Tomato 3.5/4 |
A Scanner Darkly (2006) |
"If it leaves you with a facial expression as stunned as that of Keanu, you know Linklater and his crew have done their jobs." |
Phil Villarreal |
Tomato 3/4 |
A Tout de Suite (2005) |
"Thoroughly assured as a piece of art, and bears rewards worth enduring stretches of palled uneventfulness." |
Phil Villarreal |
Tomato 3/4 |
About a Boy (2002) |
"About this boy, Hugh Grant: he's quite the formidable comedic presence." |
Phil Villarreal |
Tomato 4/4 |
About Schmidt (2002) |
"Not a shred of movie-star vanity finds its way into Nicholson's portrayal of the beat-down Everyman." |
Phil Villarreal |
Tomato 3/4 |
Accepted (2006) |
"Bartleby thinks he's onto something new but doesn't realize somebody already thought of the concept - it's called junior college." |
Phil Villarreal |
Tomato 3/4 |
Across the Universe (2007) |
"Every little thing Julie Taymor does is magic." |
Phil Villarreal |
Tomato 3/4 |
Adam Sandler's Eight Crazy Nights (2002) |
"One of the oddest animated holiday films you'll ever see, 8 Crazy Nights is also probably the funniest." |
Phil Villarreal |
Tomato 4/4 |
Adaptation (2002) |
"Scarcely a scene comes down the pike that doesn't knock you on your backside, leaving you in an amused daze." |
Phil Villarreal |
Tomato 3.5/4 |
Adventureland (2009) |
"The thunder that follows the Superbad lightning." |
Phil Villarreal |
Tomato 3/4 |
Adventures of Sharkboy and Lava Girl in 3-D (2005) |
"Every time you stop to catch your breath, the movie's round, electric eyes stare up at you and push you to keep going. After all, the sun's up and bedtime is an eternity away." |
Phil Villarreal |
Tomato 3/4 |
The Agronomist (2004) |
"His story makes us feel for the Haitian people and appreciate the glorious right of a free press." |
Phil Villarreal |
Tomato 3/4 |
Aileen: The Life and Death of a Serial Killer (2003) |
"Broomfield, who keeps himself in the frame as he investigates, tells the story with the panache of a pulp true-crime author." |
Phil Villarreal |
Tomato 3/4 |
Air Guitar Nation (2007) |
"As "Seinfeld" proved, shows about nothing can be a lot of fun." |
Phil Villarreal |
Tomato 4/5 |
Airheads (1994) |
"Years later, it's much easier to appreciate this cast of then-unknowns which would develop into superstars." |
Phil Villarreal |
Tomato 3/4 |
Akeelah and the Bee (2006) |
"Akeelah's predictable journey to success and self-actualization bounds with depth and heart." |
Phil Villarreal |
Tomato 3/4 |
The Alamo (2004) |
"Does its best to shake off the baggage of its predecessors." |
Phil Villarreal |
Tomato 3/4 |
Alexander (2004) |
"Like Martin Scorsese's Gangs of New York, Alexander is an overindulgent, sprawling specimen of the director's lavish strengths and harrowing weaknesses." |
Phil Villarreal |
Tomato 3/4 |
Alfie (2004) |
"Law, chronically aware of his own charm, doesn't mimic Caine's performance; he rei-nterprets the character and sparks it with a new life, making Alfie thoroughly his own." |
Phil Villarreal |
Tomato 5/5 |
All Quiet on the Western Front (1930) |
"One of the great war-is-folly epics." |
Phil Villarreal |
Tomato 4/4 |
All the King's Men (1949) |
"Stark is a work of art; a walking id whose momentum surges like the adrenaline that busts through his veins as he delivers his fist-pumping speeches." |
Phil Villarreal |
Tomato 3.5/4 |
All the Real Girls (2003) |
"If only the film had somewhere to go. Green refuses to opt for a pat ending, but the finish he went with is jarring and unsatisfying." |
Phil Villarreal |
Tomato 3/4 |
Alpha Dog (2007) |
"Alpha Dog may be more crass exploitation than an earnest attempt at laying out the facts of a crime, but it's exciting and watchable for anyone willing to romp in the mud for two hours." |
Phil Villarreal |
Tomato 3/4 |
Amazing Grace (2007) |
"Coming soon to a social studies class near you." |
Phil Villarreal |
Tomato 3.5/4 |
Amelie (2001) |
"A witty, exuberant sugar rush for the art house." |
Phil Villarreal |
Tomato 4/4 |
American Beauty (1999) |
"Above all, "American Beauty" is about finding peace and a sense of wonder in the least likely of places, such as your inner torment or, failing that, perhaps a floating plastic bag." |
Phil Villarreal |
Tomato 3/4 |
An American Carol (2008) |
