Tomato 3.5/4 |
H-Story (2002) |
Click here to see the review. |
Jeremy Heilman |
Tomato 3.5/4 |
Hairspray (1988) |
"Hairspray might be tame by the director's standards, but it loses none of its subversive energy in its quest for a PG-rating." |
Jeremy Heilman |
Splat 2/4 |
Half Nelson (2006) |
"Whatever confusion it holds at its core, Half Nelson is not a total wash." |
Jeremy Heilman |
Tomato 3.5/4 |
Happiness (1998) |
Click here to see the review. |
Jeremy Heilman |
Splat 46/100 |
Happiness (2007) |
"Ultimately, Happiness seems most distinctive not as a specific director's work, but rather as an entry in a distinctly Korean melodramatic subgenre." |
Jeremy Heilman |
Tomato 3.5/4 |
Happiness of the Katakuris (2002) |
"Katakuris doesn't disappoint, except in that it provides pretty much exactly what one would expect from a Miike musical." |
Jeremy Heilman |
Tomato 3.5/4 |
Happy Together (1997) |
"Through its stunning imagery, it creates an intimate visual essay about the mood swings of a love affair." |
Jeremy Heilman |
Tomato 52/100 |
Happy-Go-Lucky (2008) |
"In the end, Hawkins' vivid characterization alone justifies Happy-Go-Lucky. The hamfistedness of the script sadly undermines what probably should have registered as a towering performance." |
Jeremy Heilman |
Tomato 3.5/4 |
Harmful Insect (2001) |
Click here to see the review. |
Jeremy Heilman |
Tomato 3/4 |
Harry Potter and the Sorcerer's Stone (2001) |
"The relatively hands-off treatment of any pathos is an unfortunate side effect of the film’s travelogue feel." |
Jeremy Heilman |
Tomato 68/100 |
The Haunted Palace (1963) |
" Corman's widescreen framing, the blazing Technicolor photography, and the effectively maximized production values created a convincing, if twisted, world." |
Jeremy Heilman |
Tomato 63/100 |
Hausu |
"All the more awesome for being so totally inexplicable, Hausu may not be ultimately be classifiable as a "good" movie, but it's certainly one that must be seen to be believed." |
Jeremy Heilman |
Tomato 3.5/4 |
Haxan: Witchcraft Through the Ages (1920) |
"The film stands as a fascinating historical document, and, more surprisingly, as a thoroughly watchable film." |
Jeremy Heilman |
Tomato 60/100 |
Header (2006) |
"In its bravado and its commitment to its own perversity, it throws down a gauntlet at the rest of the genre. Make no mistake, when it comes to sheer shock value, it will be tough for other horror films to trump Header." |
Jeremy Heilman |
Tomato 4/4 |
Heart of Glass (1974) |
"Because of its utter uniqueness, it’s expansive vision, and its stone-gazed look at the downfall that very possibly awaits our race, Heart of Glass is a must-see." |
Jeremy Heilman |
Tomato 4/4 |
Heaven's Gate (1980) |
"Because of its ambition, the film is sometimes sloppy, but that sloppiness is forgivable because it’s the exalted, compelling kind." |
Jeremy Heilman |
Tomato 61/100 |
Heaven's Heart (2008) |
"What initially seems too blunt and too neatly constructed develops considerable texture as this particularly concise film unspools." |
Jeremy Heilman |
Tomato 3/4 |
Heist (2001) |
Click here to see the review. |
Jeremy Heilman |
Tomato 4/4 |
Hero (2004) |
"Instead of reinventing this genre, Zhang opts to dazzle his audience with his assemblage of technical and aesthetic wonders." |
Jeremy Heilman |
Tomato 3.5/4 |
The Heroic Trio (1992) |
"An unforgettable, chaotic experience that’s decidedly unlike any domestic superhero movie." |
Jeremy Heilman |
Splat 2/4 |
High and Low (1962) |
"The pessimism that dominates the film becomes an oppressive turn-off." |
Jeremy Heilman |
Tomato 4/4 |
His Girl Friday (1940) |
"Howard Hawks' superb screwball workplace comedy is one of those classics that manages to convince new viewers of its greatness despite any inflated expectations caused by its sky-high reputation." |
Jeremy Heilman |
Tomato 3.5/4 |
The Hole (1998) |
"The humor and ennui that Tsai’s vision of dystopia evokes is both unique and compelling." |
Jeremy Heilman |
Tomato 4/4 |
The Homecoming (1973) |
"The Homecoming might be simple in its staging, but in a final tally, it overcomes its lack of cinematic device through its perceptiveness and stellar ensemble acting." |
Jeremy Heilman |
Tomato 3.5/4 |
Hope and Glory (1987) |
Click here to see the review. |
Jeremy Heilman |
Splat 1.5/4 |
Hopscotch (1980) |
"Ronald Neame's cheeky spy comedy Hopscotch isn't quite an awful movie, but it's so thoroughly and relentlessly mediocre..." |
Jeremy Heilman |
Tomato 4/4 |
The House of Mirth (2000) |
Click here to see the review. |
Jeremy Heilman |
Tomato 71/100 |
House That Screamed (1999) |
"Taken as a whole, the sinister and accomplished The House That Screamed is something of a classic of European horror." |
Jeremy Heilman |
Tomato 78/100 |
Howl's Moving Castle (2005) |
"A treasure. Its wonders come so constantly that one can almost start to take them for granted." |
Jeremy Heilman |
Tomato 3.5/4 |
The Hudsucker Proxy (1994) |
"This film seems to be the key to understanding the Coen's work as a whole." |
Jeremy Heilman |
Tomato 3/4 |
The Hunted (2003) |
"Unlike most action movies, when the characters bleed, sweat, and scar, one can't help but notice. There's an emphasis on the physicality of the actors here that elevates some of the scenes above the film's generally uninspiring intentions." |
Jeremy Heilman |
Tomato 4/4 |
Husbands and Wives (1992) |
"One of Allen’s most criminally underappreciated films." |
Jeremy Heilman |
Tomato 3.5/4 |
Hustle & Flow (2005) |
Click here to see the review. |
Jeremy Heilman |
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