S.O.B. (1981)

No article available.

Safe (1995)

"An overpraised, go-nowhere project."

Salvador (1986)

"Oliver Stone's gripping depiction of turmoil in Central America is bolstered by Wood's mesmerising performance as a burned out reporter."

The Sandlot (1993)

No article available.

School of Rock (2003)

"Jack Black: "No, I’m not always rocking. It takes a lot of energy to rock. You have to save up energy. If you’re rocking all the time, your rock would become kind of lukewarm. You have to save up the battery power then rock white-hot.”"

The Score (2001)

"With the talent involved, "The Score" promises to be a worthy caper flick. Instead, it robs viewers of two hours and the cost of a ticket."

The Secret Adventures of Tom Thumb (1993)

"Disturbing animated effort"

See Spot Run (2001)

"Because it fails on so many levels, one wonders why "See Spot Run" wasn't put to sleep during development."

Seven Samurai (1954)

"On a short list of the greatest films of all time."

Shaft (1971)

"Undeniably cool"

Shark Tale (2004)

"By the end of the film it wasn’t my stomach that was hurting from laughter; it was my butt that was sore from the pop culture/product placement spanking I was enduring."

The Shining (1980)

"Among a handful of the scariest movies ever made."

Shirley Valentine (1989)

"Collins' terrific performance bouys this somewhat awkward adaption of the play."

Showgirls (1995)

"One of the most entertaining bad movies of all time."

Shrek 2 (2004)

"There is a fine line between name-dropping a product or TV show for laughs and genuinely writing something that is funny on its own merit"

Signs (2002)

"Signs exploits fear of the unknown better than any movie since The Blair Witch Project."

Silent Running (1971)

"A great, overlooked science fiction classic."

Sin City (2005)

"Sin City is as vibrant and hostile as the fictional metropolis of the same name"

Single White Female (1992)

"Proof that sensationalism, sex and violence can be boring."

Sisters (1973)

No article available.

Sky Captain and the World of Tomorrow (2004)

"The production design is so adept at looking both retroactive AND futuristic that the film always has a newness about it even when its plot is conventional."

Slackers (2002)

"Going with this title is about as original as calling the movie Animal Houses."

Slaughterhouse Five (1972)

"The best of the Vonnegut adaptations"

Sleepers (1996)

"Disturbing and powerful"

Snatch (2001)

"Ritchie's command of the visual medium is so skillful, his criminals so memorable and his writing so undeniably entertaining, that it's a wasted criticism to try and intellectually dissect [his] movies."