Splat 1/4 |
P.S. I Love You (2007) |
"P.S. I don't like you at all." |
Phil Villarreal |
Tomato 3/4 |
Paid in Full (2002) |
"Stone seems to have a knack for wrapping the theater in a cold blanket of urban desperation." |
Phil Villarreal |
Tomato 3/4 |
Palindromes (2005) |
"The confusion mounts along with Solondz's bubbling satire of the dark corners of humanity." |
Phil Villarreal |
Tomato 4/5 |
Palmetto (1998) |
"An unfairly bashed breath of fresh indie-style air." |
Phil Villarreal |
Tomato 4/4 |
Pan's Labyrinth (2006) |
""Pan's Labyrinth" is one of those films that's so moving, heartbreaking and wonderfully haunting, you sigh when the end credits roll." |
Phil Villarreal |
Tomato 4/4 |
Pandora's Box (1928) |
""Pandora's Box" is a German silent film that Paris Hilton could relate to. She wouldn't like the way it ends, though." |
Phil Villarreal |
- |
Panic (2000) |
Click here to see the review. |
|
Splat 2/4 |
Panic Room (2002) |
"What goes on for the 110 minutes of "Panic Room" is a battle of witlessness between a not-so-bright mother and daughter and an even less capable trio of criminals." |
Phil Villarreal |
Splat 1/4 |
Paper Clips (2004) |
"For the documentary to shift credit to the paper-clip project as a reason for receiving the speakers is tantamount to fraud." |
Phil Villarreal |
Tomato 5/5 |
Paper Moon (1973) |
"A true treasure. Bogdanovich's magical world has elements of whimsy and noir." |
Phil Villarreal |
Tomato 3/4 |
Paradise Now (2005) |
"Not an entirely successful experiment, plagued with overdone sentimentality and a middle act that serves only to stretch out the slim story, but what "Paradise Now" says, it does so forcefully that it can't be ignored." |
Phil Villarreal |
Tomato 3/4 |
Paranoid Park (2008) |
"That there's nothing definitive to wrap your arms around is frustrating. And intriguing." |
Phil Villarreal |
- |
Paris Was a Woman (1995) |
Click here to see the review. |
|
Splat 2/4 |
The Passenger (1975) |
"Opaque enough to require additional viewings to better comprehend its intricacies, but it does nothing to draw you back." |
Phil Villarreal |
- |
Passion of Mind (1999) |
Click here to see the review. |
|
- |
The Passion of the Christ (2004) |
"A Passionate dialogue" |
Phil Villarreal |
Tomato 3/4 |
The Passion of the Christ (2004) |
"Lost in a labyrinth of stomach-churning pugilism, the spectacle is a hefty cross for audiences to bear." |
Phil Villarreal |
- |
Patch Adams (1998) |
Click here to see the review. |
|
- |
The Patriot (2000) |
Click here to see the review. |
|
Splat 2/4 |
Paul Blart: Mall Cop (2009) |
"Producer Adam Sandler must have though so little of the film that he didn't even see it fit for a Rob Schneider cameo." |
Phil Villarreal |
- |
Paulie (1998) |
Click here to see the review. |
|
Tomato |
Pauline and Paulette (2002) |
"The story is gracefully free of contrived story twists and expository dialogue." |
Phil Villarreal |
- |
Pay It Forward (2000) |
Click here to see the review. |
|
- |
Payback (1999) |
Click here to see the review. |
|
Splat 2/4 |
Paycheck (2003) |
"This is cinematic cotton candy at its most caloric, and could pass as worthy yet inconsequential entertainment if it only had a tenth of a brain." |
Phil Villarreal |
- |
PCU (1994) |
Click here to see the review. |
|
- |
Peaceful Warrior (2006) |
"Millman talks the warrior's walk" |
Phil Villarreal |
Tomato 3.5/4 |
Peaceful Warrior (2006) |
" Ever elusive, it always keeps you off balance enough to make you want to see more." |
Phil Villarreal |
- |
Pearl Harbor (2001) |
Click here to see the review. |
|
- |
Pecker (1998) |
Click here to see the review. |
|
- |
Pee-Wee's Big Adventure (1985) |
Click here to see the review. |
|
- |
The Perfect Man (2005) |
"A perfect backstory" |
Phil Villarreal |
Splat 2/4 |
The Perfect Man (2005) |
"Nobody's perfect." |
Phil Villarreal |
Splat 1.5/4 |
The Perfect Score (2004) |
"Seems like a not-so-well-thought-out daydream of a 17-year-old." |
Phil Villarreal |
- |
The Perfect Storm (2000) |
Click here to see the review. |
|
Splat 1.5/4 |
Perfect Stranger (2007) |
"Much of the film takes place in computer chats, with an instant-message box taking up most of the screen, and Berry and Willis reading every line for those of us who are illiterate." |
Phil Villarreal |
- |
Permanent Midnight (1998) |
Click here to see the review. |
|
Tomato 3.5/4 |
Persepolis (2007) |
" It's a cultural Rosetta Stone, bridging disparate cultures with a universal language %u2014 the pain of growing up." |
Phil Villarreal |
Tomato 3/4 |
Peter Pan (2003) |
"Jeremy Sumpter, so strong in the exemplary horror film Frailty (2002), is a superb Peter Pan." |
Phil Villarreal |
- |
Phish - Bittersweet Motel (2000) |
Click here to see the review. |
|
Tomato 4/4 |
Phone Booth (2003) |
"A tough one to shake from the memory." |
Phil Villarreal |
- |
Phone Booth (2003) |
"Schumacher dials up film skill" |
Phil Villarreal |
Tomato 3/4 |
The Pianist (2002) |
"The film serves as a valuable time capsule to remind us of the devastating horror suffered by an entire people." |
Phil Villarreal |
Splat |
The Piano Teacher (2002) |
"It may be a prize winner, but Teacher is a bomb." |
Phil Villarreal |
- |
Picnic at Hanging Rock (1975) |
Click here to see the review. |
|
- |
Piglet's Big Movie (2003) |
Click here to see the review. |
|
Tomato 4/4 |
Pineapple Express (2008) |
"Funny enough to make a hardened movie critic fall forward and spit on people sitting in front of him." |
Phil Villarreal |
Splat 1/4 |
Pink Panther (2006) |
"Enough, already. It's time for an intervention. Steve Martin, you're no longer allowed to work with director Shawn Levy." |
Phil Villarreal |
Splat 1/4 |
The Pink Panther 2 (2009) |
"I laughed once, at an unexpected gag, involving a ricocheting bullet, that was a nice play on an old gunfighting cliche. The rest of the film was a slow-bleeding gut shot." |
Phil Villarreal |
Splat 1/4 |
Pinocchio (2002) |
"Here’s hoping Benigni doesn't try to tackle The Little Mermaid as his next project." |
Phil Villarreal |
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