Splat |
Damn Yankees (1958) |
"While watching Damn Yankees offers many pleasures, none compare to the spectacle of Tab Hunter in the prime of his beauty." |
Matt Bailey |
Splat 1/5 |
Dante's Peak (1997) |
No article available. |
Rumsey Taylor |
Tomato 5/5 |
Dario Argento's Tenebre (1982) |
"Argento's most coherent film and one of his most shocking." |
Matt Bailey |
Tomato |
Dario Argento's Tenebre (1982) |
"Tenebre is nearer to body of Argento’s filmography, and seems like an homage to his early gialli; in comparison it marks the extent of the director’s progressive evolution. Tenebre is among Argento’s best films." |
Rumsey Taylor |
Tomato 4/5 |
Dark Habits (1984) |
No article available. |
Matt Bailey |
- |
DarkBlueAlmostBlack (2007) |
Click here to see the review. |
Tom Huddleston |
- |
Darktown Strutters (1974) |
Click here to see the review. |
David Carter |
Tomato |
Dave Chappelle's Block Party (2006) |
"Perhaps the block party was the pinnacle of everything Chappelle set out to accomplish, and his ultimate statement is not a call to arms, but instead an appeal to appreciate a culture that is often marginalized and misunderstood." |
Chiranjit Goswami |
Tomato |
Dawn of the Dead (1978) |
"Dawn of the Dead relies upon satire, humor, and allegory. It is one of the more thematically ambitious horror films in history." |
Rumsey Taylor |
- |
Dawn of the Dead (2004) |
Click here to see the review. |
|
- |
Day of the Warrior (1996) |
Click here to see the review. |
David Carter |
Tomato 5/5 |
Day of Wrath (1943) |
No article available. |
Matt Bailey |
Tomato |
Day the Earth Stood Still (1951) |
"The film is very good at showing how effortlessly misunderstandings can develop between ordinary people and between nations and how easily fear can overwhelm reason and understanding." |
Matt Bailey |
- |
Days of Being Wild (1990) |
Click here to see the review. |
Rumsey Taylor |
- |
Days of Glory (2006) |
Click here to see the review. |
Tom Huddleston |
Tomato |
Days of Heaven (1978) |
"Malick emphasizes both his characters' happiness and ignorance. This dilemma is acknowledged in the title, which implies that for Heaven to be existent so must Hell." |
Rumsey Taylor |
- |
Dead Alive (1993) |
Click here to see the review. |
Rumsey Taylor |
Tomato 3/5 |
Dead and Buried (1981) |
No article available. |
Matt Bailey |
Tomato |
Dead Man (1996) |
"Characteristically meandering and sardonic, with Robby Muller's floating, shimmering camerawork, a catalog of witty cameos, and one of the most beautiful modern film-scores" |
Leo Goldsmith |
Tomato |
Dead Ringer (1964) |
"Bette Davis was always high camp, but in a film like Dead Ringer (where she plays identical twins), what could possibly be more camp than two Bette Davises?" |
Matt Bailey |
Tomato |
The Death of Mr. Lazarescu (2006) |
"When the film's title is finally, quietly realized, it affords the viewer a hard-won, if mournful liberation." |
Leo Goldsmith |
- |
Deathdream (1972) |
Click here to see the review. |
|
Tomato |
The Decameron (1970) |
"Pasolini questions his own dream, his idealization of this beautiful, bucolic world he has created in which peasant and artist and the Virgin Mary coexist in divine harmony." |
Leo Goldsmith |
Tomato |
Deep Red: The Hatchet Murders (1975) |
"From a technical perspective, the film is a masterwork; considering the unexpectedly engaging narrative, praise for Deep Red is heightened." |
Rumsey Taylor |
- |
Dementia 13 (1963) |
Click here to see the review. |
Thomas Scalzo |
Tomato |
Demon Seed (1977) |
"A combination of Kubrick's 2001 and Polanski's Rosemary's Baby, with a dash of Buster Keaton's Electric House thrown in" |
Leo Goldsmith |
Tomato 3/5 |
The Devil and Daniel Webster (1941) |
No article available. |
Matt Bailey |
Tomato |
The Devil Rides Out (1967) |
"A curiously self-serious film, almost a message picture about black magic, albeit with great puffs of smoke, a giant spider, and a man in a goat costume" |
Leo Goldsmith |
- |
The Devil Within Her (1975) |
Click here to see the review. |
Thomas Scalzo |
- |
Devil's Nightmare (1971) |
Click here to see the review. |
|
- |
Diamonds Are Forever (1971) |
Click here to see the review. |
Marcus Gilmer |
Tomato |
The Diary of a Country Priest (1950) |
"The incredible hostility and humiliation to which the frail priest is subjected and the magnificent peace he finds... is something that can be understood universally." |
Matt Bailey |
- |
Die Another Day (2002) |
Click here to see the review. |
Beth Gilligan |
Tomato |
Die Hard (1988) |
"It may seem, in measure, that watching this in lieu of Frosty or Rudolph violates a practice during a holiday known and based on custom. However true, there is a discernable heart in Die Hard." |
Rumsey Taylor |
Tomato |
Different from the Others (1919) |
"The film is as much a political entreaty as it is a dispassionate educational discourse." |
Matt Bailey |
- |
Dinner at Eight (1933) |
Click here to see the review. |
Beth Gilligan |
- |
Dirty Harry (1971) |
Click here to see the review. |
|
- |
Dirty Mary Crazy Larry (1974) |
Click here to see the review. |
|
- |
Diva (1981) |
Click here to see the review. |
|
Tomato |
The Diving Bell and the Butterfly (2007) |
"Even if Schnabel’s films utilize a rolodex as burgeoning as their film’s visual inventiveness, they still do so playfully and with a sense of the fun of moviemaking that so few films of similar lineage display." |
Leo Goldsmith |
Tomato |
Divorce, Italian Style (1962) |
"It is the most subversive jab at Mastrioanni’s chauvinist characters possible, circumstantial metaphysics in which the lecher is targeted by the very film he inhabits." |
Rumsey Taylor |
Tomato 5/5 |
Do the Right Thing (1989) |
No article available. |
Matt Bailey |
Tomato |
Do the Right Thing (1989) |
"Do the Right Thing operates to approach race frankly, as peoples’ interpretations of the climax become interwoven with their preconceptions of race and bigotry." |
Rumsey Taylor |
- |
The Docks of New York (1928) |
Click here to see the review. |
Leo Goldsmith |
Tomato |
Doctor X (1932) |
"Not the most frightening or memorable horror film to come out of the 1930s, but inventive in its early and idiosyncratic use of color and in its remarkable set design." |
Matt Bailey |
Tomato 4/5 |
Dodsworth (1936) |
No article available. |
Matt Bailey |
Splat |
Dog Days (2002) |
"Stylistically void, intellectually vapid, narratively coarse, and exploitative of its actors in the worst possible way, the film is an abject failure on every level." |
Matt Bailey |
Tomato |
Dogville (2003) |
"It would be tempting to call Lars von Trier's Dogville a cinematic original if it were not for the fact that it would only be a partial truth." |
Matt Bailey |
Tomato 4/5 |
Dolores Claiborne (1995) |
No article available. |
Matt Bailey |
- |
Domestic Violence (2002) |
Click here to see the review. |
|
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