Tomato 4/5 |
I Am Legend (2007) |
"The exacting demands of filmgoing audiences have finally drawn out the heart of this book. (Disclosure: I have not read it, but now am willing to. For the antidote to this impulse, see The Omega Man.) Adding a dog probably didn't hurt either." |
Karina Montgomery |
Tomato 4.5/5 |
I Capture the Castle (2003) |
"In a summer full of "summer movies," I Capture the Castle is a fortress reminding you what is most real and important in life is within." |
Karina Montgomery |
Tomato 4/5 |
I Love You, Man (2009) |
"I Love You, Man is a fun, charming comedy with the casual profanity of a bunch of dudes, but not a deep reliance on gross-out humor or sexcapades." |
Karina Montgomery |
Tomato 2.5/5 |
I Spy (2002) |
"I found it irritating but still fun. Please read review." |
Karina Montgomery |
Splat 0/5 |
I'll Do Anything (1994) |
No article available. |
Karina Montgomery |
Tomato 4.5/5 |
I, Robot (2004) |
"A fun , surprisingly smart ride that is also true to the spirit of Asimov's more thoughtful and low-key work." |
Karina Montgomery |
Tomato 4/5 |
I.O.U.S.A. (2008) |
"I.O.U.S.A manages to keep this dense, dry information dynamic enough to be interesting and terrifying enough to be important." |
Karina Montgomery |
Splat 2.5/5 |
Ice Age (2002) |
"Adequate but not nearly up to snuff. Unlikeable protagonists." |
Karina Montgomery |
Splat 2/5 |
Ice Age: The Meltdown (2006) |
"Adult fans of animation: don't bother. Parents taking their kids: Spare them. Use the money to beef up your home DVD collection of Pixar titles or even expand into the old Warner Brothers cartoons." |
Karina Montgomery |
Splat 1.5/5 |
The Ice Harvest (2005) |
"The film's various elements lump together like so many strippers at a Christmas Party %u2013 clearly anomalous but trying to present a cohesive front." |
Karina Montgomery |
Tomato 3.5/5 |
An Ideal Husband (1999) |
"It's a pleasant diversion but sadly, little more than a chance to hear Rupert's barbed wit." |
Karina Montgomery |
Tomato 4.5/5 |
Identity (2003) |
"The best thing about Identity cannot be put in a review. I beg you all to close your eyes and ears to all press (except no-spoilers Cinerina!) until you have seen it." |
Karina Montgomery |
Tomato 4/5 |
Igby Goes Down (2002) |
"Kieran Culkin channels Robert Downey Jr. circa Less Than Zero and Chaplin...excellent writing and performances" |
Karina Montgomery |
Tomato 4/5 |
Importance of Being Earnest (2002) |
"Could it be better cast? NO! It?s a frothy delight, true to the spirit of the original, but flavored with the permissiveness of the present." |
Karina Montgomery |
Tomato 5/5 |
The Impostors (1998) |
"Sublime comedic charm!" |
Karina Montgomery |
Tomato 4.5 |
In & Out (1997) |
"Rudnick has an knack for striding the line between having fun with (not making fun of) homosexual stereotypes and homophobic attitudes." |
Karina Montgomery |
Tomato 4.5/5 |
In America (2003) |
"One cannot help but get emotionally involved with this movie." |
Karina Montgomery |
Tomato 3.5/5 |
In Bruges (2008) |
"Marketed as a much faster-paced shoot-'em-up than it ultimately is...Go for the scenery, stay for the Act III climax and Ralph Fiennes." |
Karina Montgomery |
Tomato 2 |
In Dreams (1998) |
"So viscerally stimulating, interesting, & well-performed on the part of Annette Bening, & then it still fell right out of my head." |
Karina Montgomery |
Tomato 4.5/5 |
In Good Company (2004) |
"They just don't make movies like this any more, yet this film is shiny and relevant to today." |
Karina Montgomery |
Tomato 5/5 |
In Her Shoes (2005) |
"It may do for the chick lit genre what Silence of the Lambs did for the horror genre: make it OK to like it, and encourage more people to adapt these underrated works to film." |
Karina Montgomery |
Tomato 5/5 |
In the Bedroom (2001) |
"The title implies that the intimacy is sexual in nature; no sexuality could ever cut as close to one?s insides as the words spoken here." |
