Tomato 3/4 |
E.T. The Extra-Terrestrial (1982) |
"It helped alter the course of sci-fi movies by suggesting that intergalactic aliens might not be monsters but friendly, even loving, creatures. This doesn't make it a masterpiece, but it's fun." |
David Sterritt |
Tomato B |
Eagle Vs. Shark (2007) |
"What rescues Eagle vs. Shark is its focus on Lily. Although Horsley overdoes the winsomeness, she is genuinely appealing. Love erases Lily's geekiness and in its place stands an attractive young woman." |
Peter Rainer |
Tomato B+ |
Earth (2009) |
"For most of the way this is an eye-popping, not blood-curdling, experience." |
Peter Rainer |
Tomato B+ |
Earth Days (2009) |
"A surprisingly engaging ecodocumentary about the history of the American environmental movement from the Depression era up to the present." |
Peter Rainer |
Tomato A- |
East of Havana (2007) |
"If you thought that the Buena Vista Social Club was all that needed to be said about Cuban music, now there's East of Havana, which is about the Cuba rap scene." |
Peter Rainer |
Tomato B- |
Eastern Promises (2007) |
"David Cronenberg's Eastern Promises plays like a companion piece to his overrated A History of Violence." |
Peter Rainer |
Tomato 3/4 |
Edgar G. Ulmer: The Man Off-Screen (2004) |
"The subject and the film clips are great, although the documentary as a whole is a bit gimmicky." |
David Sterritt |
Tomato B |
The Edge of Heaven (2008) |
"Powerful, sexually graphic drama." |
Peter Rainer |
Splat C- |
The Edge of Love (2009) |
"The best thing The Edge of Love could do for you is to send you back to Thomas's poetry. Dash this folderol. Open Under Milk Wood." |
Peter Rainer |
Tomato 4/4 |
Edge of the World (1937) |
"Told with old-fashioned simplicity yet avoiding any trace of sentimentality or emotionalism, it's a small-scale masterpiece that shouldn't be missed by anyone interested in cinematic storytelling at its most compelling." |
David Sterritt |
Splat 2/4 |
EdTV (1999) |
"Its screenplay veers in highly questionable directions before reaching a mean-spirited climax that outweighs Ron Howard's workmanlike filmmaking and the contributions of a star-powered cast." |
David Sterritt |
Tomato 4/4 |
Edvard Munch (1976) |
"A masterly biopic." |
David Sterritt |
Tomato B- |
Eight Below (2006) |
"The interaction between the dogs, some of whom have beautiful crystalline white coats, is far more fascinating than what goes on between the two-legged mammals, which is sometimes mushy (pun intended)." |
Peter Rainer |
Splat 2/4 |
El Leyton (2002) |
"Too bad the acting is uneven. And the ineptly done English subtitles will have you laughing in all the wrong places." |
David Sterritt |
Tomato B+ |
Elegy (2008) |
"While this may seem like an apologia for randy older men, it doesn't come off that way, and Cruz gives her best performance to date." |
Peter Rainer |
Tomato 4/4 |
Elephant (2003) |
"A must-see movie." |
David Sterritt |
Tomato 4/4 |
Elevator to the Gallows (1957) |
"A plan for a perfect murder goes wildly wrong in this 1958 melodrama by one of France's great filmmakers." |
David Sterritt |
Splat C |
Eleven Minutes (2009) |
"The dynamics of fashioning low-end fashion are amusing but a little of McCarroll goes a long way." |
Peter Rainer |
Tomato 4/4 |
Elf (2003) |
"A terrific movie, smart and funny enough to hold up at any time of year." |
David Sterritt |
Splat D |
Elite Squad (2008) |
"Given that Brazil, as a Latin American moviemaking powerhouse, steadily produces vibrant, vital films of real impact and humanity, it's a crime itself that Elite Squad may be the only Brazilian film that American audiences see this year." |
Robert Koehler |
Splat C- |
Elizabeth: The Golden Age (2007) |
"A distinct letdown from the 1998 predecessor that helped make Blanchett a star." |
Peter Rainer |
Splat C |
Elizabethtown (2005) |
"Elizabethtown is scaled big but the experience is curiously uninvolving." |
Peter Rainer |
Splat 2/4 |
Ella Enchanted (2004) |
"Adds too many gimmicks to a story that had plenty going for it already." |
Kim Campbell |
Tomato 3/4 |
The Embalmer (2003) |
"Director Garrone keeps the story involving even though it doesn't quite live up to the star's strong talents." |
David Sterritt |
Splat 2/4 |
Emerald Cowboy (2003) |
