Splat |
U.S. Marshals (1998) |
"Perfectly watchable, though unmemorable." |
Jeffrey M. Anderson |
Tomato 3/4 |
The U.S. vs. John Lennon (2006) |
"[The] passive approach can be infuriating, but the film still covers some very interesting ground." |
Jeffrey M. Anderson |
Tomato |
Ugetsu (1953) |
"Mizoguchi employs his trademark fluidity to brilliant effect." |
Jeffrey M. Anderson |
Splat 1/4 |
The Ugly Truth (2009) |
"At some point somebody in Hollywood decided that all romantic comedies would involve a meeting between subject A, who is neurotic and tightly-wound, and subject B, who is refreshingly unrestrained and free-spirited." |
Jeffrey M. Anderson |
Tomato 2.5/4 |
Ultraviolet (2006) |
"This nearly incomprehensible guilty pleasure is actually a great deal of fun." |
Jeffrey M. Anderson |
Tomato 4/4 |
The Umbrellas of Cherbourg (1964) |
"She [Deneuve] steals the entire film." |
Jeffrey M. Anderson |
Tomato 4/4 |
Un Chien Andalou (1929) |
"Luis Buñuel and Salvador Dali's Un Chien Andalou is absolutely essential viewing for anyone seriously interested in cinema." |
Jeffrey M. Anderson |
Tomato 4/4 |
Un Chien Andalou (1929) |
"Absolutely essential viewing for anyone seriously interested in cinema." |
Jeffrey M. Anderson |
Tomato 3.5/4 |
Un Flic (1971) |
"Plays beautifully with all [Melville's] trademark silence, grim faces, and gloomy colors." |
Jeffrey M. Anderson |
- |
The Unbelievable Truth (1989) |
Click here to see the review. |
Jeffrey M. Anderson |
Tomato 2.5/4 |
The Unborn (2009) |
"It has a few really interesting ideas in it and a few good, old-fashioned scares (and very little camera shaking)." |
Jeffrey M. Anderson |
Tomato 3/4 |
Unbreakable (2000) |
"Shyamalan has already established his own personal stamp for his films." |
Jeffrey M. Anderson |
Tomato 3/4 |
Uncertainty (2009) |
"Some viewers may find fault with the basic idea, but Uncertainty is undeniably fascinating." |
Jeffrey M. Anderson |
- |
Undead (2005) |
Click here to see the review. |
Jeffrey M. Anderson |
- |
Under Capricorn (1949) |
Click here to see the review. |
Jeffrey M. Anderson |
Tomato |
Under Siege 2 - Dark Territory (1995) |
"A well-paced, dumb, fun movie." |
Jeffrey M. Anderson |
Tomato |
Under the Roofs of Paris (1930) |
"Compared to his contemporaries Jean Renoir and Jean Vigo, Clair was a minor talent, though both of these films do contain innovative uses of sound mixed with silent film." |
Jeffrey M. Anderson |
Splat 2.5/4 |
Under the Same Moon (2008) |
"Another one of those soft, simpleminded imports specifically designed for Western arthouse audiences, with everything spelled out in dialogue." |
Jeffrey M. Anderson |
Splat |
Under the Sand (2001) |
"I loved the subversive nature frosting Ozon's other films, I found myself scratching my head after Under the Sand." |
Jeffrey M. Anderson |
Splat |
Under the Sun (2001) |
"If there was a subtle, truthful way to tell the sappy story of Under the Sun, the director Colin Nutley was unable to find it." |
Jeffrey M. Anderson |
Tomato 3/4 |
Under the Tuscan Sun (2003) |
"Offers Americans the ultimate fantasy vacation. It's a beautiful, sunny, fresh air trip to Europe without the jet lag, language problems, money problems, or any other trivialities." |
Jeffrey M. Anderson |
Splat .5/4 |
Underclassman (2005) |
"Cannon is abrasive and obnoxious, the comedy is not funny and the thrills are not thrilling." |
Jeffrey M. Anderson |
Tomato |
Undercover Brother (2002) |
"Much funnier and craftier than it had any right to be." |
Jeffrey M. Anderson |
- |
Underground (1995) |
Click here to see the review. |
Jeffrey M. Anderson |
Tomato 3.5/4 |
Underground Zero (2002) |
"The results vary wildly, from long and rambling to minor masterworks." |
Jeffrey M. Anderson |
Splat 2.5/4 |
Undertow (2004) |
"Steeped in a rudimentary, even ludicrous, plot, it plays like nothing more than an exceedingly well-written Friday the 13th sequel." |
