Tomato |
M (1931) |
"M is the most dynamic profile of a serial killer in film." |
Rumsey Taylor |
Tomato |
M Butterfly (1993) |
"M. Butterfly is Cronenberg’s least-known and most underrated work, far superior to his great cult hit, Scanners." |
Matt Bailey |
Tomato 5/5 |
M*A*S*H (1970) |
No article available. |
Rumsey Taylor |
Tomato 5/5 |
Maborosi (1995) |
No article available. |
Matt Bailey |
- |
Macao (1952) |
Click here to see the review. |
|
Tomato |
Macbeth (1971) |
"Released just two years after Polanski's then pregnant wife was brutally murdered by members of the Manson family, and morbidly preoccupied with violence and cruelty" |
Leo Goldsmith |
Tomato |
Macbeth (1971) |
"With its apparent fixation on murder and cruelty, it is difficult to overlook a number of the unsettling autobiographical details in the film." |
Rumsey Taylor |
Tomato |
The Mad Miss Manton (1938) |
"The Mad Miss Manton succeeds as a romantic comedy more than it succeeds as a mystery." |
Matt Bailey |
Tomato |
The Magician (1958) |
"Following The Seventh Seal and preceding his “Trilogy of Faith”, The Magician lies at the heart of one of the most creative periods in Bergman’s career." |
Leo Goldsmith |
Tomato |
Make-Out with Violence (2009) |
"The entire film possesses a certain longing, the sort that manifests itself and begins to grow at the moment of High School graduation, when some of the most formative circumstances of youth are remembered only as ephemeral moments." |
Rumsey Taylor |
- |
Male and Female (1919) |
Click here to see the review. |
|
Tomato |
Mamma Roma (1962) |
"Because it is sublime, and because the confrontation of many of Pasolini's films can be an intimidation, it is among the controversial director's best films." |
Rumsey Taylor |
Tomato |
A Man Escaped (1956) |
"It takes a hell of a film to maintain a high level of suspense even when it gives away the ending in its very title. Robert Bresson's A Man Escaped is one such film" |
Matt Bailey |
Tomato |
The Man from London (2008) |
"The Man from London, however comprehensible and demystified, is housed in a world of nonetheless pure, enveloping ambiance -- and it is by this measure that its merits are clearest." |
Rumsey Taylor |
Tomato |
Man of Aran (1934) |
"Robert Flaherty’s film, Man of Aran, follows a similar formula as his Nanook of the North, and probably includes just as much fakery. I" |
Matt Bailey |
- |
Man of Ashes (1986) |
Click here to see the review. |
Marlin Tyree |
- |
The Man Who Laughs (1928) |
Click here to see the review. |
Ian Johnston |
Tomato 5/5 |
The Man Who Shot Liberty Valance (1962) |
No article available. |
Matt Bailey |
Tomato 5/5 |
Man With a Movie Camera (1929) |
No article available. |
Matt Bailey |
- |
The Man with the Golden Gun (1974) |
Click here to see the review. |
Thomas Scalzo |
Tomato |
The Manchurian Candidate (1962) |
"The Manchurian Candidate, a total flop in its own time, has become a prescient standard-bearer of paranoia and political intrigue." |
Matt Bailey |
Tomato |
The Manchurian Candidate (1962) |
"The Manchurian Candidate is at once brutally intelligent and shocking. Long after the final gunshot segues to pounding thunder, the impression of the film’s climax fades like a slowly healing wound." |
Rumsey Taylor |
- |
Manderlay (2006) |
Click here to see the review. |
Beth Gilligan |
Tomato |
Manderlay (2006) |
"The unusual von Trier film whose formalism is worn lightly, whose performances impress without wearing on the nerves, and whose ethical standpoint is plain for all to observe" |
Leo Goldsmith |
- |
Mandingo (1975) |
Click here to see the review. |
|
- |
Maniac (1980) |
Click here to see the review. |
Rumsey Taylor |
- |
Maniac Cop (1988) |
Click here to see the review. |
|
Splat |
Manufacturing Dissent (2007) |
"Caine and Melnyk’s film is intent in questioning such legitimacies, which it does well; it’s just as propagandistic as a Michael Moore film, but not as entertaining." |
Rumsey Taylor |
- |
The Manxman (1929) |
Click here to see the review. |
Leo Goldsmith |
- |
Margot at the Wedding (2007) |
Click here to see the review. |
Chiranjit Goswami |
- |
Mary of Scotland (1936) |
Click here to see the review. |
Ian Johnston |
Tomato |
The Masque of the Red Death (1964) |
"In adapting Poe's short story to the screen, Corman adds much material, including a romance, some Satanism, and a subplot with a dwarf." |
Leo Goldsmith |
- |
Matewan (1987) |
Click here to see the review. |
|
Tomato |
Matewan (1987) |
"For all of the binary simplicity of the film’s moral structure, the question of violence, its utility or even necessity, is the great ambiguity at the film’s center." |
Leo Goldsmith |
Splat |
Mau Mau Sex Sex (2001) |
"Anyone interested enough in these old geezers probably already knows enough about them to make the film redundant, and anyone not interested may not care enough to watch it." |
Matt Bailey |
- |
Maurice (1987) |
Click here to see the review. |
|
Tomato 5/5 |
McCabe & Mrs. Miller (1971) |
No article available. |
Matt Bailey |
- |
Me and You and Everyone We Know (2005) |
Click here to see the review. |
Beth Gilligan |
- |
Mean Girls (2004) |
Click here to see the review. |
Chiranjit Goswami |
- |
Medea (1988) |
Click here to see the review. |
Marlin Tyree |
Tomato |
Medicine for Melancholy (2009) |
"The film is more ambient than my description will convey, and it doesn’t feel scripted or directed in as much as it feels naturally funny and relaxed." |
Rumsey Taylor |
Tomato 4/5 |
The Merchant of Four Seasons (1972) |
No article available. |
Matt Bailey |
- |
Merry Christmas, Mr. Lawrence (1983) |
Click here to see the review. |
|
- |
Meshi (1951) |
Click here to see the review. |
Leo Goldsmith |
Tomato |
Metropolis (1927) |
"An amalgam of strident political tract, religious hokum, futurist daydream, and fairy tale." |
Matt Bailey |
Tomato |
Metropolis (1927) |
"Citing Metropolis’ influence and historical value is redundantly necessary. The film is responsible for gearing the evolution of its medium." |
Rumsey Taylor |
Tomato |
Miami Vice (2006) |
"Miami Vice is pure Miami Vice. It's pure Michael Mann. And most importantly of all, Colin Farrell is pure Don Johnson" |
Leo Goldsmith |
Tomato |
Michael (1924) |
"If the mechanics of the plot seem, well, mechanical, what sets the film apart from other silent melodramas of the time is the unspoken dialectic between love and art." |
Matt Bailey |
Tomato 5/5 |
Microcosmos (1996) |
No article available. |
Matt Bailey |
Tomato 4/5 |
The Miracle of Morgan's Creek (1944) |
No article available. |
Matt Bailey |
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