Tomato |
O Brother, Where Art Thou? (2000) |
"The Coen brothers have done it again." |
Jeffrey M. Anderson |
Tomato 2.5/4 |
O Fantasma (2000) |
"This odd, distant Portuguese import more or less borrows from Bad Lieutenant and Les Vampires, and comes up with a kind of art-house gay porn film." |
Jeffrey M. Anderson |
Tomato |
O Lucky Man! (1973) |
"It's as audacious as anything made in the 1970s, running three hours without much of a plot." |
Jeffrey M. Anderson |
Tomato |
O. Henry's Full House (1952) |
"The unquestionable pinnacle is Howard Hawks' energetic "The Ransom of Red Chief."" |
Jeffrey M. Anderson |
Tomato 3/4 |
Observe and Report (2009) |
"Rogen's character -- like Jim Carrey's Cable Guy -- is a sad, fascinating fellow who will deserve re-visiting and re-considering in subsequent viewings." |
Jeffrey M. Anderson |
Splat 2.5/4 |
Ocean's Eleven (1960) |
"One suspects that the most memorable moments occurred off-camera." |
Jeffrey M. Anderson |
Tomato 3/4 |
Ocean's Eleven (2001) |
"Soderbergh and Griffin concoct a doozy of a robbery, seemingly impossible with a new hitch around every corner. The cast, headed by Clooney, never loses its cool and never gives away a surprise beforehand." |
Jeffrey M. Anderson |
Tomato 3/4 |
Ocean's Thirteen (2007) |
"The sleek script makes gleeful use of expository dialogue, building ludicrous situations and winding its way out again." |
Jeffrey M. Anderson |
Tomato 3/4 |
Ocean's Twelve (2004) |
"Ocean's Twelve keeps its characters at a distance; they entertain us -- and each other -- with their witty talk, but that's as far as it goes." |
Jeffrey M. Anderson |
Tomato |
Of Time and the City (2009) |
"The film occasionally achieves beautiful states of reverie." |
Jeffrey M. Anderson |
Tomato 4/4 |
Offside (2006) |
"Panahi has learned how to use natural space, both confined and open, as the foundation for the film. Thankfully, this cinematic process rolls right over any ideas of generic plot." |
Jeffrey M. Anderson |
Tomato 3/4 |
The Oh in Ohio (2006) |
"Kent directs with clean, precise strokes and with little of the desperation associated with most American comedies." |
Jeffrey M. Anderson |
Tomato 4/4 |
The Old Dark House (1932) |
"My favorite James Whale movie." |
Jeffrey M. Anderson |
- |
The Old Dark House (1963) |
Click here to see the review. |
Jeffrey M. Anderson |
Tomato 3.5/4 |
Old Joy (2006) |
"The difference between Old Joy and most other recent indies: it matches its rhythms and visuals to its story, rather than simply telling a story on film." |
Jeffrey M. Anderson |
Tomato 3.5/4 |
Oldboy (2005) |
"Even if, for some reason, astute viewers do predict the ending, Oldboy still fills the screen with enough show-stopping images to put an entire circus out of work." |
Jeffrey M. Anderson |
Splat |
Oliver and Company (1988) |
"Surely one of Disney's weakest full-length animated features, Oliver and Company features terrible, badly dated songs and some shoddy, patchwork animation with precious few dazzling moments." |
Jeffrey M. Anderson |
- |
Oliver Twist (1922) |
Click here to see the review. |
Jeffrey M. Anderson |
Tomato |
Oliver Twist (1948) |
"It's Lean's direction that makes the production really pop. It's relentless, but fluid and deft, keeping us on our toes rather than wallowing in misery." |
Jeffrey M. Anderson |
Tomato 3/4 |
Oliver Twist (2005) |
"Roman Polanski has made a perfectly agreeable and entertaining new Oliver Twist." |
Jeffrey M. Anderson |
Splat 2/4 |
The Omen (2006) |
"Neither good enough to be worthwhile, nor bad enough to be interesting." |
Jeffrey M. Anderson |
Splat 2.5/4 |
On A Clear Day (2006) |
"Fans of Mullan's more intense work will find this soft and all-too maudlin." |
Jeffrey M. Anderson |
- |
On a Clear Day You Can See Forever (1970) |
Click here to see the review. |
Jeffrey M. Anderson |
- |
