Tomato 5/5 |
L'Age D'Or (1930) |
No article available. |
Matt Bailey |
Tomato |
L'Argent (1983) |
"Bresson is not often noted for his engagement with social issues, but in fact his films consistently address the physical and spiritual effects of poverty and crime." |
Leo Goldsmith |
- |
L'Enfant (2006) |
Click here to see the review. |
Beth Gilligan |
- |
L'Enfant (2006) |
Click here to see the review. |
Beth Gilligan |
Tomato 4/5 |
L'Homme Blesse (1984) |
No article available. |
Matt Bailey |
- |
La Commune (2000) |
Click here to see the review. |
Leo Goldsmith |
Tomato |
La Dolce Vita (1960) |
"The girl’s gaze of hope directs towards the viewer in the film’s staggering and ambiguous final shot." |
Rumsey Taylor |
Tomato |
La Jetée (1962) |
"It is an essential fiction, a short story whose diminutive length does little to foretell its breadth." |
Rumsey Taylor |
- |
La Sentinelle (1992) |
Click here to see the review. |
|
Tomato |
La Silence De La Mer (1947) |
"Requisite viewing for any student of post-war French cinema." |
Matt Bailey |
Splat |
La Vallée (1972) |
"It is a film with a lush visual element and ambience, and with little substance." |
Rumsey Taylor |
Tomato |
Ladies of the Bois de Bologne (1944) |
"It is not, by any means, the best film made during the Occupation, but it is a key work in Bresson’s oeuvre and one that is surprisingly absorbing even today." |
Matt Bailey |
- |
Ladies They Talk About (1933) |
Click here to see the review. |
|
Tomato 4/5 |
The Lady from Shanghai (1948) |
No article available. |
Matt Bailey |
- |
Lady Terminator (1989) |
Click here to see the review. |
|
Tomato |
Lady Vengeance (2005) |
"Like a fairy tale with fangs, Sympathy for Lady Vengeance promises pleasurable escapism, but ensnares its audience in a thorny line of questioning." |
Leo Goldsmith |
Splat |
Lake Mungo (2009) |
"The film conditions you to doubt, growing less suspenseful, less atmospheric, and less frightening as it progresses." |
Rumsey Taylor |
- |
Lamerica (1994) |
Click here to see the review. |
|
Tomato |
Lamerica (1994) |
"The film’s intention is to put a human face on a complex situation, and while this is successful, it is the depth of the film’s characters that draws the audience’s empathy." |
Leo Goldsmith |
Tomato |
Lancelot of the Lake (1975) |
"Even with a well-known story as its backdrop, it is only upon the third or fourth viewing that one can even begin to contemplate the larger questions at work in the film." |
Matt Bailey |
Tomato |
Land of Silence and Darkness (1971) |
"One of the things that distinguishes Herzog as a director is his profound capacity for empathy. His gift enables him to get deep inside his subjects, and he is rewarded with moments of stark revelation and clarity." |
Martha Fischer |
- |
Landscape in the Mist (1988) |
Click here to see the review. |
Ian Johnston |
- |
The Last Command (1928) |
Click here to see the review. |
|
- |
The Last King of Scotland (2006) |
Click here to see the review. |
Tom Huddleston |
Tomato |
Last Life in the Universe (2004) |
"A film that demands second and even third viewings in order to absorb all of its nuances." |
Matt Bailey |
- |
The Last Man on Earth (1964) |
Click here to see the review. |
Thomas Scalzo |
Tomato |
The Last Temptation of Christ (1988) |
"This is the greatest example of a film that is talked about more than it is seen." |
David Carter |
- |
Late Spring (1949) |
Click here to see the review. |
Ian Johnston |
- |
Laura (1944) |
Click here to see the review. |
Thomas Scalzo |
Tomato |
Le Cercle Rouge (1970) |
"The dialogue is spare, spans of silence run for minutes, the tense atmosphere is punctuated by unexpected eruptions of violence, and the film does not end happily for anyone." |
Matt Bailey |
Tomato 5/5 |
Le Corbeau (1943) |
No article available. |
Matt Bailey |
Tomato |
Le Doulos (1962) |
"Melville's complete absorption of American crime movies is on full display in Le Doulos, but the film never feels like a French version of an American movie." |
Matt Bailey |
Tomato |
Le Quai Des Brumes (1938) |
"Despite the hospitality of any character in the film, Port of Shadows is a clinical tragedy, and its characters are sentenced to suffer the instant they enter the film." |
Rumsey Taylor |
Tomato |
Le Samourai (1967) |
"Le Samouraï's narrative players are designed for easy interpretation. This fosters the plot's complication, as well as Melville's inimitably stylistic filmmaking" |
Rumsey Taylor |
Tomato |
Leave Her to Heaven (1945) |
"Though the story is involving enough to make this film a classic, it is perhaps more rightly renowned for its Technicolor cinematography and original set and costume design." |
Matt Bailey |
- |
The Legacy (2007) |
Click here to see the review. |
Tom Huddleston |
- |
The Legend of Bigfoot (1976) |
Click here to see the review. |
|
- |
The Legend of Hell House (1973) |
Click here to see the review. |
|
Tomato 5/5 |
The Legend of Sleepy Hollow (1949) |
No article available. |
Matt Bailey |
- |
The Legend of the 7 Golden Vampires (1973) |
Click here to see the review. |
Leo Goldsmith |
Tomato |
Legong: Dance of the Virgins (1930) |
"Once the public’s interest in sideshows petered out and interest in motion pictures rose, the “Zulu” became a stock character in Hollywood comedies and adventure movies." |
Matt Bailey |
Tomato |
Lessons of Darkness/Fata Morgana (1971) |
"Exotic animals, gutted structures, rusting vehicles, orientalist tourists - each a fragment of a hazy and disassembled culture mapped onto a desert wasteland" |
Leo Goldsmith |
Tomato |
The Letter (1940) |
"If there is any doubt that Bette Davis is the star of this film, high above all others, it is vanquished by William Wyler's careful framing of her in every shot." |
Matt Bailey |
Tomato |
A Letter to Three Wives (1949) |
"Much of what makes All About Eve such a brilliant film was used previously (and to good effect) in A Letter to Three Wives." |
Matt Bailey |
- |
Licence to Kill (1989) |
Click here to see the review. |
Marcus Gilmer |
- |
The Life Aquatic With Steve Zissou (2004) |
Click here to see the review. |
Rumsey Taylor |
Tomato |
The Life of Emile Zola (1937) |
"The Life of Emile Zola may seem somewhat dated today, its methods and manner a little old-fashioned, and its style rather quaint." |
Matt Bailey |
- |
Lightning Over Water (1980) |
Click here to see the review. |
Leo Goldsmith |
Tomato 5/5 |
Lilies (1997) |
No article available. |
Matt Bailey |
- |
Limbo (1999) |
Click here to see the review. |
|
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