Splat 2/4 |
O (2001) |
"Pretty boy Josh Hartnett, last seen unimpressively in Pearl Harbor, delivers an even more underwhelming performance in Tim Blake Nelson's O." |
Steve Rhodes |
Splat 6/10 |
O Brother, Where Art Thou? (2000) |
"This is a comedy in which I didn't laugh once nor did those around me." |
Steve Rhodes |
Splat 2.5/4 |
The Object Of My Affection (1998) |
"Director paces movie too languidly and dulls most of the emotional punches with the result being a film bordering too often on blandness when its strength is its risk taking." |
Steve Rhodes |
Splat 2/4 |
Ocean's Eleven (2001) |
"A thriller that doesn't thrill and a heist that's not much fun ... It's a sleek snoozer." |
Steve Rhodes |
Tomato 3/4 |
Ocean's Thirteen (2007) |
"Sometimes -- albeit not very often in the movie world -- three really is a charm. ... Soderbergh gets lucky and comes up with a real winner." |
Steve Rhodes |
Splat 2/4 |
Ocean's Twelve (2004) |
"Plays like The Italian Job in very slow motion ... a high gloss bore." |
Steve Rhodes |
Tomato 3.5/4 |
October Sky (1999) |
"The upbeat film has a genuineness and poignancy that will touch your heart!" |
Steve Rhodes |
Splat 2.5/4 |
Octopussy (1983) |
"Too long" |
Steve Rhodes |
Tomato 2.5/4 |
The Odd Couple II (1997) |
"The audience shares vicariously in their silly little episodes." |
Steve Rhodes |
Splat 2.5/4 |
Off the Map (2005) |
"Richly literary while never being compelling or convincing." |
Steve Rhodes |
Tomato 3.5/4 |
Office Space (1999) |
"I got into so many laughing convulsions that I found myself choking!" |
Steve Rhodes |
Tomato 2.5/4 |
Offside (2006) |
"It's too bad that Hollywood, which is always interested in making another anti-American picture, couldn't make a few showing the consequences of Islamic oppression." |
Steve Rhodes |
Splat 1.5/4 |
Old School (2003) |
"With jokes about fat people, beer guzzling and oral sex classes, the movie is about as fresh as last week's pizza." |
Steve Rhodes |
Tomato 3/4 |
Old Yeller (1957) |
"Director Robert Stevenson understands how lightweight the first part is and never tries to make it seem more important that it is. His saves the energy and emphasis for the last act." |
Steve Rhodes |
Splat 1.5/4 |
Oliver and Company (1988) |
"Why these juvenile delinquents and their even worse masters are considered appropriate material for the 3-8 set that is most likely to see this movie is a conundrum." |
Steve Rhodes |
Tomato 4/4 |
Olympia - Pt. 1 & 2 (1936) |
"It has made several lists as one of the greatest movies of all time. It is easy to see why." |
Steve Rhodes |
Splat 1/4 |
The Omega Code (1999) |
"With the material for a great parody, the movie's worst sin is that the actors, who shamelessly overact, take it all quite seriously." |
Steve Rhodes |
Tomato 3/4 |
The Omen (2006) |
"A delightful throwback to a time when really good horror movies were more interested in the mystery than the special effects." |
Steve Rhodes |
Splat 2/4 |
On Her Majesty's Secret Service (1969) |
"Lazenby makes the mistake of trying to imitate Connery rather than giving his own interpretation to the role, and as we all know, imitations just make us yearn for the genuine article." |
Steve Rhodes |
Splat 1.5/4 |
On the Line (2001) |
"With wide-eyed innocence and without a visible smidgen of acting talent, Bass smiles his way through the movie." |
Steve Rhodes |
Tomato 3.5/4 |
On the Outs (2005) |
"It will break your heart. Never manipulative and unflinchingly honest ... it's filled with poignant images and painfully accurate dialog." |
Steve Rhodes |
Tomato 3.5/4 |
Once (2007) |
"Somehow the world just seems to be a better place once you've seen Once." |
Steve Rhodes |
Splat 1.5/4 |
Once Upon a Time in Mexico (2003) |
"A miserable excuse for a movie, it's almost saved by Johnny Depp's wonderfully hammy performance." |
Steve Rhodes |
Splat 2/4 |
Once Upon a Time in the Midlands (2003) |