On a Clear Day You Can See Forever (1970) |
Click here to see the review. |
Jeffrey M. Anderson |
Tomato |
On And Off The Rails (1951) |
"It sounds dull, but the films are surprisingly wonderful, relaxing and even beautiful at times, more so if you're a train nut." |
Jeffrey M. Anderson |
Tomato |
On Dangerous Ground (1951) |
"[One of] a string of masterworks from Ray." |
Jeffrey M. Anderson |
Tomato 3/4 |
On Guard (1997) |
"Turns out to be a nifty swashbuckler whose plot easily could have been lifted from a number of Douglas Fairbanks silent pictures." |
Jeffrey M. Anderson |
- |
On The Ropes (1999) |
Click here to see the review. |
Jeffrey M. Anderson |
- |
On the Run (2002) |
Click here to see the review. |
Jeffrey M. Anderson |
- |
Once a Thief (1965) |
Click here to see the review. |
Jeffrey M. Anderson |
Tomato 4/4 |
Once Upon a Time in America (1984) |
"Hugely complex, achingly sad and splendidly gorgeous." |
Jeffrey M. Anderson |
- |
Once Upon a Time in China and America (1997) |
Click here to see the review. |
Jeffrey M. Anderson |
Tomato 4/4 |
Once Upon a Time in the West (1969) |
"The 165-minute feature doesn't always make perfect sense, but it's a thrill to just sit back and enjoy the scenery." |
Jeffrey M. Anderson |
Tomato |
The One (2001) |
"I'm happy to report that Jet Li's fourth American film crosses the finish line as far and away the best of them." |
Jeffrey M. Anderson |
Splat |
One Crazy Summer (1986) |
"Some of the early imagery... seems to suggest that anything is possible in this "crazy" universe, but the wrap-up is just so aggravatingly bland." |
Jeffrey M. Anderson |
- |
One Day in September (2000) |
Click here to see the review. |
Jeffrey M. Anderson |
Splat 2.5/4 |
One Day You'll Understand (2008) |
"Israeli director Amos Gitai can be one of the world's most graceful and effective filmmakers, but he's equally susceptible to ham-fisted episodes, and his new film is one of them." |
Jeffrey M. Anderson |
Splat 2.5/4 |
One Hundred Nails (2007) |
"One Hundred Nails, which Olmi has announced will be his last film, goes out on an especially minor key." |
Jeffrey M. Anderson |
- |
One Magic Christmas (1985) |
Click here to see the review. |
Jeffrey M. Anderson |
- |
One Missed Call (2003) |
Click here to see the review. |
Jeffrey M. Anderson |
Splat |
One Missed Call (2008) |
"While director Eric Valette fails to do anything with the derivative plot or the interesting cast, he manages an unusual, appealingly quiet tone." |
Jeffrey M. Anderson |
- |
One Night Stand (1997) |
Click here to see the review. |
Jeffrey M. Anderson |
Splat |
One Take Only (2001) |
"Not even Pang's flashy style can make up for the lack of interest here." |
Jeffrey M. Anderson |
Tomato |
One, Two, Three (1961) |
"One of [Wilder's] very best films." |
Jeffrey M. Anderson |
- |
Onegin (1999) |
Click here to see the review. |
Jeffrey M. Anderson |
Splat 2/4 |
Ong Bak 2 (2009) |
"I could have enjoyed the film if it didn't present itself as some kind of self-important epic, which only makes the ridiculous dialogue and hackneyed plot stand out." |
Jeffrey M. Anderson |
Tomato 2.5/4 |
Ong-Bak: The Thai Warrior (2005) |
"Skittishly directed and haphazardly written, Ong-Bak: The Thai Warrior is a bundle of old action movie chestnuts brought briefly to life only by Jaa's presence." |
Jeffrey M. Anderson |
Tomato 4/4 |
Only Angels Have Wings (1939) |
"Cary Grant, one of cinema's greatest actors, gives maybe his finest performance here. (It's hard to say, there are dozens.)" |
Jeffrey M. Anderson |
Tomato 3/4 |
Onmyoji (2001) |
"Goofy and campy and unabashedly old-fashioned, from the silent-era acting technique to the overwrought direction." |
Jeffrey M. Anderson |
Tomato 3/4 |
On_Line (2002) |
"Actually admits that human beings think about sex. A lot." |
Jeffrey M. Anderson |
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