ROTTEN TOMATOES: Rotten Tomatoes: Celebrities - Celebrity Movie Stars from your Favorite Movies

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Source Table
Rating	Title Year	Quote	Author

Tomato 3/4	Gallipoli (1981)	"War has rarely felt more nonsensical in film than it does here."	Jeremy Heilman
Tomato 3.5/4	Gandhi (1982)	"It�s really not nearly as bad as I feared it might be."	Jeremy Heilman
Tomato 4/4	The General (1927)	"Its peerless mixture of exciting action and kinetic comedy are one of moviedom�s supreme pleasures."	Jeremy Heilman
Tomato 3.5/4	General Idi Amin Dada (1974)	"A fascinating historical document and an absurd portrait of fascist power run amok."	Jeremy Heilman
Tomato 80/100	Gentleman Jim (1942)	"Walsh trusts his viewers to value ability and wit over humility and pathos, resulting in one of the most roundly entertaining of all sports films."	Jeremy Heilman
Tomato 72/100	George A. Romero's Diary of the Dead (2008)	"Through its clever advancements of the zombie genre and its consistently surprising series of set pieces, [it] earns the right to stand alongside anything that Romero has made."	Jeremy Heilman
Tomato 4/4	George Washington (2000)	"George Washington is the best American film of 2000."	Jeremy Heilman
Tomato 4/4	Germany, Year Zero (1947)	"Even as Germany Year Zero promotes a definite agenda, it remains admirable, because it incorporates politics without sacrificing its technical and storytelling virtues."	Jeremy Heilman
Tomato 4/4	Gertrud (1964)	"I would imagine that many would find it unwatchable, or would incorrectly deem it uncinematic, but it understands the language of cinema better than nearly any film that I've seen. Every cut, every pan, every zoom matters."	Jeremy Heilman
Tomato 3/4	Ghost in the Shell 2: Innocence (2004)	"It�s regrettable, but perhaps a bit predictable, that a film that is this forward-looking in its graphic construction is saddled with a commonplace plotline."	Jeremy Heilman
Tomato 4/4	Ghost World (2001)	"The general snarkiness of Ghost World eventually becomes profoundly sad."	Jeremy Heilman
Splat 2.5/4	Gigi (1958)	"This time Hollywood's chastity beat out cultural accuracy."	Jeremy Heilman
Tomato 76/100	Gigli (2003)	"Because of its humble proficiency, seriousness of intent and sexual adventurousness, it's become the unfortunate pariah of a film culture that expects Hollywood to turn out only gee-whiz showiness and superficial plays at emotion."	Jeremy Heilman
Tomato 3.5/4	Gilda (1946)	"Hayworth's presence here is so indomitable that it's almost surprising that Vidor found it necessary to bother putting other actors on the screen at all."	Jeremy Heilman
Tomato 3.5/4	Gimme Shelter (1970)	Click here to see the review.	Jeremy Heilman
Tomato 3/4	Ginger Snaps (2001)	"Ginger Snaps starts out so well that its terrible last half hour feels insulting."	Jeremy Heilman
Tomato 63/100	The Girl on the Train (2009)	"What results is an irreducible and complex portrait of the drama that is modern life. T�chin�, much to his credit, has transformed here a thoughtless action into something that is capable of making the mind reel with implication."	Jeremy Heilman
Tomato 70/100	Girl with a Pearl Earring (2003)	"So passionately realized by Webber and his team, that its clich�s are easy to forgive."	Jeremy Heilman
Tomato 69/100	Go West (1925)	"Buster Keaton�s Go West doesn�t quite compare to his best films but is an admirable stab at the funny bone nonetheless."	Jeremy Heilman
Tomato 51/100	Gomorra (2008)	"The sheer pervasiveness of corruption is eye-opening, and it justifies the narrative structure somewhat, but it seems a slight point to be making over the course of two and a half hours."	Jeremy Heilman
Tomato 4/4	Good Morning (1959)	"This is a much more complex, ambiguous, and challenging film that most reduce it to."	Jeremy Heilman
Tomato 3.5/4	Goodbye South, Goodbye (1996)	"What�s most impressive about Goodbye South Goodbye is the way in which the film seems so completely disenchanted with the antics of its protagonists."	Jeremy Heilman
Tomato 4/4	Gosford Park (2001)	Click here to see the review.	Jeremy Heilman
Tomato 4/4	The Gospel According to St. Matthew (1965)	"The slightly uncomfortable close-ups that dominate [it] place the audience in a position where they're closer than they might have ever expected to be to the towering Biblical figures that dominate the Passion play."	Jeremy Heilman
Tomato 4/4	The Grapes of Wrath (1940)	"Ford delivers Steinbeck�s message intact."	Jeremy Heilman
Tomato 3/4	Grey Gardens (1976)	"There's an undeniable skill on The film feels pretty exploitative, even as the Beales insist that it's not exploiting them at all."	Jeremy Heilman
Tomato 3.5/4	A Grin Without A Cat (2002)	"Achieves a sort of filmic epiphany that revels in the true potential of the medium."	Jeremy Heilman
Tomato 3.5/4	Grizzly Man (2005)	"Veteran director Werner Herzog finds factual subject matter that feels right up his thematic alley in Grizzly Man."	Jeremy Heilman
Tomato 3.5/4	Group (2002)	"The surprising skill and compassion that Group's makers exhibit turns what could have been an uninvolving actor's exercise into a compelling and complicated emotional stew."	Jeremy Heilman

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