Splat 1/5 |
Circuit (2002) |
No article available. |
Brandon Judell |
Tomato |
The New Adventures of Pinocchio (1999) |
"I’ll probably just chill out for a couple of years, concentrate on school, then hopefully enter back into the business, and you know getting into directing like Ron Howard and Jodie Foster." |
Brandon Judell |
Tomato 4/5 |
Not One Less (1999) |
No article available. |
Brandon Judell |
- |
Nothing (1999) |
"like a West Coast suburban, post-pubescent Woody Allen, like a Sartre on laughing gas, Aaronson has created a film that will have you floored..." |
Brandon Judell |
Splat |
At First Sight (1998) |
"Some tame lovemaking between blind Virgil Adamson (Val Kilmer) and architect Amy Benic (Mira Sorvino)." |
Brandon Judell |
Tomato |
The Big Lebowski (1998) |
"Nimble, crackerjack entertainment with the crazed, anything-goes humor and the visual splendor we have come to expect in the best of the Coen Brothers' offerings." |
Brandon Judell |
Tomato |
Bulworth (1998) |
"one of the hardest-hitting and unblinkingly brave political satires to hit American screens since “Dr. Strangelove.”" |
Brandon Judell |
Tomato |
The Chambermaid on the Titanic (1998) |
"Overwhelmingly romantic, subtly cynical, and constantly entertaining, "The Chambermaid and the Titanic" is an example of how to make a superb film for less than $200 million." |
Brandon Judell |
5/10 |
Home Before Dark (1998) |
"It is fun, though, to be in Ms. Ross’ presence again even though her idea of a rigid aunt is straight out of a community theater’s interpretation of “Mommie Dearest.”" |
Brandon Judell |
Splat |
Kissing a Fool (1998) |
"A little more “Kissing” like this, and years from now it’s quite possible “Friends” will be all Schwimmer is remembered for." |
Brandon Judell |
Splat |
Krippendorf's Tribe (1998) |
"the miscasting of Ms. Elfman as someone with a brain defies belief." |
Brandon Judell |
Tomato |
Leather Jacket Love Story (1998) |
"So good-natured and peppered with so much nudity and so many crazed drag queens, you'll find yourself more than willing to overlook its poor sound quality, mixed bag of actors, and lack of suspense." |
Brandon Judell |
Tomato |
Madeline (1998) |
"No horribly arch double entendres to draw in audiences who can’t spend two hours in a theater without having their libido massaged.
" |
Brandon Judell |
Tomato 4/5 |
A Price Above Rubies (1998) |
"Thanks to Boaz (Fresh) Yorkin, we now have Bye, Bye, Hasid or better yet Escape from the Tefillin." |
Brandon Judell |
Splat |
Sliding Doors (1998) |
"a clever conceit, but it's one that eventually wears out its welcome." |
Brandon Judell |
Splat |
Sphere (1998) |
"Sphere yearns to be a philosophical epic but it's final and only edict is so rudimentary as to barely exist: man is not yet 'ready' either intellectually or emotionally for the gifts E.T.'s are willing to share with us." |
Brandon Judell |
Tomato |
There's Something About Mary (1998) |
"Cameron, with her unique beauty and unquittable smile, has a way of grounding the most ridiculous situations." |
Brandon Judell |
Splat |
Twilight (1998) |
"Imagine a Medicare version of the private eye Paul Newman played in both “Harper” (1966) and “The Drowning Pool” (1976), and you have “Twilight.”" |
Brandon Judell |
Tomato 9/10 |
Velvet Goldmine (1998) |
"Reminisce, if you can, over genderless fashions, boys in makeup and girls in even more makeup. And don't forget those platform shoes, drugs, and glitter, glitter everywhere." |
Brandon Judell |
Tomato |
Wild Things (1998) |
"What “Titanic” supplied for female teens, “Wild Things” will supply for their male counterparts." |
Brandon Judell |
Tomato |
Artemisia (1997) |
"an always perceptive look into the life of an artist only previously known to the most academic of us. Merlet brings the sixteen-hundreds alive with all its wantonness." |
Brandon Judell |
Splat |
Ayn Rand: A Sense of Life (1997) |
"... when Ms. Rand, who died in 1982, is verbally sparring with the likes of Phil Donahue or Mike Wallace on old TV broadcasts, she comes alive." |
Brandon Judell |
Splat |
Burn Hollywood Burn (1997) |
"a film more noteworthy for its title’s lack of commas than for any other asset" |
Brandon Judell |
Tomato |
Deja Vu (1997) |
"In a mood for a little O. Henry? Then you're in luck. In this most whimsical of romances, auteur Henry Jaglom, has again created another of his unconventional opuses" |
Brandon Judell |
Tomato |
Everything Relative (1997) |
"How could you not like a film which features Harvey Fierstein as a moyl with two-pierced ears? You simply can’t." |
Brandon Judell |
Tomato |
I Went Down (1997) |
"This good-natured, rough-housing Irish comedy is one of those buddy pictures where two oddly matched chaps thrown together by caustic Fate eventually save each other's life and become the best of buddies." |
Brandon Judell |
Tomato |
Marius and Jeannette (1997) |
"a study of the difficulties working-class love faces when confronted with unemployment, past betrayals, and a deteriorating social structure" |
Brandon Judell |
- |
Mimic (1997) |
"my first line was "O all you host of Heaven! O earth! What else?" A more apt line there couldn't
have been.
