Tomato 3.5/4 |
A Scanner Darkly (2006) |
"If it leaves you with a facial expression as stunned as that of Keanu, you know Linklater and his crew have done their jobs." |
Phil Villarreal |
Tomato 3/4 |
A Tout de Suite (2005) |
"Thoroughly assured as a piece of art, and bears rewards worth enduring stretches of palled uneventfulness." |
Phil Villarreal |
Splat 2/4 |
Abandon (2002) |
"A puppy dog so desperate for attention it nearly breaks its little neck trying to perform entertaining tricks." |
Phil Villarreal |
Tomato 3/4 |
About a Boy (2002) |
"About this boy, Hugh Grant: he's quite the formidable comedic presence." |
Phil Villarreal |
Tomato 4/4 |
About Schmidt (2002) |
"Not a shred of movie-star vanity finds its way into Nicholson's portrayal of the beat-down Everyman." |
Phil Villarreal |
Tomato 3/4 |
Accepted (2006) |
"Bartleby thinks he's onto something new but doesn't realize somebody already thought of the concept - it's called junior college." |
Phil Villarreal |
Tomato 3/4 |
Across the Universe (2007) |
"Every little thing Julie Taymor does is magic." |
Phil Villarreal |
Splat 2/4 |
Adam & Steve (2006) |
"Chester could have used a major rewrite, or at least some serious editing." |
Phil Villarreal |
Tomato 3/4 |
Adam Sandler's Eight Crazy Nights (2002) |
"One of the oddest animated holiday films you'll ever see, 8 Crazy Nights is also probably the funniest." |
Phil Villarreal |
Tomato 4/4 |
Adaptation (2002) |
"Scarcely a scene comes down the pike that doesn't knock you on your backside, leaving you in an amused daze." |
Phil Villarreal |
Splat 2/5 |
Addams Family Values (1993) |
"Bland, rote and not at all ooky enough." |
Phil Villarreal |
- |
Adventureland (2009) |
"Failure shaped Mottola's outlook" |
Phil Villarreal |
Tomato 3.5/4 |
Adventureland (2009) |
"The thunder that follows the Superbad lightning." |
Phil Villarreal |
Tomato 3/4 |
Adventures of Sharkboy and Lava Girl in 3-D (2005) |
"Every time you stop to catch your breath, the movie's round, electric eyes stare up at you and push you to keep going. After all, the sun's up and bedtime is an eternity away." |
Phil Villarreal |
Splat 2/4 |
After the Sunset (2004) |
"Ratner's films chug with the precision of a machine, and with just as little soul." |
Phil Villarreal |
- |
Against the Ropes (2003) |
"20 Minutes With Meg Ryan" |
Phil Villarreal |
- |
Against the Ropes (2003) |
"Kallen steps into the ring" |
Phil Villarreal |
Splat 1.5/4 |
Against the Ropes (2003) |
"A formula movie about Meg Ryan wearing skimpy clothes and uttering dialogue as painful as the heels in which she's strutting.
" |
Phil Villarreal |
Tomato 3/4 |
The Agronomist (2004) |
"His story makes us feel for the Haitian people and appreciate the glorious right of a free press." |
Phil Villarreal |
Tomato 3/4 |
Aileen: The Life and Death of a Serial Killer (2003) |
"Broomfield, who keeps himself in the frame as he investigates, tells the story with the panache of a pulp true-crime author." |
Phil Villarreal |
Tomato 3/4 |
Air Guitar Nation (2007) |
"As "Seinfeld" proved, shows about nothing can be a lot of fun." |
Phil Villarreal |
Tomato 4/5 |
Airheads (1994) |
"Years later, it's much easier to appreciate this cast of then-unknowns which would develop into superstars." |
Phil Villarreal |
Tomato 3/4 |
Akeelah and the Bee (2006) |
"Akeelah's predictable journey to success and self-actualization bounds with depth and heart." |
Phil Villarreal |
Splat 2/4 |
Al Franken: God Spoke (2006) |
"The documentary skims the surface, appreciating Franken's crass, troublemaking modus operandi. This would be OK if the doc were crammed with hilarious footage, but Franken comes off as more droll and bitter than clever." |
Phil Villarreal |
Tomato 3/4 |
The Alamo (2004) |
"Does its best to shake off the baggage of its predecessors." |
Phil Villarreal |
Splat 1/4 |
Alex and Emma (2003) |
"Where, oh where, is the Rob Reiner of the 1980s? This romantic comedy is utter garbage." |
Phil Villarreal |
Tomato 3/4 |
Alexander (2004) |
"Like Martin Scorsese's Gangs of New York, Alexander is an overindulgent, sprawling specimen of the director's lavish strengths and harrowing weaknesses." |
Phil Villarreal |
Tomato 3/4 |
Alfie (2004) |
"Law, chronically aware of his own charm, doesn't mimic Caine's performance; he rei-nterprets the character and sparks it with a new life, making Alfie thoroughly his own." |
Phil Villarreal |
Tomato 5/5 |
All Quiet on the Western Front (1930) |
"One of the great war-is-folly epics." |
Phil Villarreal |
Splat 2/4 |
All The King's Men (2006) |
"Stark will start a speech in front of a few people, then throngs scamper in after he finishes his first sentence. By the end of his speeches he gets the crowd to chant catch-phrases. Willie Stark totally could have hosted "TRL."" |
Phil Villarreal |
Tomato 4/4 |
All the King's Men (1949) |
"Stark is a work of art; a walking id whose momentum surges like the adrenaline that busts through his veins as he delivers his fist-pumping speeches." |
Phil Villarreal |
Tomato 3.5/4 |
All the Real Girls (2003) |
"If only the film had somewhere to go. Green refuses to opt for a pat ending, but the finish he went with is jarring and unsatisfying." |
Phil Villarreal |
Splat 2/4 |
Along Came Polly (2004) |
"Stiller and Aniston are trapped in the constrictive material, trying to make the best of a crummy, formulaic situation.
