- |
The Cabinet of Dr. Caligari (1919) |
Click here to see the review. |
Ian Johnston |
- |
Caché (2005) |
Click here to see the review. |
Chiranjit Goswami |
Tomato |
Caché (2005) |
"Like the very best of Hitchcock, marries both high- and low-brows in the compulsively watchable format of the thriller." |
Leo Goldsmith |
Tomato |
Cafe Lumiere (2004) |
"The film looks for small connections and fragments of significance in the comings and goings of everyday life." |
Leo Goldsmith |
Tomato |
Caged Heat (1974) |
"Caged Heat is contractual exploitation, an example of Roger Corman’s trademark bargain filmmaking with obligated nudity and violence." |
Rumsey Taylor |
Tomato |
Caligula (1979) |
"Caligula boasts a sort of notoriety known to few films. It was a lavish accident: the marriage of legitimate film and smut." |
Rumsey Taylor |
- |
Camera Buff (1979) |
Click here to see the review. |
|
Tomato |
Camera Buff (1979) |
"As one character puts it, “filmmakers are service providers,” and despite the unromantic tone of such a designation, this seems to be very near to Kieslowski’s own view." |
Leo Goldsmith |
Tomato 3/5 |
Camille (1937) |
No article available. |
Matt Bailey |
Splat |
Camp (2003) |
"Lying somewhere between Fame and Meatballs, Camp unfortunately possesses neither the energy of the former nor the hilarity of the latter." |
Matt Bailey |
- |
Candy (2006) |
Click here to see the review. |
Tom Huddleston |
Tomato |
Cannibal Ferox (1981) |
"Unfortunately, and despite having a really cool title, Make Them Die Slowly! is pretty much par for the course for cannibal flicks." |
David Carter |
- |
Cannibal Holocaust (1980) |
Click here to see the review. |
David Carter |
- |
A Canterbury Tale (1944) |
Click here to see the review. |
Tom Huddleston |
Tomato |
The Canterbury Tales (1971) |
"In contrast to the Italy of Pasolini's Decameron, the England of The Canterbury Tales is much more harsh in its treatment of vice of all kinds." |
Leo Goldsmith |
- |
Cape Fear (1962) |
Click here to see the review. |
Beth Gilligan |
- |
Capote (2005) |
Click here to see the review. |
Beth Gilligan |
- |
Carnival in Flanders (1936) |
Click here to see the review. |
Ian Johnston |
Tomato |
Casa de los Babys (2003) |
"John Sayles' most recent film, 2003's Casa de los Babys, exemplifies his approach to the intersection of the political and the personal." |
Leo Goldsmith |
Tomato 5/5 |
Casino (1995) |
No article available. |
Matt Bailey |
Splat |
Casino Royale (1967) |
"Watching this movie is a serious drag." |
Matt Bailey |
- |
The Castle (1997) |
Click here to see the review. |
Ian Johnston |
- |
The Cat and the Canary (1927) |
Click here to see the review. |
Ian Johnston |
Tomato 4/5 |
Cat Ballou (1965) |
No article available. |
Matt Bailey |
Tomato |
Cat People (1942) |
"Female sexuality is a rich source of a certain kind of horror - the kind of horror that plays upon the anxieties that prudish bourgeois men have about their wives' sex lives." |
Leo Goldsmith |
Tomato |
La Ceremonie (1996) |
"Though Chabrol continues to create new films on an almost constant basis, he created a high water mark for his late career with La Cérémonie" |
Matt Bailey |
- |
Un Chant d'Amour (1950) |
Click here to see the review. |
|
Tomato |
Un Chant d'Amour (1950) |
"Genet's film exhibits the obvious influence of his friend Jean Cocteau. Despite this, the tone and content is pure Genet." |
Matt Bailey |
- |
Chaotic Ana (2007) |
Click here to see the review. |
Tom Huddleston |
- |
A Charlie Brown Christmas (1965) |
Click here to see the review. |
Chiranjit Goswami |
- |
Chasing Ghosts: Beyond the Arcade (2006) |
Click here to see the review. |
Jason Woloski |
- |
The Chess Players (1977) |
Click here to see the review. |
Ian Johnston |
- |
Chicago 10 (2008) |
Click here to see the review. |
Beth Gilligan |
Tomato |
Chinese Roulette (1976) |
"Chinese Roulette is one of those films where you hate every single one of the characters yet can?t tear yourself away from them until you find out how they end up." |
Matt Bailey |
- |
La Chinoise (1967) |
Click here to see the review. |
Ian Johnston |
- |
Chopping Mall (1986) |
Click here to see the review. |
Leo Goldsmith |
Splat |
Chris Cunningham - Rubber Johnny |
"Ultimately, the film serves the function of a music video for Aphex Twin, and not one that breaks any new ground." |
Leo Goldsmith |
Tomato |
A Christmas Tale (2008) |
"Each in succession, the curiosities of A Christmas Tale burst from the surface of the film, almost incapable of containing themselves, their passions, their disappointments, their awkward eruptions of alcoholic rage and familial resentment." |
Leo Goldsmith |
- |
Chronicle of an Escape (2007) |
Click here to see the review. |
Tom Huddleston |
- |
Chungking Express (1994) |
Click here to see the review. |
Rumsey Taylor |
Tomato |
Citizen Kane (1941) |
"This is the inherent paradox of Welles' film: that its ending should be so equivocal, providing a satisfying resolution that simultaneously scoffs at such over-simplification." |
Leo Goldsmith |
Tomato |
Citizen Kane (1941) |
"It is, as a critical benchmark, unavoidable." |
Rumsey Taylor |
- |
City Girl (1930) |
Click here to see the review. |
Leo Goldsmith |
- |
City Lights (1931) |
Click here to see the review. |
|
- |
The City of the Living Dead (1980) |
Click here to see the review. |
|
- |
City of Women (1980) |
Click here to see the review. |
Ian Johnston |
- |
Clash by Night (1952) |
Click here to see the review. |
Matt Bailey |
- |
Clash of the Titans (1981) |
Click here to see the review. |
Rumsey Taylor |
- |
The Class (2008) |
Click here to see the review. |
|
Tomato |
Cleo de 5 a 7 (1962) |
"Why Agnes Varda's Cleo From 5 to 7 is not considered a classic of the French New Wave on the order of Truffaut's The 400 Blows or Godard's Breathless is a complete mystery. Well, I tell a lie." |
Matt Bailey |
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