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Mac (1993) |
Click here to see the review. |
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Mad About Mambo (2000) |
Click here to see the review. |
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Madame Bovary (1992) |
Click here to see the review. |
|
Tomato |
Magnolia (1999) |
"In bite-sized chunks, the movie is superbly entertaining; as a whole, it begs you to grab gardening shears and hack several of the story strands into confetti." |
Michael Atkinson |
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Mahogany (1975) |
Click here to see the review. |
|
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Malcolm X (1992) |
Click here to see the review. |
|
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Malice (1993) |
Click here to see the review. |
|
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Mama, There's a Man in Your Bed (1990) |
Click here to see the review. |
|
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The Mambo Kings (1992) |
Click here to see the review. |
|
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Mame (1974) |
Click here to see the review. |
|
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A Man in Uniform (1994) |
Click here to see the review. |
|
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A Man of No Importance (1994) |
Click here to see the review. |
|
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Man on the Moon (1999) |
Click here to see the review. |
|
Splat |
Man on the Moon (1999) |
"It never generates the emotional impact that a great biography needs." |
|
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Man Trouble (1992) |
Click here to see the review. |
|
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The Man Without a Face (1993) |
Click here to see the review. |
|
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Manhattan Murder Mystery (1993) |
Click here to see the review. |
|
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Manhunter (1986) |
Click here to see the review. |
|
Tomato |
Mansfield Park (1999) |
"An uneven but ultimately stirring adaptation from Canadian director Patricia Rozema." |
Stephen Farber |
Tomato |
Map of the Human Heart (1993) |
"The love story (which features Jason Scott Lee and Anne Parillaud) that means to add pathos to this cultural collision doesn't generate enough heat. But the theme tantalizes, and many of the images soar." |
Stephen Farber |
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The Marrying Man (1991) |
Click here to see the review. |
|
Splat |
Mary Shelley's Frankenstein (1994) |
"Branagh's directing style is soupy and derivative of all the wrong movies." |
Stephen Farber |
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The Matrix (1999) |
Click here to see the review. |
|
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May Fools |
Click here to see the review. |
|
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Me, Myself & Irene (2000) |
Click here to see the review. |
|
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Mediterraneo (1991) |
Click here to see the review. |
|
Tomato |
Meet the Parents (2000) |
"Stiller, who is shaping up to be one of the most adept comic performers of our time, does a terrific job of building sympathy for the hapless outsider." |
Stephen Farber |
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Meeting Venus (1991) |
Click here to see the review. |
|
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Men of Honor (2000) |
Click here to see the review. |
Stephen Farber |
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A Merry War (1998) |
Click here to see the review. |
|
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Metropolitan (1990) |
Click here to see the review. |
|
Tomato |
Metropolitan (1990) |
"Metropolitan is not for everyone; but that is not a mark of shame or condemnation." |
David Thomson |
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The Mexican (2001) |
Click here to see the review. |
|
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Mi Vida Loca (My Crazy Life) (1994) |
Click here to see the review. |
|
- |
Miami Blues (1990) |
Click here to see the review. |
|
Tomato |
A Midnight Clear (1992) |
"While the antiwar message is familiar, it gains power from the deeply felt performances." |
Stephen Farber |
Tomato |
A Mighty Wind (2003) |
"There is no question that it is seriously hilarious and heartfelt, and will be even more so after repeated viewings." |
Michael Dubois |
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Millennium (1989) |
Click here to see the review. |
|
Tomato |
Miller's Crossing (1990) |
"Coen pours on the tension, releasing it only when he wants the movie to burst forth into cinematic rapture." |
Christopher Walters |
Splat |
Miller's Crossing (1990) |
"Even though the plot is propelled by lust and vengeance, there's no heat in the movie." |
Stephen Farber |
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The Million Dollar Hotel (2001) |
Click here to see the review. |
|
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Mimic (1997) |
Click here to see the review. |
|
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Mission: Impossible II (2000) |
Click here to see the review. |
|
Tomato |
Mississippi Masala (1992) |
"Nair and her screenwriter, Sooni Taraporevala, sometimes lose their focus trying to juggle half a dozen subplots. But it's nice to see a movie with a broad reach." |
Stephen Farber |
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Mister Johnson (1991) |
Click here to see the review. |
|
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Mistress (1992) |
Click here to see the review. |
|
Splat |
Mo' Better Blues (1990) |
"Mo' Better Blues, in thrall to the cliches of the star-is-born musicals of the past, is a stillborn academic exercise." |
Stephen Farber |
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Moment to Moment (1965) |
Click here to see the review. |
|
Tomato |
Monster's Ball (2001) |
"Recalls Tender Mercies, another astutely acted character study that remained resolutely small-scale and was all the more affecting because it didn't overreach." |
Stephen Farber |
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The Mosquito Coast (1986) |
Click here to see the review. |
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