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Critics / Publications / MovieMartyr.com

Other Info

Authors
    • Jeremy Heilman

MovieMartyr.com

  
a b c d e f g h i j k l m n ( o ) p q r s t u v w x y z Other   (1-19) of 19 775 Total
  
Source Table
Rating Title Year Quote Author

Splat
42/100

O'Horten (2009)

"Too cute by half, filled with myriad forced moments of magic, O'Horten attempts to cast a nuanced spell, but ends up making rather little impression at all."

Jeremy Heilman

Splat
1.5/4

Ocean's Eleven (2001)

"Ocean’s Eleven seems as if it coasting by on reputation alone."

Jeremy Heilman

Splat
39/100

Of Time and the City (2009)

"It fails to turn its assemblage of stock footage and sarcastic observation into the grand summation of a place and era it would love to be."

Jeremy Heilman

Tomato
3/4

Office Space (1999)

Click here to see the review.

Jeremy Heilman

Tomato
2.5/4

Oldboy (2005)

"Even if Old Boy only intermittently coheres into a whole, there are enough must-see moments here, that the film is sure to become a cult hit."

Jeremy Heilman

Splat
2/4

The One (2001)

"Li kicks a good amount of ass in the film, but he’s certainly no Oscar contender."

Jeremy Heilman

Splat
1.5/4

One Hour Photo (2002)

"If in this generally lousy genre Seven rates as opera, then One Hour Photo must rank somewhere between elevator music and white noise."

Jeremy Heilman

Tomato
63/100

Ong Bak 2 (2009)

"An effort that handily trumps the first in every respect, Ong-Bak 2 further cements Tony Jaa's status as one of the era's key action stars."

Jeremy Heilman

Tomato
69/100

Open Range (2003)

"Kevin Costner's return to the western genre is a classicist revenge drama that takes its time in becoming one and is richer as a result."

Jeremy Heilman

Tomato
4/4

Open Your Eyes (1997)

"Amenabar, at 25, has created a film that deserves comparison to Hitchcock's best work."

Jeremy Heilman

Splat
27/100

Opium: Diary of a Madwoman (2007)

"The whole experience of watching this is tense, dehumanizing, and fairly baffling."

Jeremy Heilman

Tomato
4/4

Ordet (1955)

Click here to see the review.

Jeremy Heilman

Tomato
70/100

Orphans of the Storm (1922)

"[T]he sheer amount of realized ambition on display in it makes it a sight to behold."

Jeremy Heilman

Tomato
4/4

Orpheus (1949)

Click here to see the review.

Jeremy Heilman

Tomato
82/100

Osaka Elegy (1936)

"By the end of Osaka Elegy, Ayoko's situation warrants nothing less than a universal call for empathy."

Jeremy Heilman

Tomato
82/100

Osaka Elegy (1936)

"By the end of Osaka Elegy, Ayoko's situation warrants nothing less than a universal call for empathy."

Jeremy Heilman

Tomato
82/100

Osaka Elegy (1936)

"By the end of Osaka Elegy, Ayoko's situation warrants nothing less than a universal call for empathy."

Jeremy Heilman

Splat
40/100

Otto; Or, Up with Dead People (2008)

"Concessions to the audience's expectations certainly make Otto a more palatable viewing experience, but they also make it seem less dangerous."

Jeremy Heilman

Splat
2/4

The Outsider (1981)

"Because of its slim narrative and relatively unsympathetic protagonist The Outsider is probably the weakest of Tarr's films."

Jeremy Heilman

  
a b c d e f g h i j k l m n ( o ) p q r s t u v w x y z Other   (1-19) of 19 775 Total
  
 
 
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