Tomato 2.5/4 |
O (2001) |
"Othello's themes of jealousy, betrayal, and deception are particularly applicable to the realm of pampered American adolescence" |
James Kendrick |
Tomato 3/4 |
O Brother, Where Art Thou? (2000) |
"The Coens manage to maintain a genial, slapstick tone that coats the ridiculous plot devices and outrageous characters and makes them just slick enough to swallow." |
James Kendrick |
Splat 2/4 |
The Object Of My Affection (1998) |
Click here to see the review. |
James Kendrick |
Splat 2/4 |
Observe and Report (2009) |
"a strange, slightly disconcerting, and at times aggressively insistent wince-inducing comedy" |
James Kendrick |
Splat 2/4 |
Obsessed (2009) |
"a stylishly empty stab at the genre that makes no bones about its obviousness even as it introduces a deliberately racialized twist" |
James Kendrick |
Tomato 3/4 |
Ocean's Eleven (2001) |
"a vivacious, quirky, throwaway crime-comedy" |
James Kendrick |
Tomato 3/4 |
Ocean's Thirteen (2007) |
"It's just about good enough to make us forget how unfortunate Ocean's Twelve really was" |
James Kendrick |
Splat 2/4 |
Ocean's Twelve (2004) |
"designed to constantly evoke sparks and tension, particularly in its dry comedy, but nothing ever never quite catches" |
James Kendrick |
Tomato 3/4 |
October Sky (1999) |
Click here to see the review. |
James Kendrick |
Tomato 3/4 |
Office Space (1999) |
Click here to see the review. |
James Kendrick |
Splat 2.5/4 |
Old School (2003) |
"ultimately a conservative story, one in which hedonistic partying gives way to a dutiful return to the responsibilities of adult life" |
James Kendrick |
Tomato 3.5/4 |
Oldboy (2005) |
"a deeply passionate movie, but its passion is the kind that gets splattered on walls" |
James Kendrick |
Tomato 3.5/5 |
Oldboy (2005) |
Click here to see the review. |
James Kendrick |
Tomato 3.5/4 |
Oleanna (1994) |
Click here to see the review. |
James Kendrick |
Splat 2.5/5 |
The Omen (1976) |
Click here to see the review. |
James Kendrick |
Splat 2.5/5 |
The Omen (2006) |
"In his zeal to creep us out, [director] Moore forgot the subtle brilliance of Damien's portrayal in the original, which was largely as a pawn." |
James Kendrick |
Tomato 3.5/5 |
Once (2007) |
"Even when Carney lays on the indie film visual aesthetics a little too thick, the movie never feels anything less than heart-wrenchingly authentic." |
James Kendrick |
Tomato 3/4 |
Once Upon a Time in Mexico (2003) |
Click here to see the review. |
James Kendrick |
Tomato 4/4 |
Once Upon a Time in the West (1969) |
Click here to see the review. |
James Kendrick |
Tomato 4/4 |
Once Upon a Time in the West (1969) |
"Leone’s masterpiece, the pinnacle of his storied career" |
James Kendrick |
Tomato 3.5/4 |
One False Move (1992) |
Click here to see the review. |
James Kendrick |
Tomato 3.5/4 |
One Hour Photo (2002) |
"we can never get away from the pathetic vibe in Williams' performance, conveying at all times not just his inner loss, but the sad fact that it will never be filled" |
James Kendrick |
Splat 1.5/4 |
One Night at McCool's (2001) |
"has energy, but as a farce it falls flat because it has no tone and no center" |
James Kendrick |
Tomato 3/4 |
One True Thing (1998) |
"Instead of being just about coping with cancer, it tells an interesting story about a young woman coming to terms with the fact that her parents are not who she always thought they were." |
James Kendrick |
Tomato 3/4 |
Ong-Bak: The Thai Warrior (2005) |
"More than anything, the filmmakers want to impress on you the wonders of Jaa's physical presence" |
James Kendrick |
Tomato 3.5/4 |
Onibaba (1964) |
Click here to see the review. |
James Kendrick |
Tomato 3/4 |
Open Range (2003) |
Click here to see the review. |
James Kendrick |
Tomato 3/4 |
Open Water (2004) |
"as terrifying as anything you're likely to see this year, but not in the manner you might expect" |
James Kendrick |
Tomato 3/4 |
Opera (1991) |
Click here to see the review. |
James Kendrick |
Tomato 3/4 |
Opera (1991) |
"With its grand scale and brooding themes, the art of opera fits neatly with Argento's lavish stylistics and dark preoccuptations as a filmmaker" |
James Kendrick |
Splat 2.5/4 |
Orange County (2002) |
"an amusing, sometimes witty, but often uneven comedy about the horrors of familial dysfunction" |
James Kendrick |
Tomato 3.5/4 |
Ordet (1955) |
Click here to see the review. |
James Kendrick |
Tomato 3.5/4 |
Ordet (1955) |
"A rare work about spiritual life and the conflicts of earthly bodies and heavenly desires that doesn't denigrate or simplify religion despite the flawed nature of the characters and of the institution of religion itself." |
James Kendrick |
Tomato 3/4 |
Ordinary People (1980) |
Click here to see the review. |
James Kendrick |
Tomato 3/4 |
Ordinary People (1980) |
"despite its flaws, Ordinary People is a powerful depiction of the damage done when human beings can no longer communicate with those closest to them" |
James Kendrick |
Tomato 3/4 |
Orphan (2009) |
"a carefully staged deconstruction of our assumptions about horrorshows about preternaturally manipulative and malevolent children" |
James Kendrick |
Tomato 3/4 |
The Orphanage (2007) |
"an often chilling story that never sags and ultimately supplies a surprisingly moving ending that marries life and death, past and present" |
James Kendrick |
Tomato 2.5/4 |
Osmosis Jones (2001) |
"never quite takes off the way you're hoping it will" |
James Kendrick |
Splat 1.5/4 |
The Other Sister (1999) |
Click here to see the review. |
James Kendrick |
Tomato 3.5/4 |
The Others (2001) |
"a classically elegant, yet gut-wringing ghost story with a brilliantly conceived twist ending" |
James Kendrick |
Tomato 3/4 |
Otoshiana (1962) |
"There is something uneasy underlying the entire film, and watching it is not unlike stepping into a dream in which not everything makes perfect sense, but every detail commands your absolute attention." |
James Kendrick |
Splat 2.5/4 |
Our Town (1940) |
Click here to see the review. |
James Kendrick |
Splat 2.5/4 |
Our Town (1940) |
"today it seems quite dated in its theatrical clunkiness" |
James Kendrick |
Tomato 3.5/4 |
Out of Sight (1998) |
"Represents a piece of great moviemaking from a pulpish story that could have easily been obnoxious or unbelievable or both." |
James Kendrick |
Splat 2.5/4 |
The Out-of-Towners (1999) |
Click here to see the review. |
James Kendrick |
Splat 2.5/4 |
Outfoxed (2004) |
"chief flaw is that the film gets so hyperfocused on showing us how awful Fox News is, it forgets to put it in any kind of historical context" |
James Kendrick |
Splat 1.5/4 |
Outside Providence (1999) |
Click here to see the review. |
James Kendrick |
Tomato 3/5 |
Over the Hedge (2006) |
"It is nothing short of amazing that a film that features every possible variant of junk food imaginable doesn't contain a single recognizable brand." |
James Kendrick |
Tomato 4/4 |
Overlord (1975) |
"the film's documentary footage and expressive fictional footage are all of a piece--both realistic and surreal" |
James Kendrick |
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