" |
Brandon Judell |
Splat 1/5 |
Stag (1997) |
No article available. |
Brandon Judell |
Tomato |
Taste of Cherry (1997) |
"That Kiarostami keeps us guessing and caring to the very end as to how Mr. Badii will answer these questions, and that he accomplishes this concern on our parts with a startling spareness, is nothing less than Divine." |
Brandon Judell |
Splat 1/10 |
Titanic (1997) |
"If when you see this film, you believe it's credible, God bless you and your unfortunate offspring with their damaged gene pool." |
Brandon Judell |
Tomato |
Welcome to Woop Woop (1997) |
"Finally a Rocky Horror Show to greet the millennium. Welcome to Woop Woop is indisputably the best “bad” film to hit our screens in many a moon." |
Brandon Judell |
Splat |
Alaska (1996) |
"Charlton Heston, though he has saved the Jews and a whole bunch of other distressed folk in the past, along with painting the Sistine Chapel, can’t rescue his son’s picture." |
Brandon Judell |
Splat 0/10 |
Bird of Prey (1996) |
"At one point, Kily/Tilly notes: "Parents! You can't live with them. You can't live without their Mastercard." Hopefully, that will be the only sentence I remember from this abomination, and if the Lord is merciful, not even that." |
Brandon Judell |
Tomato |
The Break (1996) |
"if you haven’t seen a film this month with an ex IRA hero, you won’t go wrong with “The Break.”" |
Brandon Judell |
Tomato 5/5 |
Breaking the Waves (1996) |
"mesmerizing, harrowing and in the end euphoric" |
Brandon Judell |
Splat |
Courage Under Fire (1996) |
"a confused Gulf War flick adopting the structure of “Rashomon,” the sentimentality of “Love Story,” and the souls of Hollywood hacks." |
Brandon Judell |
Tomato |
Different for Girls (1996) |
"What makes this wonderfully deranged film fly is Rupert (“Maurice”; “Where Angels Fear to Tread”) Graves." |
Brandon Judell |
2.5/4 |
Fled (1996) |
"On the plus side, at least for this type of effort, there is a new type of Chinese torture, tampon bandages, numerous film trivia allusions, bullets through peepholes, lots of women as strippers (Oh, not again!!), and a fine soundtrack produced by wunderk" |
Brandon Judell |
Tomato 3.5/4 |
Hak-saeng boo-keun shin-wei (1996) |
"Park, one of Korea's most acclaimed directors, here displays why he is so honored. Mixing farce with real pain and making it work is always a major accomplishment." |
Brandon Judell |
Splat 1.5/4 |
House Arrest (1996) |
"MGM can make millions with House Arrest. All they have to do is allow free admittance, and charge $10 a head for those wanting to run out of the theater before the end credits roll." |
Brandon Judell |
Splat |
I Love You, Don't Touch Me! (1996) |
"This woman is so grating, so self-absorbed, and so without a sense of humor, you can't be sympathetic to her self-inflicted chastity. Katie deserves to be alone. Sadly, she's wound up on the screen." |
Brandon Judell |
Tomato |
Independence Day (1996) |
"Like cotton candy it's a high caloric treat that's always fun for the taste buds but little else." |
Brandon Judell |
Splat 2.5/4 |
The Island of Dr. Moreau (1996) |
"The most exciting characters are killed off too early, and what we’re left with is a Satan’s “Seasme Street.”" |
Brandon Judell |
- |
The Kids in the Hall - Brain Candy (1996) |
"The most audacious comedy troop of the last decade has boiled down American society, thrown the hodgepodge into a colander, then hilariously eaten and excreted the gunk." |
Brandon Judell |
Tomato |
The Leading Man (1996) |
"Jon Bon Jovi, with his fiendishly angelic smile, thick, unruly locks, and piercing, flirtatious orbs, is slowly grooming himself for stardom." |
Brandon Judell |
Tomato 3/5 |
Multiplicity (1996) |
"Whatever you know about cloning, leave at the theater door. Whatever you know about the modern housewife, shuck that, too. The feminism of “Multiplicity” is barely circa 1959." |
Brandon Judell |
Splat |
Striptease (1996) |
"For a movie with more bare breasts than any two tattered issues of “Playboy” and “Hustler,” “Striptease” is the flattest offering of the year." |
Brandon Judell |
Tomato 3/4 |
Walking and Talking (1996) |
"a totally charming, though lightweight, look at a childhood friendship" |
Brandon Judell |
Tomato |
Passover Fever (1995) |
"a very funny comedy. Sort of like a B'nai B'rith version of "Parenthood."" |
Brandon Judell |