imagination." |
Steve Rhodes |
Tomato 3.5/4 |
I'm the Father (2002) |
"Steals your heart in scene after scene, without a single overacted moment in the entire production." |
Steve Rhodes |
Splat 2/4 |
I'm the One That I Want (2000) |
"Her comedic grammar requires every funny line to be screamed with such ear-piercing shrillness" |
Steve Rhodes |
Tomato 3/4 |
I've Loved You So Long (2008) |
"It's certainly a good film, but its merits seem relatively inconsequential next to the knockout performance by its lead, Scott Thomas ... who uses minimal expressions to convey so much." |
Steve Rhodes |
Tomato 3/4 |
I, Curmudgeon (2004) |
"Hilarious ... and I'll bet you find [the] negative charisma charming." |
Steve Rhodes |
Tomato 3/4 |
I, Robot (2004) |
"A thinking person's action picture ... it is definitely one of this summer's better blockbusters." |
Steve Rhodes |
Tomato 3/4 |
Ice Age (2002) |
"Has easily one of the best trailers ever, and that one long sequence shown in the trailer turns out to be the opening scene of the movie." |
Steve Rhodes |
Tomato 2.5/4 |
Ice Age: The Meltdown (2006) |
"Whenever Scrat is on the screen, the movie consistently delights young and old." |
Steve Rhodes |
Tomato 3/4 |
The Ice Harvest (2005) |
"The dialog is as wickedly funny as the sets are tackily humorous." |
Steve Rhodes |
Tomato 3.5/4 |
The Ice Storm (1997) |
"A devastating film that will almost certainly leave you emotionally drained." |
Steve Rhodes |
Tomato 3.5/4 |
An Ideal Husband (1999) |
"Thoroughly entertaining, the film moves from one scene of deliciously subtle humor to another. When you're not laughing out loud, you'll be grinning from ear to ear." |
Steve Rhodes |
Tomato 3/4 |
Identity (2003) |
"An efficient and effective thriller ... set during a dark and stormy night." |
Steve Rhodes |
Splat 1.5/4 |
Idle Hands (1999) |
"Has all the old jokes you've seen before, recycled one more time." |
Steve Rhodes |
Splat 1.5/4 |
Igby Goes Down (2002) |
"A laughless black comedy with no characters worth caring about, the story concerns the topic that Hollywood knows best, seriously dysfunctional families that are vicious, cruel and crazy." |
Steve Rhodes |
Splat 2.5/4 |
Illuminata (1998) |
"Turturro overdirects his players with an athletic intensity." |
Steve Rhodes |
Tomato 3/4 |
Illusion (2004) |
"You don't want to miss this little gem of a film." |
Steve Rhodes |
Tomato 3.5/4 |
The Illusionist (2006) |
"With a superb cast and a warmly-inviting cinematography, writer and director Neil Burger crafts an easily entertaining piece." |
Steve Rhodes |
Splat 1.5/4 |
Imagine Me & You (2006) |
"Filled with plastic people, it strikes one false note after another in its painfully predictable plot." |
Steve Rhodes |
Tomato 3/4 |
Imelda (2004) |
"A frequently funny documentary, it is a mesmerizing and encyclopedic look at a weird but likeable historical figure." |
Steve Rhodes |
Splat 2/4 |
Immortal Beloved (1994) |
"I just did not buy Oldman as Beethoven. I thought he was miscast, and he certainly overacted." |
Steve Rhodes |
Splat 2.5/4 |
Importance of Being Earnest (2002) |
"Like a slightly wet firecracker, the movie needlessly fizzles more often that it sizzles." |
Steve Rhodes |
Splat 2.5/4 |
Impostor (2001) |
"Stuffed with more filling than a Christmas turkey..., the movie lumbers along when it should be sprinting." |
Steve Rhodes |
Splat 1/4 |
The Impostors (1998) |
"Sputtering like a two-day old campfire, the story plays like an ad-lib sketch that was never polished or completed." |
Steve Rhodes |
Splat 1/4 |
The Impostors (1998) |
Click here to see the review. |
Steve Rhodes |
Tomato 3.5/4 |
Impulse (2005) |
"Impulse is better and much more realistic than Closer." |
Steve Rhodes |
Tomato 3.5/4 |
In & Out (1997) |
"The script itself is the real star of the show. It manages to elicit huge laughs without resorting to slapstick, and it finds humor in unlikely spots." |
Steve Rhodes |
Splat 2/4 |
In America (2003) |
"A slow story which offers little to reward viewers' patience and one with a serious credibility problem." |
Steve Rhodes |
Splat 4/10 |
The In Crowd (2000) |
"Devoid of energy." |
Steve Rhodes |
Splat 2.5/4 |
In Dreams (1998) |
"Tiresome!" |
Steve Rhodes |
Tomato 3.5/4 |
In Good Company (2004) |
"An easy film to fall in love with, It's also one that's worth savoring again and again and is one of the best movies of the year." |
Steve Rhodes |
Tomato 3/4 |
In Her Shoes (2005) |
"Requires a certain amount of viewer patience which, I'm happy to report, is amply rewarded in the last act payoff." |
Steve Rhodes |
Splat 2/4 |
In Love and War (1996) |
"Can a film be saved by its music?" |
Steve Rhodes |
Splat 1.5/4 |
In My Country (2005) |
"Lets no cliché go unspoken in one of the worst scripts of the year." |
Steve Rhodes |
Tomato 3/4 |
In Praise of Love (2001) |
"Intriguing and downright intoxicating." |
Steve Rhodes |
Splat 2.5/4 |
In Search of Mozart (2006) |
"My body voted (about) two-to-one against, with my ears being outvoted by my mind and my eyes." |
Steve Rhodes |
Tomato 3.5/4 |
In the Bedroom (2001) |
"Skip the voting and hand [Spacek] the Oscar now." |
Steve Rhodes |
Tomato 3.5/4 |
In the Company of Men (1997) |
"The acting is superlative, and the imaginative script has minimalist cadence à la David Mamet. The result is at once devastating and compelling." |
Steve Rhodes |
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