- |
M (1931) |
Click here to see the review. |
|
- |
Macbeth (1971) |
Click here to see the review. |
|
Tomato B- |
Macbeth (2007) |
"Wright directs it with straight-faced conviction." |
Tasha Robinson |
- |
Machuca (2005) |
Click here to see the review. |
|
- |
Macon County Jail (1997) |
Click here to see the review. |
|
Tomato B |
Mad Detective (2008) |
"Fleeting confusion and bizarre literalization aside, Mad Detective is an effective mystery story, with an oddball hero -- like TV's Monk, but far crazier -- and some moments of visceral violence that raise the stakes." |
Noel Murray |
Tomato |
Mad Hot Ballroom (2005) |
"Mad Hot Ballroom is really about children being so disarmingly adorable that an overlong, somewhat lackluster documentary about them can seem like an inspiring triumph." |
Scott Tobias |
- |
Mad Max (1979) |
Click here to see the review. |
|
Splat C- |
Mad Money (2008) |
"The scheme works for a while. Sadly, the movie never does. As a heist film, it relies on the trio of felonious females besting a system that seems laughably easy to outwit." |
Keith Phipps |
Tomato |
Madagascar (2005) |
"The tenor can be shrill, but there's no time to get bored. And on top of that, most of the gags actually work." |
Tasha Robinson |
Tomato D |
Madagascar: Escape 2 Africa (2008) |
"The first Madagascar was surprisingly enjoyable, thanks to high energy and playfully dark material, but the returning writing-directing crew doesn't seem nearly as invested this time around." |
Tasha Robinson |
- |
Madame Sata (2003) |
Click here to see the review. |
|
Splat C |
Made of Honor (2008) |
"It's touching work that makes Dempsey's plastic sincerity look as thin as the film's posters." |
Keith Phipps |
Splat C |
Madea's Family Reunion (2006) |
"Though Perry's films are hard to defend on aesthetic grounds -- the crazy shifts in tone from operatic melodrama to broad comedy could cause seizures -- it's equally hard to begrudge the underserved audiences who embrace them so passionately." |
Scott Tobias |
- |
Madison (2005) |
Click here to see the review. |
|
- |
The Magic Sword (1961) |
Click here to see the review. |
|
- |
Mahogany (1975) |
Click here to see the review. |
|
Tomato B |
The Maid (2009) |
"Silva and Saavedra get across the ennui and irony of a woman who’s been working diligently for two decades, only to find that her closest human relationships are with people who hold her job security in their hands." |
Noel Murray |
- |
The Maker (1997) |
Click here to see the review. |
|
- |
Making Grace |
Click here to see the review. |
|
- |
Malcolm X (1992) |
Click here to see the review. |
|
- |
The Malibu Bikini Shop (1985) |
Click here to see the review. |
|
Splat C |
Mamma Mia! (2008) |
"Constructing a play -- and now a clumsily staged film -- around ABBA songs is the definition of a frivolous enterprise, and little has been done to temper the ecstatic mood with other shadings of human emotion." |
Scott Tobias |
Splat C |
Mammoth (2009) |
"The movie lacks the personal touch that’s distinguished even Moodysson’s "difficult" films." |
Noel Murray |
- |
The Man (2005) |
Click here to see the review. |
|
Splat |
Man of the House (2005) |
"The highlights, or at least breaks from the tedium, come from Cedric The Entertainer." |
Keith Phipps |
- |
Man of the Year (1996) |
Click here to see the review. |
|
Splat D+ |
Man of the Year (2006) |
"[Man of the Year] ends up feeling as phony the process it so desperately wants to skewer." |
Keith Phipps |
Tomato B- |
Man On Wire (2008) |
"It's a story worth telling, yes -- but after 90 minutes, it's hard not to wonder if the storyteller can talk about anything else." |
Noel Murray |
Tomato B |
Man Push Cart (2006) |
"Man Push Cart is a solemn mood piece that hovers somewhere between bittersweet and despairing." |
Nathan Rabin |
- |
The Man Who Copied (2005) |
Click here to see the review. |
|
- |
A Man's Gotta Do (2004) |
Click here to see the review. |
|
Splat C+ |
Management (2009) |
"A film that flaunts its contempt for plausibility and psychological realism, but damned if Zahn doesn’t almost sell the scene and the movie with his naïve, wide-eyed slacker charm." |
Nathan Rabin |
Splat B- |
Manderlay (2006) |
"Manderlay loses in power what it lacks in novelty, even though it's more relevant than anything the year is likely to bring." |
Scott Tobias |
- |
Mango Yellow (2002) |
Click here to see the review. |
|
- |
The Manhattan Project (1986) |
Click here to see the review. |
|
- |
Manhunter (1986) |
Click here to see the review. |
|
Splat B- |
Manufactured Landscapes (2007) |
"Yet another 'isn't it a pity' doc, where the damnable inequity of globalization provides an occasion for muted, impotent rage." |
Noel Murray |
Splat D+ |
The Marc Pease Experience (2009) |
"Louiso’s misfiring comedy feels less like a comic feast than a thrown-together assemblage of haphazardly nuked leftovers." |
Nathan Rabin |
- |
March of the Penguins (2005) |
Click here to see the review. |
|
Tomato B+ |
Margot at the Wedding (2007) |
"Margot At The Wedding counts as a bracing, even disturbing experience. Baumbach doesn't seem to care whether people like his characters; he merely wants them to be seen for who they are, warts and all." |
Scott Tobias |
Splat C |
Marie Antoinette (2006) |
"It's history written with truffles." |
Keith Phipps |
Tomato B- |
Marilyn Hotchkiss' Ballroom Dancing and Charm School (2006) |
"As absorbingly weird and dark and sad as the film becomes, it still labors against jumpy construction, an irritating variety of visual styles and film stocks, and a crowded story." |
Tasha Robinson |
Tomato B- |
The Marine (2006) |
"The Marine subscribes to the notion that there's no such thing as a gratuitous explosion." |
Nathan Rabin |
Tomato B- |
The Marine (2006) |
"The Marine often feels like an oddball black comedy about a dysfunctional band of sociopaths, just masquerading as an action movie about one tough ex-Marine." |
Scott Tobias |
- |
Marius (1931) |
Click here to see the review. |
|
- |
Mark Twain (2001) |
Click here to see the review. |
|
Splat C |
Marley & Me (2008) |
"Though it requires three or four hankies to mop up the mess this sentimental tale leaves behind, the tears feel largely unearned." |
Scott Tobias |
Tomato |
Marnie (1964) |
"Considered a misfire at the time, it now looks like late-period Hitchcock at his most Hitchcockian." |
Keith Phipps |
- |
Marriage of the Blessed (1989) |
Click here to see the review. |
|
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