- |
Madagascar (2005) |
"The Creators of "Madagascar" sit Down for a Toyetic Interview with EclipseMagazine.com!" |
Michelle Alexandria |
Splat D+ |
Maid in Manhattan (2002) |
"Employs so many mechanical plot devices, it might want to change its title to Made in a Factory." |
Sean O'Connell |
Splat 2/5 |
Maid to Order (1987) |
No article available. |
Michelle Alexandria |
Tomato |
The Majestic (2001) |
"Visuals often mesh seamlessly with the film's ragtime soundtrack, another treat." |
Sean O'Connell |
Splat C- |
A Man Apart (2003) |
"Recycles so many familiar elements of decent “cop on the edge” thrillers but can’t seem to spin them into a production that’s worth your time." |
Sean O'Connell |
Tomato 3/5 |
The Man Who Knew Too Much (1956) |
No article available. |
Michelle Alexandria |
Tomato |
The Manchurian Candidate (2004) |
"Jonathan Demme’s “The Manchurian Candidate” explodes on the screen in red, white, and blue- the kind of mock patriotism that can only add to “Farenheit 911”’s stir." |
Jenny Halper |
Tomato B+ |
The Manchurian Candidate (2004) |
"Harder, edgier and more disturbing than its Cold War predecessor, and ultimately benefits from an improved motive rooted in current political affairs." |
Sean O'Connell |
Splat D |
Martin Lawrence Live - Runteldat (2002) |
"It's just hard to believe that a life like this can sound so dull." |
Sean O'Connell |
Splat C- |
Master and Commander: The Far Side of the World (2003) |
""Master and Commander" is stylishly made, well acted, but it commits the ultimate sin of being "blah." There's a whole lot of "Swash" but very little "Buckling."" |
Michelle Alexandria |
Tomato B |
Master and Commander: The Far Side of the World (2003) |
"You get the feeling Weir’s heart isn’t in the action, and he’d much rather dissect the strength found in loyalty and valor than the kind provided by a rifle or cannonball." |
Sean O'Connell |
Tomato B+ |
Matchstick Men (2003) |
"(A) breezy con artist picture that, while long in the tooth, finds solid roots in valuable family relationships." |
Sean O'Connell |
Tomato B- |
The Matrix Reloaded (2003) |
"A cycle of mind-blowing action and off-target philosophical rambles that alternately build momentum and deflate it." |
Sean O'Connell |
Tomato B+ |
The Matrix Revolutions (2003) |
"“Revolutions” is the film that “Retarded” should have been; it's leaner, cleaner, and lets you leave the theater with a smile on your face." |
Michelle Alexandria |
Splat C+ |
The Matrix Revolutions (2003) |
"Too bad the Wachowski brothers marry their mind-blowing visuals to some of the worst war movie clichés ever written." |
Sean O'Connell |
Tomato B- |
Max (2002) |
"Meyjes has penned a smart script that juggles key historical points, each bearing the weight of consequence." |
Sean O'Connell |
Splat F |
Max Payne (2008) |
"This just in, Video Game movies still suck." |
Michelle Alexandria |
Tomato B- |
Mean Girls (2004) |
"Benefits immensely from screenwriter Tina Fey’s unique insight." |
Sean O'Connell |
Splat C |
Meet the Fockers (2004) |
"If you have absolutely nothing else to do, and you can see it for free, with little hassle, you just might get Fockersized." |
Michelle Alexandria |
Tomato A- |
Metallica: Some Kind of Monster (2004) |
"Berlinger and Sinofsky manipulate almost two years of raw footage into one coherent, riveting and educational piece." |
Sean O'Connell |
Splat F |
Miami Vice (2006) |
"There's no style, glitz, glamour, or music! The movie is called MIAMI VICE! How can you have "Miami Vice" without at least ONE good Music montage? At the very least you would think, the movie would have some, oh, I don't know, ACTION!" |
Michelle Alexandria |
Splat 1/5 |
A Midsummer Night's Dream (1996) |
No article available. |
Michelle Alexandria |
Tomato A |
A Mighty Wind (2003) |
"Guest holds his Wind characters on a pedestal of reverence. It’s a place these actors have earned." |
Sean O'Connell |
Tomato B |
Mindhunters (2005) |
"This is a tight, mix-mash of genres that work well as a popcorn flick." |
Michelle Alexandria |
Tomato |
Minority Report (2002) |
"A cerebral film noir for the 21st century that’s constantly reinventing itself visually in the hands of a multi-faceted director still unsure of his current voice." |
Sean O'Connell |
Tomato 3/5 |
Missing in Action (1984) |
No article available. |
Michelle Alexandria |
Splat C |
Mission: Impossible III (2006) |
"MI:3 get Cruise's Kitten some Mittens! A textbook summer popcorn flick that will entertain while watching, but instantly forgettable and runs out of steam early in the 3rd act. Could I be less passionate about a film that I liked?" |
Michelle Alexandria |
Tomato 3/5 |
Mississippi Burning (1988) |
No article available. |
Michelle Alexandria |
Splat 2/5 |
Mo' Money (1992) |
No article available. |
Michelle Alexandria |
Tomato B+ |
Mona Lisa Smile (2003) |
"Roberts and her amazing supporting cast (Maggie Gyllenhaal, Kirsten Dunst, and Dominic West) deliver the goods." |
Tiffany D'Emidio |
Splat B- |
Monster (2003) |
"Would we still be talking about Monster, though, without Theron’s remarkable transition? Probably not." |
Sean O'Connell |
Tomato |
Monster's Ball (2001) |
"The strength of the actors' performances help convince us of the possibility of passion." |
Sean O'Connell |
Splat C |
Monsters vs. Aliens (2009) |
"Hollywood is going overboard with animated films this year and it's going to wear thin really quick. This isn't a bad movie it's just really generic." |
Michelle Alexandria |
Tomato |
Monsters, Inc. (2001) |
"More a Disney flick than a Pixar production." |
Sean O'Connell |
Tomato B+ |
Moonlight Mile (2002) |
"The type of movie you return to often, even if you never watch it again." |
Sean O'Connell |
Tomato B+ |
The Motorcycle Diaries (2004) |
"Avoids political hotbeds, content with the affirming message that life lessons are best learned simply by living." |
Sean O'Connell |
Tomato |
Mr. and Mrs. Smith (2005) |
"There comes a time in every marriage, usually at the 5 or 6 year mark when you want to kill your spouse. Pitt and Jolie sizzle together." |
Michelle Alexandria |
Tomato B- |
Mr. Brooks (2007) |
"The last decade hasn't been kind to Costner, but he returns to form here. This is a fine little thriller that has some nice - but not surprising twists." |
Michelle Alexandria |
Tomato B- |
Mr. Brooks (2007) |
"Simply put, Mr. Brooks is a deeply flawed thriller. It has more than enough winning moments in its darkly twisted and comic undercurrents, and a couple of terrific jump moments. Pitting jewels against flaws, the movie is worth seeing %u2013 though it's a" |
Sheldon Wiebe |
Tomato 4/4 |
Munich (2005) |
"Spielberg's first R-rated film since Saving Private Ryan finds the director shedding the kid gloves that have minimized the impact of his recent thrillers." |
Sean O'Connell |
Splat C |
Murder by Numbers (2002) |
"Might have passed as the latest installment of the similarly titled Murder She Wrote franchise." |
Sean O'Connell |
Splat C |
Music and Lyrics (2007) |
"It's not bad, I enjoyed the music. The opening sequence was hysterical, but it's lacking that certain something. It'll be perfectly fine on DVD, but not something to run out and see." |
Michelle Alexandria |
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