"The acting is weak, largely because many of the performers seem uncomfortable speaking English." |
David Sterritt |
Tomato 3/4 |
Emile (2004) |
"Poignant and well acted, though not very memorable." |
David Sterritt |
Tomato 3/4 |
Empathy (2004) |
"The nonfiction scenes are most interesting, and could have easily sustained the whole picture." |
David Sterritt |
Tomato |
The Empire Strikes Back (1980) |
"Technical virtuosity and entertainment ingenuity." |
David Sterritt |
- |
The Empty Mirror (1999) |
Click here to see the review. |
David Sterritt |
Tomato B+ |
Enchanted (2007) |
"It may sound like faint praise to say that Enchanted is the movie of the year for smart and spirited 11-year-old girls. But a movie that genuinely respects that audience is not to be belittled." |
Peter Rainer |
Tomato a |
Encounters At the End of the World (2007) |
"A supremely cranky and lyrical feat." |
Peter Rainer |
Tomato 3/4 |
End of the Century: The Story of the Ramones (2004) |
"Documentary about the rock group, which has worked its way through an amazing number of members in its long career." |
David Sterritt |
Tomato B+ |
End of the Spear (2006) |
"Though the final steps in Mincayani's awakening are crudely sketched, the film's conclusion will stir even the nondevout." |
Stephen Humphries |
Tomato 3/4 |
Enduring Love (2004) |
"Enduring Love is marvelously acted and smoothly directed by Mr. Michell." |
David Sterritt |
Splat 1/4 |
Enemy at the Gates (2001) |
"A movie that's likely to be its own worst enemy once audiences come into its cross hairs." |
David Sterritt |
Splat 2/4 |
Enemy of the State (1998) |
"The movie has plenty of high-tech power, spinning out action so explosive you'll hardly notice how preposterous the story is or how cardboard-thin the characters are." |
David Sterritt |
Tomato 4/4 |
Enron: The Smartest Guys in the Room (2005) |
"As real-life stories go, this is as riveting -- and as revealing about the dark side of American business -- as they come." |
David Sterritt |
Splat C |
Eragon (2006) |
"Considering that Christopher Paolini started writing his Eragon novels at age 15 and his protagonist is 17, the adolescent tone is appropriate, but the film shouldn't look as if teenagers made it." |
M. K. Terrell |
Tomato 3/4 |
Erin Brockovich (2000) |
"Soderbergh's entry in the legal-eagle category isn't great cinema, but it has enough engaging moments -- and enough of Julia Roberts's photogenic face -- to expect sure-fire success at the box office." |
David Sterritt |
Tomato 4/4 |
Eros (2005) |
"Three short movies with sexual themes by filmmakers of extraordinary interest." |
David Sterritt |
Tomato 4/4 |
Eternal Sunshine of the Spotless Mind (2004) |
"Spreads the brightest cinematic sunbeams of the season." |
David Sterritt |
Tomato 4/4 |
Eureka (2001) |
"Patient viewers will find ample rewards in its 217 minutes of eloquently filmed cinema." |
David Sterritt |
Splat C |
Evan Almighty (2007) |
"If there is one thing that kills comedy, it's sanctimoniousness." |
Peter Rainer |
Splat C- |
Even Money (2007) |
"Hot on the heels of Lucky You, we have another movie about gambling addiction, and it's even less successful." |
Peter Rainer |
Splat C |
Evening (2007) |
"A dreary mood romance that flashes back and forth between present day and 50 years ago." |
Peter Rainer |
Splat 2/4 |
The Event (2003) |
"The topic is thought-provoking, the flashback-based structure is interesting, and there are surprising twists near the end. But there's also an overdose of sentimentality that badly dilutes the picture's impact." |
David Sterritt |
Tomato A |
Everlasting Moments (2009) |
"[Director] Troell, at 78, continues to turn out films that will last for as long as there are movies." |
Peter Rainer |
Splat 1/4 |
Everybody Says I'm Fine (2006) |
"The consequences aren't remotely as comic as they're meant to be." |
David Sterritt |
Splat C+ |
Everything is Illuminated (2005) |
"The story is confusingly told -- everything is not illuminated -- and, as the seeker, Elijah Wood is a big blank." |
Peter Rainer |
Tomato A |
The Exiles (1961) |
"A semidocumentary account of native Americans living in Los Angeles's downtown Bunker Hill, its evocations of loneliness and despair and renewal are among the most eloquent in American cinema." |
Peter Rainer |