- |
Early Summer (1951) |
Click here to see the review. |
|
Tomato |
Early Summer (1951) |
"Early Summer is the apotheosis of Ozu's investigations of domestic, geographical and emotional space." |
Leo Goldsmith |
Tomato 4/5 |
East of Eden (1955) |
No article available. |
Matt Bailey |
- |
Eastern Promises (2007) |
Click here to see the review. |
Chiranjit Goswami |
Tomato |
Edvard Munch (1976) |
"A rich and intensely personal film, representing a widening breadth of subjects, concerns, languages, and milieux in Watkins' filmmaking." |
Leo Goldsmith |
Tomato 4/5 |
Edward Scissorhands (1990) |
No article available. |
Leo Goldsmith |
Tomato |
Effi Briest (1974) |
"The film demonstrates not only Fassbinder’s usual superb technical control and ability to elicit superbly nuanced performances from his actors, but also an unprecedented affinity for literary adaptation and historical sensitivity." |
Matt Bailey |
Tomato |
El Topo (1970) |
"The film is a veritable grab-bag of traits that may appeal to different viewers. As a whole, the film is likely to provide faults as well as triumphs." |
Rumsey Taylor |
Tomato 5/5 |
The Elephant Man (1980) |
No article available. |
Rumsey Taylor |
- |
The Elephant Man (1980) |
Click here to see the review. |
Tom Huddleston |
- |
Elizabethtown (2005) |
Click here to see the review. |
Chiranjit Goswami |
Tomato 4/5 |
Elmer Gantry (1960) |
No article available. |
Matt Bailey |
Tomato |
Emmanuelle in America (1979) |
"Joe D'Amato's half-dozen Emanuelle films (made in a two year period!) are true exploitation classics, and Emanuelle in America is his best." |
David Carter |
- |
The Empire in Africa (2006) |
Click here to see the review. |
Beth Gilligan |
- |
Empire of the Ants (1977) |
Click here to see the review. |
Thomas Scalzo |
- |
Encounters At the End of the World (2007) |
Click here to see the review. |
|
Tomato |
The Enigma of Kaspar Hauser (1975) |
"There is a profound philosophy at the base of Kasper Hauser: How does emotional growth occur, deprived of any foreign influence, sociological, familial or otherwise?" |
Rumsey Taylor |
Tomato |
Enter the Dragon (1973) |
"It is a meld of the decade’s most pronounced filmic conventions (the long forward zoom; scoring with disco-inspired funk; brief gratuitous nudity; the archetypal Afro)." |
Rumsey Taylor |
- |
Equinox (1971) |
Click here to see the review. |
Rumsey Taylor |
Tomato |
Eraserhead (1976) |
"Eraserhead is a film that seems to require interpretation. Answers, however, are so distant that one wonders if they are even intended." |
Rumsey Taylor |
- |
Erotikon (1920) |
Click here to see the review. |
Ian Johnston |
Tomato |
Errol Morris' First Person: The Complete Series 3 Pack (2000) |
"First Person is lessened by comparisons to Morris' early films, but still better than anything I watch regularly on television." |
Rumsey Taylor |
Tomato |
Eve and the Handyman (1960) |
"Eve illustrates one of Meyer's ironies, that he's a filmmaker with unpretentious chauvinist interests, yet his primary character is an empowered female." |
Rumsey Taylor |
Tomato 3/5 |
Eve's Bayou (1997) |
No article available. |
Matt Bailey |
Tomato |
Even Dwarfs Started Small (1971) |
"Patient and unrelenting, Herzog stages a total deterioration of narrative logic and social norms, as emblematized by a crucified monkey and a cannibalizing chicken." |
Leo Goldsmith |
Tomato 5/5 |
Even Dwarfs Started Small (1971) |
No article available. |
Rumsey Taylor |
- |
Everlasting Regret (2005) |
Click here to see the review. |
Ian Johnston |
Tomato |
The Evil Dead (1979) |
"With a flurry of dismembered body parts, the film spells its intentions in scaring with complete, relentless excess." |
Rumsey Taylor |
Tomato |
Evil Dead 2: Dead by Dawn (1987) |
"Harkening back to influences for his 8mm shorts, Raimi owes more to the Three Stooges than he does to horror convention." |
Rumsey Taylor |
Tomato |
Exotica (1994) |
"Apparent from its ominous, opening pan is Exotica’s craft – the film is deliberate and attentive, and displays action that is not apparently related or significant – at first. Ultimately, the exposition purposefully lacks a cohesiveness." |
Rumsey Taylor |
Tomato |
Explicit Ills (2008) |
"Explicit Ills is a filmic tapestry, and it is a cohesive, fluid one." |
Rumsey Taylor |
Splat 2/5 |
An Extremely Goofy Movie (2000) |
No article available. |
Rumsey Taylor |
Tomato |
Eyes Without a Face (1959) |
"Eyes Without a Face has the staging and rhythm of Noir, and, up until one incredible scene, employs horror with implication and ambiance." |
Rumsey Taylor |
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