Jeffrey M. Anderson |
Tomato |
Underworld, U.S.A. (1960) |
"Even more so than its plot, the film is notable for its very stark, sharp black-and-white look; each shot almost feels like a paper cut." |
Jeffrey M. Anderson |
Splat |
Underworld: Evolution (2006) |
"Overall, Underworld: Evolution is a vast improvement over its predecessor Underworld (2003), even if it generally suffers from the twin evils of stupidity and seriousness." |
Jeffrey M. Anderson |
Splat 2/4 |
Underworld: Rise of the Lycans (2009) |
"The film tends to forget that these are supernatural creatures (it's not scary at all), and it quickly turns into a pretty standard-issue "revolt of the slaves" action picture (with very poor action scenes)." |
Jeffrey M. Anderson |
Tomato |
Undisputed (2002) |
"[A] rock-hard, streamlined "B" movie." |
Jeffrey M. Anderson |
Tomato |
The Unearthly (1957) |
"One of the great cheesy movies from the era of drive-ins and "B" flicks." |
Jeffrey M. Anderson |
- |
Unfaithful (2002) |
Click here to see the review. |
Jeffrey M. Anderson |
Splat 2.5/4 |
An Unfinished Life (2005) |
"Lasse Hallstrom yawns out another awards contender." |
Jeffrey M. Anderson |
Splat 2.5/4 |
The Unforeseen (2007) |
"This one purports to be different by including interviews with the evil, rich developers, but the film is very subtly slanted away from them." |
Jeffrey M. Anderson |
Tomato 4/4 |
Unforgiven (1992) |
"In the 90's it stands alone as a great achievement in American filmmaking." |
Jeffrey M. Anderson |
Splat |
Unholy (2005) |
"It's certainly different and not without interest, but its low-key design and sluggish pace will guarantee a very small cult following." |
Jeffrey M. Anderson |
Tomato |
The Unholy Three (1925) |
"This silent-era Tod Browning classic, starring his favorite actor Lon Chaney, is one of his best, although it's not specifically a horror film." |
Jeffrey M. Anderson |
Tomato 3/4 |
The Uninvited (2009) |
"Taken on its own, The Uninvited has a good deal to recommend it." |
Jeffrey M. Anderson |
Splat 2.5/4 |
United 93 (2006) |
"Here's a movie that I didn't want to see, didn't enjoy seeing and wouldn't wish upon anyone else." |
Jeffrey M. Anderson |
Tomato |
The Unknown (1927) |
"[An] astonishing masterpiece." |
Jeffrey M. Anderson |
Splat 1.5/4 |
Unknown (2006) |
"Screenwriter Matthew Waynee doesn't quite know when to provide clues and when to withhold." |
Jeffrey M. Anderson |
Tomato 4/4 |
Unknown Pleasures (2003) |
"despite the distinct lack of good times and belly laughs, Unknown Pleasures is a great film." |
Jeffrey M. Anderson |
Tomato 2.5/4 |
Unknown White Male (2005) |
"It's a great story but a not-so-great film." |
Jeffrey M. Anderson |
Tomato 3/4 |
The Unknown Woman (2006) |
"A restless, panicked, devastating emotional roller coaster, meticulously planned and executed like a razor." |
Jeffrey M. Anderson |
Tomato 3/4 |
Unlawful Entry (1992) |
"It's an amazingly sharp, nasty little thriller that takes a silly situation and squeezes it to the core, vicious as a heart attack." |
Jeffrey M. Anderson |
Tomato 3/4 |
Unleashed (2005) |
"If a movie is only as good as its villain, then Unleashed is a very good movie indeed." |
Jeffrey M. Anderson |
Tomato 3/4 |
An Unreasonable Man (2007) |
"Manages to launch a heated argument between Nader's supporters and a few detractors." |
Jeffrey M. Anderson |
Splat |
The Untouchables (1987) |
"The film mostly revels in nostalgia and feels numb." |
Jeffrey M. Anderson |
Splat 2.5/4 |
Untraceable (2008) |
"A great idea for a horror movie, Untraceable taps directly into the consciousness of America today... yet its execution is rushed." |
Jeffrey M. Anderson |
Tomato |
Unzipped (1995) |
"Mizrahi is such a flambouyant character that we are fascinated by him the whole time he is on camera. He seems to have a natural comic timing, as do the editors of the film." |
Jeffrey M. Anderson |
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