"The right should follow Zucker's lead engage its liberal opposition with humor rather than the crass protests and attempts at bans usually flung at Moore's films." |
Phil Villarreal |
Tomato 4/4 |
American Gangster (2007) |
"Martin Scorsese will buy the movie's poster and frame it on his bedroom wall." |
Phil Villarreal |
Tomato 3/4 |
American Hardcore (2006) |
""American Hardcore" harkens back to the time when punk rockers were actual punks, not whining, prefabricated MTV pretty boys." |
Phil Villarreal |
Tomato 4/4 |
American Splendor (2003) |
"We've found our favorite comic book movie hero, and though he may have some mutantlike qualities, he doesn't wear tights or rescue anyone." |
Phil Villarreal |
Tomato 3.5/4 |
American Teen (2008) |
"A doctored snapshot that nails the angst, hope and spirit of an emerging generation." |
Phil Villarreal |
Tomato 3/4 |
American Wedding (2003) |
"This third piece of the eternally coming-of-age group of youngsters delivers all the snorts and belly laughs you'd hope for from a good, old-fashioned gross-out comedy." |
Phil Villarreal |
Tomato 4/5 |
The Amityville Curse (1990) |
"Eye-gougingly scary. If you don't want nightmares, don't watch this film." |
Phil Villarreal |
Tomato 4/4 |
Anatomy of a Murder (1959) |
"The screenplay, from a novel by John D. Voelker, drips with the smoke-drenched taste of 1940s noir, stinging the eyes and lungs." |
Phil Villarreal |
Tomato 3/4 |
And Now Ladies and Gentlemen (2003) |
"Few, if any, other actors could match Irons' stiff-lipped exterior sealing an internal combustion engine of mischief and passion." |
Phil Villarreal |
Tomato 4/4 |
Andy Goldsworthy - Rivers and Tides: Working With Time (2003) |
"You will want someone to talk to about the film and acknowledge the marvels you saw." |
Phil Villarreal |
Tomato 4/4 |
Angels with Dirty Faces (1938) |
"Although the movie trades heavily on gang-film staples, there's also ample comedy packed into the mix." |
Phil Villarreal |
Tomato 3/4 |
Anger Management (2003) |
"Leave it to Sandler and Nicholson to make this movie worth more than the price of admission." |
Phil Villarreal |
Tomato 3/4 |
Animation Show - Volume 1 (2003) |
"It's like watching Saturday morning cartoons again, only they're teaching you something, they're on a much bigger screen and without the commercials." |
Phil Villarreal |
Tomato 3/4 |
The Animation Show 4 (2008) |
"Hits year four without losing any sizzle." |
Phil Villarreal |
Tomato 3/4 |
Animatrix (2003) |
"The Wachowskis wrote some episodes and granted final approval on others, enlisting some top anime talents to provide the look." |
Phil Villarreal |
Tomato 4/4 |
Annie Hall (1977) |
"Lifelong anhedonia may have robbed Allen of happiness, but at least it gave him some material." |
Phil Villarreal |
Tomato 3/4 |
The Ant Bully (2006) |
"The Ant Bully won't battle your Pixar collection for DVD shelf space for that matter, neither will Pixar's latest, Cars -- but nor will it have you staring at your watch." |
Phil Villarreal |
Tomato 3/4 |
Antwone Fisher (2002) |
"Some wise editing could have made the film stronger, but also would have considerably cut Washington's screentime." |
Phil Villarreal |
Tomato 3/4 |
Anything Else (2003) |
"A nice rebound for Allen. Taking a backseat and letting his writing take the wheel is a smart move." |
Phil Villarreal |
Tomato 4/4 |
The Apartment (1960) |
"Humanism and cleverness age like fine wine, even if served with spaghetti strained with a tennis racket." |
Phil Villarreal |
Tomato 4/4 |
Apocalypse Now (1979) |
"His film is timeless because although the setting may change, the wars and the plight of soldiers will remain the same." |
Phil Villarreal |
Tomato 3.5/4 |
Apocalypto (2006) |
"It's the cinematic equivalent of Pop Rocks and soda." |
Phil Villarreal |
Tomato 3/4 |
Appaloosa (2008) |
"With Wayne's gruff arrogance, Eastwood's squinting revenge eyes and Stewart's ambling cool, Harris carves a daunting figure." |
Phil Villarreal |
Tomato 3/5 |
Arachnophobia (1990) |
"It didn't live up to the hype, but most anyone whose seen it has walked away at least a little more afraid of spiders." |
Phil Villarreal |
Tomato 3/4 |
The Aristocrats (2005) |
"You'd think that hearing the same joke told dozens of time in a row would get boring, and you'd be right - some of the time. But when a comic captures fire, look out." |
Phil Villarreal |