Tomato 4/5 |
Gamer (2009) |
"Puts the viscera in visceral but a thought-provoking exploration of our increasingly disconnected society in drag as mindless action." |
Karina Montgomery |
Splat 1.5/5 |
Gangs of New York (2002) |
"If Scorcese hadn't directed it, no one would even pretend to like it." |
Karina Montgomery |
Tomato 5/5 |
Garden State (2004) |
"Delightful, unexpected, intimate, dark, and funny. Best value for your dollar!" |
Karina Montgomery |
Tomato 5 |
The General (1927) |
"Sure, it's got that cornball '20's dialogue and plays the underdog Confederacy as the heroes, but it's a truly fantastic piece of cinema." |
Karina Montgomery |
Splat 1/5 |
George A. Romero's Diary of the Dead (2008) |
"Diary of the Dead, even for zombie diehards like my little group (we watched Shadow: Dead Riot, for pete's sake), was not very good at all. I mourn." |
Karina Montgomery |
Tomato 4.5/5 |
George A. Romero's Land of the Dead (2005) |
"Romero hasn't let the kids today show him up one bit." |
Karina Montgomery |
Tomato 4/5 |
George Lucas in Love (1999) |
"slick, sly, and super" |
Karina Montgomery |
Tomato 4.2 |
George of the Jungle (1997) |
"Totally silly & tree-smashing, but still with hip clever jokes & some jokes that felt familiar even though I have never seen the cartoon." |
Karina Montgomery |
Tomato 4.5/5 |
Get Smart (2008) |
"Oh thank heaven Get Smart is funny. It's a genuine easy-going, whiz-bang spy comedy with the comedy trimmings." |
Karina Montgomery |
Splat 2.5/5 |
Ghost Ship (2002) |
"The story is nothing to write home (or you) about, but the really good stuff is the material that was cribbed from other movies, namely The Shining." |
Karina Montgomery |
Tomato 3 |
Ghost World (2001) |
"I didn’t love this movie, but on some level I really connected with it. Maybe you will too. But you can find out by renting it." |
Karina Montgomery |
Tomato 4/5 |
Ghostbusters (1984) |
No article available. |
Karina Montgomery |
Tomato 4/5 |
Ghosts of the Abyss (2003) |
"The film borders on awe-inspiring, borders on wondrous, but unfortunately, Cameron's attempts to cop Spielberg's sense of magic made the film fall sadly short." |
Karina Montgomery |
Tomato 4.5 |
The Gift (2001) |
"It's a good story with unexpected and even almost shocking plot twists, and a whole film of very, very good performances." |
Karina Montgomery |
Tomato 4/5 |
The Girl Next Door (2004) |
"A pleasant, disposable movie that you might secretly watch every now and again for years before realizing everyone else does it too." |
Karina Montgomery |
Splat 2.5/5 |
Girl with a Pearl Earring (2003) |
"A gaffer's wet dream, but I do not think that screenwriter Olivia Hetreed actually read the novel that was to be the basis for her first feature film." |
Karina Montgomery |
Tomato 3.5 |
Go (1999) |
"It's a fresh, bang-for-your-buck kind of movie. Parents will hate it." |
Karina Montgomery |
Tomato 5 |
Gods and Monsters (1998) |
"I can't remember the last time I was so emotionally pounded by a film...Ian McKellan is a god." |
Karina Montgomery |
Splat 1 |
Godzilla (1998) |
"How many shots were embarrassingly copied from Jurassic Park? "Please think of that much better movie while you're watching this one!!"" |
Karina Montgomery |
Splat 2/5 |
The Golden Compass (2007) |
"Read this review, skip this movie, and instead read the excellent books. Poor Dakota Blue Fanning is the perfect Lyra in a terrible adaptation." |
Karina Montgomery |
Tomato 4/5 |
Gone Baby Gone (2007) |
"Great job, everyone! The ride overall is solid and gripping, and very enjoyable despite the glimpses at the horrors of which the human animal is capable." |
Karina Montgomery |
Tomato 3.5/5 |
Good Boy! (2003) |
"Liam Aiken is the heart of this movie; the fantastic voice casting and animal training is the machine. Both serve their purposes well." |
Karina Montgomery |
Tomato 4.5/5 |
The Good Girl (2002) |
"Reward the studio for making an intelligent film about intelligent persons in sad circumstances that keeps you engaged." |
Karina Montgomery |
Tomato 5/5 |
Good Night. And, Good Luck (2005) |
"Both a stirring tribute to Ed Murrow and a bold polemic about the state of journalism today. And gorgeous on every level.
" |
Karina Montgomery |
Splat 2 |
Goodbye, 20th Century (2000) |
"It's a self-proclaimed fairy tale, but one in which the elements do not mesh to create a single story or lesson, or even, well, amusement." |
Karina Montgomery |
Tomato 2 |
Greenfingers (2001) |
"I was charmed and laughed at spots, but mostly I saw points where the story needed to take a turn to keep me interested." |
Karina Montgomery |
Tomato 5 |
Grosse Pointe Blank (1997) |
"This movie was everything I wanted it to be!" |
Karina Montgomery |
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