Karina Montgomery |
Splat 2/5 |
In the Land of Women (2007) |
"Jonathan Kasdan infects them with a smart-ass self-awareness and a grandiose sense of vitality that borders on preciousness. It has that Baby Boomer quality of his father's films without any of the history to back it up." |
Karina Montgomery |
Tomato 5/5 |
An Inconvenient Truth (2006) |
"While it is a sobering film, it is not depressing...there might be more fun ways to spend your summer afternoon, but Gore infuses his talk with much more than just, as he calls it, a nature hike through the Book of Revelations." |
Karina Montgomery |
Tomato 4.5/5 |
The Incredibles (2004) |
"I had a heck of a time...I guarantee that money spent here is money spent wisely." |
Karina Montgomery |
Tomato 4/5 |
Indiana Jones and the Kingdom of the Crystal Skull (2008) |
"When it's good it's great, and when it's bad, it's a typical Lucas misfire." |
Karina Montgomery |
Tomato 3/5 |
The Informant! (2009) |
"It's the kind of movie that stymies my proper critical eye (and ability to write) due to being so jumbled and ambitious, much like its hero." |
Karina Montgomery |
Tomato 4.5/5 |
Inglourious Basterds (2009) |
"97% mature, solid, suspenseful, respectful, artistic, violent, sophisticated, tremulous, funny, surprising" |
Karina Montgomery |
Tomato 4.5/5 |
Inside Man (2006) |
"The ultimate cleverness of it isn't revealed until the very last maraschino of information is dropped on the top. Delicious!" |
Karina Montgomery |
Tomato 4/5 |
The International (2009) |
"See it for Owen's trademarked thinking cap and glower, the Guggenheim, the score, and the smugness of knowing first-hand that banks are actually much, much stupider than any movie could ever predict. Check it out, it's a fun time." |
Karina Montgomery |
Tomato 4/5 |
The Interpreter (2005) |
"...Becomes a little convoluted and long, but the majority of the time I was interested, involved, and only occasionally perplexed by Penn's arbitrariness." |
Karina Montgomery |
Tomato 4.5/5 |
Into the Wild (2007) |
"Chris' relationship with the machine of expectations and responsibilities is tried by Keener and Holbrook in particular, but he sticks to his guns and leaves a wake of bittersweet gaps behind him."" |
Karina Montgomery |
Splat 3/5 |
Intolerable Cruelty (2003) |
"Clooney and Zeta-Jones are magical together but not enough to escape the many story and character problems which hobble the Coens' usual genius." |
Karina Montgomery |
Tomato 3/5 |
The Invasion (2007) |
"While you're watching it, it feels new and interesting, and as soon as it's over, you kind of feel like you've seen it before. It's creepy and cool and stylish, meaningful, and forgettable." |
Karina Montgomery |
Tomato 4.5/5 |
The Invention of Lying (2009) |
"...becomes dizzyingly hilarious, mixed with genuine sympathy, while an amusing and subversive element grows slowly, beginning as fascinating and then stumbling into inevitability." |
Karina Montgomery |
Tomato 5/5 |
Iris (2001) |
"Romantic - not of finding, but of knowing...the longer journey of being in love together, and living through what they experience." |
Karina Montgomery |
Tomato 4.5/5 |
Iron Man (2008) |
"The pace is good, not frantic, not "oh god we have to get to the explosions or we're gonna lose them" %u2013 and the actors are all above average at least. (Our leads are no strangers to the Oscar nomination process.)" |
Karina Montgomery |
Tomato 5/5 |
The Island (2005) |
"I loved it...you get your money's worth, and there's actually a story in there with all the pants-pooping excitement." |
Karina Montgomery |
Tomato 2.5/5 |
Italian for Beginners (2002) |
"An incredibly low-rent Danish film, it brings a group of people together in a sweet and charming way, if a little convenient" |
Karina Montgomery |
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