"It isn't a bad movie; it's just a dud." |
Steve Rhodes |
Tomato 3/4 |
Once Upon a Time... When We Were Colored (1996) |
"The acting is good all round, but the star of the show has to be Al Freeman Jr. He shows great inner strength, bravery, and intelligence." |
Steve Rhodes |
Splat 2/4 |
The One (2001) |
"The film's very short running time minimizes the audience's pain. A little of this movie goes a long way." |
Steve Rhodes |
Tomato 2.5/4 |
One Fine Day (1996) |
"Our whole family loved it." |
Steve Rhodes |
Tomato 3.5/4 |
One Hour Photo (2002) |
"A wonderfully creepy tale [containing] another Oscar worthy performance by Robin Williams." |
Steve Rhodes |
Tomato 2.5/4 |
One Man Show: A Musical Documentary (2004) |
"John has a great voice and deserves to be heard. ... His whole extended family is a real bunch of cards." |
Steve Rhodes |
Splat 2.5/4 |
One Night at McCool's (2001) |
"An uneven and fairly forgettable comedy that produces only sporadic laughter." |
Steve Rhodes |
Splat 2.5/4 |
One Night Stand (1997) |
"Suffers from its aloof and uninviting approach." |
Steve Rhodes |
Tomato 3.5/4 |
One True Thing (1998) |
"In a time when most movie families are hopelessly dysfunctional, it is refreshing to see one that doesn't quite fit the mold." |
Steve Rhodes |
Tomato 3.5/4 |
One True Thing (1998) |
"William Hurt delivers his first outstanding performance in years." |
Steve Rhodes |
Splat 2/4 |
Only a Turtle (2002) |
"The documentary itself is pretty elementary with some of the scene transitions being quite awkward." |
Steve Rhodes |
Tomato 3/4 |
Only You (1994) |
"Tomei was absolutely perfect. A sweeter, prettier and more innocent actress you would be hard to find." |
Steve Rhodes |
Tomato 3/4 |
On_Line (2002) |
"A fun, insightful and sensuous romp through a world in which few of us have traveled." |
Steve Rhodes |
Tomato 3/4 |
Open Hearts (2003) |
"The acting is so natural that you'll swear the actors are cheating by not acting at all." |
Steve Rhodes |
Tomato 3.5/4 |
Open Range (2003) |
"Not only one of the best of the few Westerns made recently, it's also one of the finest Westerns, period." |
Steve Rhodes |
Tomato 3/4 |
Open Water (2004) |
"Harrowing." |
Steve Rhodes |
Splat 2.5/4 |
Open Your Eyes (1997) |
"When they finally reveal the Big Secret, you're liable to just shake your head -- both because it's so ludicrous and because you can easily and correctly write the epilogue." |
Steve Rhodes |
Tomato 3/4 |
Ópera (2008) |
"As his car twists and turns through one gorgeous forest after another and lush opera music plays in the background, I found myself lulled into a dreamy and tranquil state." |
Steve Rhodes |
Splat 2.5/4 |
Operation Condor (1990) |
"For those of who are not fans, its laughs will be forgotten minutes after we exit the theater." |
Steve Rhodes |
Splat 1/4 |
Operation Dumbo Drop (1995) |
"Slow and tedious ... All of the actors seemed to be on autopilot." |
Steve Rhodes |
Splat 2/4 |
The Opportunists (2000) |
"Directed on snooze control by Myles Connell." |
Steve Rhodes |
Tomato 3/4 |
The Opposite of Sex (1998) |
"Good-hearted story." |
Steve Rhodes |
Splat 1.5/4 |
Orange County (2002) |
"With little visible talent and no energy, Colin Hanks is in bad need of major acting lessons and maybe a little coffee." |
Steve Rhodes |
Splat 1/4 |
The Order (2003) |
"A poorly crafted, pseudo-religious pseudo-thriller." |
Steve Rhodes |
Splat 2/4 |
Ordinary Decent Criminal (2002) |
"The best thing that can be said of the picture is that it does have a few cute moments." |
Steve Rhodes |
Splat 2/4 |
Ordinary Madness (2001) |
"Denise Gentile tries her best to save the picture but can't. The writing is too loose and the other acting is credible only in fits and spurts." |
Steve Rhodes |
Splat 2/4 |
Orfeu (2000) |
"A rambling, romantic tale that is laced with gratuitous violence." |
Steve Rhodes |
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