" |
Phil Villarreal |
Tomato 3/4 |
Alpha Dog (2007) |
"Alpha Dog may be more crass exploitation than an earnest attempt at laying out the facts of a crime, but it's exciting and watchable for anyone willing to romp in the mud for two hours." |
Phil Villarreal |
Tomato 3/4 |
Amazing Grace (2007) |
"Coming soon to a social studies class near you." |
Phil Villarreal |
Tomato 3.5/4 |
Amelie (2001) |
"A witty, exuberant sugar rush for the art house." |
Phil Villarreal |
Splat 2/4 |
America: Freedom To Fascism (2006) |
"The catch is the IRS doesn't care and will seize all your property and possibly throw you in jail if you refuse to pay.Talk about a buzzkill." |
Phil Villarreal |
Tomato 4/4 |
American Beauty (1999) |
"Above all, "American Beauty" is about finding peace and a sense of wonder in the least likely of places, such as your inner torment or, failing that, perhaps a floating plastic bag." |
Phil Villarreal |
Tomato 3/4 |
An American Carol (2008) |
"The right should follow Zucker's lead engage its liberal opposition with humor rather than the crass protests and attempts at bans usually flung at Moore's films." |
Phil Villarreal |
Splat 2.5/4 |
American Dreamz (2006) |
"You won't know whether or not to recommend it to your friends. They'll ask you if it was good or bad, and you'll only be able to respond with "yes."" |
Phil Villarreal |
Tomato 4/4 |
American Gangster (2007) |
"Martin Scorsese will buy the movie's poster and frame it on his bedroom wall." |
Phil Villarreal |
Splat 2/4 |
American Gun (2002) |
"The film comes closer to doing for firearms what "Jurassic Park 3" did for dinosaurs. It showed lots of 'em, had them kill a few people and made you wish it would end sooner than it did." |
Phil Villarreal |
Tomato 3/4 |
American Hardcore (2006) |
""American Hardcore" harkens back to the time when punk rockers were actual punks, not whining, prefabricated MTV pretty boys." |
Phil Villarreal |
Tomato 4/4 |
American Splendor (2003) |
"We've found our favorite comic book movie hero, and though he may have some mutantlike qualities, he doesn't wear tights or rescue anyone." |
Phil Villarreal |
- |
American Splendor (2003) |
"Pekar's view from the comic book pages" |
Phil Villarreal |
Tomato 3.5/4 |
American Teen (2008) |
"A doctored snapshot that nails the angst, hope and spirit of an emerging generation." |
Phil Villarreal |
Tomato 3/4 |
American Wedding (2003) |
"This third piece of the eternally coming-of-age group of youngsters delivers all the snorts and belly laughs you'd hope for from a good, old-fashioned gross-out comedy." |
Phil Villarreal |
Tomato 4/5 |
The Amityville Curse (1990) |
"Eye-gougingly scary. If you don't want nightmares, don't watch this film." |
Phil Villarreal |
Splat 2/4 |
The Amityville Horror (2005) |
"Things don't go bump in the night in this movie; they wake you up, introduce themselves and pull up a chair for a cup of coffee." |
Phil Villarreal |
Splat 2/4 |
Anacondas: The Hunt for the Blood Orchid (2004) |
"Each time the anaconda slithers his head into the frame, you smile because the big snake gotta eat, meaning one more irritating character is about to receive the bloody end." |
Phil Villarreal |