- |
H.G. Wells' The Food of the Gods (1976) |
Click here to see the review. |
Thomas Scalzo |
- |
Hadewijch (2009) |
Click here to see the review. |
|
- |
Half Nelson (2006) |
Click here to see the review. |
Tom Huddleston |
Tomato |
Halloween (1978) |
"If Donald Pleasance tells you something is important, you should listen to him." |
Leo Goldsmith |
Tomato |
Halloween (1978) |
"The most significant triumph Halloween achieves is measured by the bulk of films that follow and emulate it." |
Rumsey Taylor |
- |
Hamlet (1964) |
Click here to see the review. |
Marlin Tyree |
- |
Hana (2006) |
Click here to see the review. |
Ian Johnston |
Tomato |
Hannah Takes the Stairs (2007) |
"Hannah Takes the Stairs decidedly lacks narrative and closure, but it works very well at moderating an environment of casual, if mundane, affairs." |
Rumsey Taylor |
Tomato 3/5 |
Happy Gilmore (1996) |
No article available. |
Leo Goldsmith |
Tomato |
Happy Together (1997) |
"A vibrant, painful, and deeply nostalgic "wish you were(n't) here" from two uprooted immigrants yearning for emotional security, for their homeland, and for each other." |
Leo Goldsmith |
- |
Harakiri (1962) |
Click here to see the review. |
|
- |
Hard Hunted (1992) |
Click here to see the review. |
David Carter |
Tomato |
The Haunting (1963) |
"The Haunting is a wisely sophisticated horror film of implication, subtlety, and restraint. Watching it now, after roughly three decades of consistently visceral horror films, is speculatively as frightening an experience as it was forty years ago." |
Rumsey Taylor |
- |
Haxan: Witchcraft Through the Ages (1920) |
Click here to see the review. |
|
Tomato |
Head (1968) |
"Equal parts good trip, bad trip, and cheesefest." |
Leo Goldsmith |
Tomato |
Heart of Glass (1974) |
"[Heart of Glass posesses] a unique vision -- however, obscure or incommunicable -- that provides some glint of hope for a dissipating humanity." |
Leo Goldsmith |
- |
Heart of Glass (1974) |
Click here to see the review. |
Leo Goldsmith |
Tomato |
Hell House (2002) |
"It is a strength of a documentary to disregard available bias, especially as temptingly easy as it would have been with this premise." |
Rumsey Taylor |
- |
Hellgate (1990) |
Click here to see the review. |
Thomas Scalzo |
Tomato |
Helvetica (2007) |
"Appropriately, once the final credits roll, you’re likely to sit through them with an enhanced understanding of the typeface they’re in." |
Rumsey Taylor |
Tomato |
Henry: Portrait of a Serial Killer (1990) |
"It relies not upon visceral depictions of graphic violence but the sporadic, lifeless motivations of the killer – an established, sympathetic, and ultimately humanistic character." |
Rumsey Taylor |
Tomato 3/5 |
Hercules in the Haunted World (1961) |
No article available. |
Matt Bailey |
- |
The History of Mr. Polly (1949) |
Click here to see the review. |
Ian Johnston |
- |
A History of Violence (2005) |
Click here to see the review. |
Chiranjit Goswami |
- |
Holiday (1938) |
Click here to see the review. |
Rich Watts |
Tomato |
The Holy Mountain (1973) |
"The icons, indirect references, and allusions – some obvious, most are ambiguous – occur with meticulous frequency. For the matter, even the most incidental detail or prop relays a history of meaning." |
Rumsey Taylor |
Tomato |
The Honeymoon Killers (1970) |
"Ray and Martha are violent for their desperation, their fiction the more vilified of the late 60’s, early 70’s crime couples." |
Rumsey Taylor |
Tomato 3/5 |
Hopscotch (1980) |
No article available. |
Matt Bailey |
- |
Horror Hotel (1960) |
Click here to see the review. |
Thomas Scalzo |
- |
Horse Feathers (1932) |
Click here to see the review. |
Rumsey Taylor |
- |
Hot Blood (1956) |
Click here to see the review. |
|
Tomato |
Hour of the Wolf (1968) |
"In Hour of the Wolf Bergman asserts the impossible nature of relationships, the ultimate inability of two people to live together without destroying one another." |
Leo Goldsmith |
- |
House of Bamboo (1955) |
Click here to see the review. |
Ian Johnston |
Tomato |
House of Exorcism (1975) |
"It might take a few viewings before the full beauty (not to mention the plot) makes itself clear, but Lisa and the Devil rewards those repeated viewings richly." |
Matt Bailey |
Tomato |
House of Flying Daggers (2004) |
"Though it is by no means explicitly political, the film expresses a tragic exasperation with the tendency of politics to subsume the rights and lives of individuals." |
Leo Goldsmith |
Tomato 4/5 |
House on Haunted Hill (1958) |
No article available. |
Matt Bailey |
Tomato |
How Green Was My Valley (1941) |
"Despite the exquisitely written script, one could watch this film with the sound off and understand the story completely, so strong is Ford’s command of visual language." |
Matt Bailey |
Splat 0/5 |
Howard the Duck (1986) |
No article available. |
Matt Bailey |
- |
Humanoids from the Deep (1980) |
Click here to see the review. |
Rumsey Taylor |
- |
Hunger (1966) |
Click here to see the review. |
Marlin Tyree |
- |
The Hunger (1983) |
Click here to see the review. |
Chiranjit Goswami |
Tomato |
Hunger (2008) |
"McQueen’s film is not so much an attempt to reopen old wounds as a cinematic portrait of the wound itself, a visceral embodiment of politics at the very cellular level of those who engage in it." |
Leo Goldsmith |
IGN RSS Feeds
