Tomato 4.5/5 |
I Am a Fugitive from a Chain Gang (1932) |
"[A] difficult and heart-wrenching story of justice perverted." |
Michael W. Phillips, Jr. |
Tomato 3/5 |
I Am Trying to Break Your Heart (2002) |
"A few steps up from VH1's "Behind the Music" series." |
Michael W. Phillips, Jr. |
Tomato 3/5 |
I Heart Huckabees (2004) |
"Some good characters and some funny scenes, and maybe some insights, but that doesn't add up to as much as it might have." |
Michael W. Phillips, Jr. |
Splat 1.5/5 |
I Love You, Don't Touch Me! (1996) |
"Comes billed as a progressive, eccentric romantic comedy, but at its heart, it's a pessimistic, cynical, and very traditional." |
Michael W. Phillips, Jr. |
Splat 2.5/5 |
I, Robot (2004) |
"Props itself up with allusions to Deep Thoughts but in reality is just a long action movie gussied up in special effects." |
Michael W. Phillips, Jr. |
Splat 1.5/5 |
Ichi the Killer (2002) |
"I think there is a line between ... exploring sadism and practicing it, and Miike takes a Carl Lewis long jump over that line and doesn't look back." |
Michael W. Phillips, Jr. |
Splat 1/5 |
Idiocracy (2006) |
"There's about 15 minutes' worth of laughs here; the problem is that the film is 84 minutes long." |
Michael W. Phillips, Jr. |
Splat 2/5 |
Idlewild (2006) |
"Coming from a band as creative as OutKast, this film is a big letdown, because it lacks any creativity of its own." |
Michael W. Phillips, Jr. |
Tomato 4.5/5 |
Igby Goes Down (2002) |
"The script is witty and touching, and the performances of the leads (and most of the supporting players) carry it off perfectly." |
Michael W. Phillips, Jr. |
Tomato 3/5 |
Impromptu (1990) |
"It's mildly funny, mildly dramatic, and well-acted enough." |
Michael W. Phillips, Jr. |
Tomato 4.5/5 |
In a Lonely Place (1950) |
"Humphrey Bogart gives the performance of his career." |
Michael W. Phillips, Jr. |
Tomato 4/5 |
In America (2003) |
"It is a spiritual film but not a preachy one." |
Michael W. Phillips, Jr. |
Splat 1.5/5 |
In Old Arizona (1928) |
"If it appears that I'm being too hard on this film, one doesn't have to look very far to see far superior films, both sound and silent, released around the same time." |
Michael W. Phillips, Jr. |
Tomato 4/5 |
In the Bedroom (2001) |
"My only real complaint about the film is that it seemed much longer than its 130 minutes." |
Michael W. Phillips, Jr. |
Splat 2.5/5 |
In the Cut (2003) |
"Too self-consciously arty and irregularly paced." |
Michael W. Phillips, Jr. |
Tomato 4.5/5 |
In the Mood for Love (2001) |
"If [Edward Hopper's] paintings showed motion, it would be the fluid, slow camera movement of this film" |
Michael W. Phillips, Jr. |
Splat 2.5/5 |
In the Mouth of Madness (1995) |
"Carpenter can't establish the kind of welling dread that Lovecraft conjured, so he shifts to makeup and pyrotechnics." |
Michael W. Phillips, Jr. |
Splat 2.5/5 |
In the Realms of the Unreal (2004) |
"The animations, as neat as they are, changed Darger's work, and it became about the technique of animation instead of about the art itself." |
Michael W. Phillips, Jr. |
Tomato 3.5/5 |
In Which We Serve (1942) |
"Sentimental, to be sure, and a tad too stiff-upper-lipped at times, but it is a moving portrait of a navy destroyer, the men who served on it." |
Michael W. Phillips, Jr. |
Tomato 4/5 |
Incident at Oglala - The Leonard Peltier Story (1992) |
"A textbook example of how to make a documentary." |
Michael W. Phillips, Jr. |
Tomato 3.5/5 |
An Inconvenient Truth (2006) |
"Every responsible, thinking American should see this film." |
Michael W. Phillips, Jr. |
Splat 2.5/5 |
The Indian Runner (1991) |
Click here to see the review. |
Michael W. Phillips, Jr. |
Splat 1.5/5 |
Inferno (1978) |
"[Argento's] stories are not supposed to make sense, but we can at least ask them to be watchable." |
Michael W. Phillips, Jr. |
Tomato 4.5/5 |
Inglourious Basterds (2009) |
"Everything else [except the Basterds themselves] works so beautifully" |
Michael W. Phillips, Jr. |
Tomato 3/5 |
Inside Man (2006) |
"The Spike Lee touches carry some of the weight, but sometimes they're merely distracting. They're just barely enough to overcome the film's problematic plot." |
Michael W. Phillips, Jr. |
Tomato 3.5/5 |
Insomnia (2002) |
"Held together by Al Pacino's Oscar-worthy performance." |
Michael W. Phillips, Jr. |
Tomato 3/5 |
The Interpreter (2005) |
"It's not a Great Thriller, but it's a more than welcome diversion, and a great way to spend a Saturday afternoon." |
Michael W. Phillips, Jr. |
Tomato 3.5/5 |
Invincible (2002) |
"Herzog has created something resembling a fairy tale." |
Michael W. Phillips, Jr. |
Tomato 3.5/5 |
Irma Vep (1996) |
"A sometimes scathing, sometimes goodnatured satire of the French film industry." |
Michael W. Phillips, Jr. |
Tomato 3/5 |
Iron Eagle (1986) |
No article available. |
Michael W. Phillips, Jr. |
Tomato 3.5/5 |
Iron Monkey (1993) |
"Sometimes it's nice to sit back and enjoy the fireworks, and this movie has lots of fireworks." |
Michael W. Phillips, Jr. |
Splat 2/5 |
The Island (2005) |
"Utterly heedless of any ideas of logic, plot development, or even spatial sense." |
Michael W. Phillips, Jr. |
Tomato 3/5 |
Isle of the Dead (1945) |
"One of the few truly scary films of the 1940s." |
Michael W. Phillips, Jr. |
Tomato 3.5/5 |
It (1927) |
"It's immediately apparent why [Clara Bow] was so beloved." |
Michael W. Phillips, Jr. |
Splat 1.5/5 |
Ivanhoe (1952) |
"I could do while watching it was giggle." |
Michael W. Phillips, Jr. |
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