Splat 2.5/4 |
I Am Sam (2002) |
Click here to see the review. |
Jeremy Heilman |
Tomato 53/100 |
I Don't Want To Sleep Alone (2007) |
"Tsai's style is essentially written in stone at this point, and [this] hardly challenges it. [He] is as visually adept here as ever, right up to the film's peaceful final shot." |
Jeremy Heilman |
Tomato 79/100 |
I Heart Huckabees (2004) |
"Even though I ♥ Huckabees might have more on its mind than any American film this year, the entire time I watched it, a goofy grin was plastered on my face." |
Jeremy Heilman |
Tomato 3.5/4 |
I Live in Fear (1955) |
"I Live in Fear shows that Kurosawa is far from content with humanity, but that doesn’t mean he's given up hope entirely." |
Jeremy Heilman |
Splat 1.5/4 |
I Stand Alone (1998) |
"Certainly, there are aesthetic pleasures in I Stand Alone, but they don't redeem the depraved heart that beats at the center of the film." |
Jeremy Heilman |
Tomato 3.5/4 |
I Want to Live! (1958) |
"As Hayward’s steely visage begins to splinter from the burden of her stress, the beauty of her performance emerges." |
Jeremy Heilman |
Tomato 3.5/4 |
I'm Going Home (2002) |
"It reaffirms life as it looks in the face of death." |
Jeremy Heilman |
Tomato 68/100 |
I've Loved You So Long (2008) |
"Scott Thomas is an ideal actress to play this character, with her coolness, her subsumed passion, her fierce intelligence, and her ever-present, self-effacing wit." |
Jeremy Heilman |
Tomato 3.5/4 |
Ichi the Killer (2002) |
"Much of what we see is horrible but it’s also undeniably exceedingly clever." |
Jeremy Heilman |
Tomato 3.5/4 |
Ichi the Killer - Episode 0 (2004) |
Click here to see the review. |
Jeremy Heilman |
Tomato 4/4 |
The Idiots (1998) |
"Von Trier has proven his self-proclamations of cinematic genius to be true." |
Jeremy Heilman |
Tomato 66/100 |
If... (1969) |
"Lindsay Anderson's boldly allegorical drama If... features a sly script that very slowly reveals just how strongly it is protesting against authority." |
Jeremy Heilman |
Splat 41/100 |
Il Divo (2009) |
"Somewhat singular because of its sheer force of will, but ultimately puzzling, Il Divo is hard to discredit entirely, because it so clearly operates on its own terms." |
Jeremy Heilman |
Tomato 3/4 |
Importance of Being Earnest (2002) |
"It would take a complete moron to foul up a screen adaptation of Oscar Wilde’s classic satire." |
Jeremy Heilman |
Tomato 4/4 |
In Praise of Love (2001) |
"His work transcends the boy-meets-girl posturing of typical love stories." |
Jeremy Heilman |
Tomato 3.5/4 |
In the Bedroom (2001) |
Click here to see the review. |
Jeremy Heilman |
Splat 46/100 |
In The City/En La Ciudad (2002) |
"So blandly targeted at the upper-middle class urbanite that it always fails to excite. It might be upscale, but it's a bit stale." |
Jeremy Heilman |
Tomato 4/4 |
In the Mood for Love (2001) |
"Like Chabrol's La Ceromonie, it escalates everyday tensions until they became much more realized and pointed feelings." |
Jeremy Heilman |
Splat 1/4 |
In the Realm of the Senses (1976) |
"The majority of what we are made to watch is far from enlightening, entertaining, or erotic." |
Jeremy Heilman |
Tomato 79/100 |
In This World (2003) |
"It's impossible to call In This World melodramatic because it never develops dramatically. It only tosses us straight into Jamal and Enayat's struggle." |
Jeremy Heilman |
Splat 15/100 |
The Incredibles (2004) |
"Since it’s too much a crowd-pleaser to be critical of the violent payoff that it delivers, it’s tough not to take its apparent message seriously." |
Jeremy Heilman |
Tomato 3/4 |
Insomnia (1997) |
"It's centered by an accomplished performance by Stellan Skarsgård." |
Jeremy Heilman |
Splat 2/4 |
Insomnia (2002) |
"The Hollywood remake feels oddly castrated when compared to the original." |
Jeremy Heilman |
Tomato 74/100 |
Interstella 5555: The 5tory of the 5ecret 5tar 5ystem (2003) |
"A futurist Fantasia that incidentally beats the pants off of Disney’s own Fantasia 2000." |
Jeremy Heilman |
Tomato 3.5/4 |
Intimacy (2001) |
"Its unflinching attitude toward sex is only weakened by the lack of enjoyment that the characters seem to have while actually having sex." |
Jeremy Heilman |
Tomato 3.5/4 |
Intolerance (1916) |
"One can't help but feel that two of the stories would stand better on their own." |
Jeremy Heilman |
Splat 2/4 |
Iris (2000) |
Click here to see the review. |
Jeremy Heilman |
Splat 2/4 |
Iris (2001) |
"Iris fails to enlighten us into either the tragedy of Alzheimer’s disease or the woman that it strikes." |
Jeremy Heilman |
Tomato 4/4 |
Irma Vep (1996) |
"[It] seems to function as a cinematic state of affairs, examining the functions and motivations behind the movies we see." |
Jeremy Heilman |
Splat 2.5/4 |
Iron Monkey (1993) |
Click here to see the review. |
Jeremy Heilman |
Tomato 3.5/4 |
Irreversible (2003) |
"The unbroken shots give this nightmare a lucid, inevitable, and inescapable feel that goes a long way toward selling the horror that's presented." |
Jeremy Heilman |
Tomato 3.5/4 |
It's a Wonderful Life (1946) |
"Despite any nay saying that I might work up, I enjoy watching the film. It has an uncanny ability to silence cynics like myself." |
Jeremy Heilman |
Splat 2.5/4 |
Italian for Beginners (2002) |
Click here to see the review. |
Jeremy Heilman |
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