- |
F For Fake (1976) |
Click here to see the review. |
Tom Huddleston |
Tomato |
The Face of Another (1966) |
"I watched Hiroshi Teshigahara's The Face of Another and read about it and thought about it, yet ultimately failed to connect with it." |
Matt Bailey |
Tomato |
Face Off (1997) |
"The concept of Face/Off is a multifaceted benchmark: it is John Woo’s best American film, a requisite entry in the library of action films, and it is an actor’s dream." |
Rumsey Taylor |
- |
Faces (1968) |
Click here to see the review. |
|
- |
Faces of Death (1974) |
Click here to see the review. |
David Carter |
Tomato |
Fall Guy (1982) |
"I have seen a lot of strange, bizarre movies in my day, but Kinji Fukasaku’s 1982 comedy Fall Guy is among the strangest." |
Matt Bailey |
Tomato 4/5 |
The Fall of the House of Usher (1960) |
No article available. |
Matt Bailey |
Splat |
The Fallen (2005) |
"While the scope is ambitious and the tone refreshingly light on moralism, few of the innumerable characters and subplots elicit much sympathy." |
Leo Goldsmith |
Tomato |
Fallen Angels (Hong Kong) (1996) |
"Fallen Angels lunges and chases after its rapidly receding subjects, looking to capture and preserve a trace of their presence before the sun rises and the shadows fade." |
Leo Goldsmith |
Tomato 4/5 |
Fanny and Alexander (1982) |
No article available. |
Matt Bailey |
- |
Fantastic Planet (1973) |
Click here to see the review. |
Ian Johnston |
Tomato 5/5 |
Fantastic Planet (1973) |
No article available. |
Leo Goldsmith |
- |
The Farmer's Wife (1928) |
Click here to see the review. |
Leo Goldsmith |
Tomato |
Fast, Cheap, & Out of Control (1997) |
"In addition to its ability to be scrupulously analyzed, Fast, Cheap & Out of Control is entertaining, which is perhaps the most praised remark that can be given to a documentary." |
Rumsey Taylor |
Tomato |
Faster, Pussycat! Kill! Kill! (1965) |
"The sex is intended to arouse, the violence to excite, and the combination enables Faster Pussycat's status as an absolute masterpiece of subversion." |
Rumsey Taylor |
Tomato |
Fat Girl (2001) |
"I first saw Fat Girl upon its original US theatrical release in 2001. I left the theater exhilarated. Three years on, I feel I had been fooled." |
Matt Bailey |
- |
Fay Grim (2007) |
Click here to see the review. |
Tom Huddleston |
Tomato |
Fear and Loathing in Las Vegas (1998) |
"Fear and Loathing in Las Vegas is impeded by both familiarity with its source and esteem for its director. However, the Criterion DVD has a tremendous asset in the collaboration of Hunter Thompson, who appears repeatedly in the disc's supplements." |
Rumsey Taylor |
Tomato |
Female (1933) |
"Female is more than just a museum piece from that short era after the introduction of sound and before the enforcement of the Hays Code; it’s a strangely involving, patently absurd, wildly entertaining movie." |
Matt Bailey |
Tomato |
Fight Club (1999) |
"Fight Club is as curiously appealing as your first learned profanity and as dangerous as chewing a light bulb." |
Rumsey Taylor |
- |
Fighting Elegy (1966) |
Click here to see the review. |
Rumsey Taylor |
- |
First Man Into Space (1959) |
Click here to see the review. |
Thomas Scalzo |
Tomato |
The Fisher King (1991) |
"The Fisher King is one of Gilliam’s best films, and I find it strange that it is his most commercial." |
Rumsey Taylor |
Tomato 5/5 |
A Fistful of Dollars (1964) |
No article available. |
Matt Bailey |
- |
Fitzcarraldo (1982) |
Click here to see the review. |
Martha Fischer |
- |
Flamingo Road (1949) |
Click here to see the review. |
Matt Bailey |
Tomato |
Flesh for Frankenstein (1974) |
"Morrissey's grotesque, ravishing film situates the Frankenstein story squarely in the world of the Freudian uncanny." |
Leo Goldsmith |
- |
Floating Clouds (1955) |
Click here to see the review. |
Leo Goldsmith |
Tomato 5/5 |
Floating Weeds (1959) |
No article available. |
Matt Bailey |
- |
Flowing (1956) |
Click here to see the review. |
Ian Johnston |
Splat |
The Fly (1958) |
"The Fly has, over the years, acquired the reputation as some sort of a classic. How this has been achieved I am afraid I am at a loss to explain." |
Matt Bailey |
Tomato 4/5 |
The Fly (1958) |
No article available. |
Rumsey Taylor |
- |
The Fly (1986) |
Click here to see the review. |
Tom Huddleston |
- |
The Fly (2006) |
Click here to see the review. |
|
Tomato |
The Fog (1980) |
"Sure, this is a ghost story, though because it is a film images display the action, and in result the intended horror is subsidized." |
Rumsey Taylor |
Tomato 3/5 |
A Fool There Was (1915) |
No article available. |
Matt Bailey |
- |
For Your Consideration (2006) |
Click here to see the review. |
Tom Huddleston |
- |
For Your Eyes Only (1981) |
Click here to see the review. |
Rich Watts |
Tomato |
Forty Guns (1957) |
"As brash, unsubtle, and pointed as Fuller’s best work." |
Leo Goldsmith |
- |
The Fountain (2006) |
Click here to see the review. |
Chiranjit Goswami |
Tomato |
Francesco, Giullare Di Dio (1950) |
"Rossellini's film has an uncomplicated charm and an effortless beauty." |
Matt Bailey |
Tomato |
Frankenstein (1931) |
"The monster may seem campy today, but there are still occasional subtleties." |
Leo Goldsmith |
Tomato 4/5 |
Frankenstein Unbound (1990) |
No article available. |
Rumsey Taylor |
Tomato |
Freaks (1932) |
"Freaks is a requisite entry in the library of horror." |
Rumsey Taylor |
- |
Freddy vs. Jason (2003) |
Click here to see the review. |
Thomas Scalzo |
- |
Freestyle: The Art of Rhyme |
Click here to see the review. |
Tom Huddleston |
Tomato 5/5 |
Frenzy (1972) |
No article available. |
Matt Bailey |
- |
Fresh Air (2006) |
Click here to see the review. |
Ian Johnston |
Splat |
Friday the 13th - Part 1 (1980) |
"Friday the 13th emerges not as an outstanding slasher film, but as a succinctly formulaic one." |
Rumsey Taylor |
- |
Friday the 13th - Part 2 (1981) |
Click here to see the review. |
Rumsey Taylor |
IGN RSS Feeds
