- |
Afterschool (2009) |
Click here to see the review. |
|
Tomato |
Alexandra (2008) |
"This is as faultless a film as I’ve seen in a long time — certainly my best film of 2007." |
Leo Goldsmith |
- |
American Teen (2008) |
Click here to see the review. |
|
- |
At the Death House Door (2008) |
Click here to see the review. |
|
- |
The Assassination of Jesse James by the Coward Robert Ford (2007) |
Click here to see the review. |
Chiranjit Goswami |
- |
American Splendor (2003) |
Click here to see the review. |
Rich Watts |
- |
Arabian Nights (1999) |
Click here to see the review. |
|
Tomato |
After Life (1998) |
"With its meditative, humanistic tone, After Life is the cinematic reminiscence of limbo itself, this transitional space of contemplation and nostalgia." |
Leo Goldsmith |
- |
Africa, I Will Fleece You (1992) |
Click here to see the review. |
Leo Goldsmith |
- |
Army of Darkness (1992) |
Click here to see the review. |
Chiranjit Goswami |
Tomato 3/5 |
Arachnophobia (1990) |
No article available. |
Rumsey Taylor |
Tomato 5/5 |
Alice (1988) |
No article available. |
Rumsey Taylor |
Tomato |
As Tears Go By (1988) |
"A rich and kinetic portrait of the Hong Kong underworld and its system of pseudo-familial relationships and obligations" |
Leo Goldsmith |
- |
After Hours (1985) |
Click here to see the review. |
|
- |
Attack of the Beast Creatures (1985) |
Click here to see the review. |
|
Tomato |
The Adventures of Buckaroo Banzai Across the 8th Dimension (1984) |
"The characters each look like they are from a first generation music video, speak like they are in a work of serious science-fiction, and sound like a stepchild to Huey Lewis and the News ..." |
Rumsey Taylor |
- |
Alligator (1980) |
Click here to see the review. |
|
- |
Alien (1979) |
Click here to see the review. |
Chiranjit Goswami |
Tomato |
Assault on Precinct 13 (1976) |
"Assault on Precinct 13 is derived from the ’70s popular crime genre, largely composed of borrowed pieces, each polished and radiant." |
Rumsey Taylor |
Tomato |
Ali: Fear Eats the Soul (1974) |
"If this were the only film Fassbinder ever made, it would still be one of the great works of cinema. It's only the brilliance and scope of his work both before and after this film that keep me from declaring it his unqualified masterpiece." |
Matt Bailey |
Tomato |
Arabian Nights (1974) |
"The final film of the Trilogy of Life further develops Pasolini’s notions of the relationship of narrative to an idealized medieval world." |
Leo Goldsmith |
Tomato |
Aguirre, the Wrath of God (1973) |
"Depicted conquistador Gonzalo Pizarro is driven, pompous, and partially ignorant – traits mirrored in director Werner Herzog for leading his crew into identical endurances. His resulting work is a vision of rare audacity." |
Rumsey Taylor |
Splat |
The Abominable Dr. Phibes (1972) |
"Vincent Price was an actor who never gave anything than his best possible performance at any given time." |
Matt Bailey |
Tomato 4/5 |
Andy Warhol's Heat (1972) |
No article available. |
Matt Bailey |
Tomato |
Asylum of Satan/Satan's Children (1971) |
"The cold, hard truth of the matter is that Asylum of Satan is a fun film to watch, wherever you fall on the critical spectrum." |
Matt Bailey |
Tomato |
Army of Shadows (1969) |
"The result is in many ways the height of Melville’s splicings of daredevil, adventure-story heroics and exceedingly grim twists of fate." |
Leo Goldsmith |
Tomato |
Africa Blood and Guts (1966) |
"Africa Addio affords some journalistic integrity, which is sacrificed, as per usual and at most every opportunity, to find graphic animal deaths and women." |
Rumsey Taylor |
- |
After the Fox (1966) |
Click here to see the review. |
Leo Goldsmith |
Tomato |
Au Hasard Balthazar (1966) |
"A deft, impassioned, and wrenching film, but also — emphatically, absurdly — a film about a donkey. Indeed, it hardly pretends to be much more." |
Leo Goldsmith |
Tomato 4/5 |
Attack of the Giant Leeches (1959) |
No article available. |
Matt Bailey |
Tomato 3/5 |
Ashes and Diamonds (1958) |
No article available. |
Matt Bailey |
Tomato 5/5 |
Auntie Mame (1958) |
No article available. |
Matt Bailey |
- |
The Abominable Snowman of the Himalayas (1957) |
Click here to see the review. |
Thomas Scalzo |
Splat |
An Affair to Remember (1957) |
"In spite of the flaws and could-have-beens, there is no denying that the final scene of the movie is very touching, albeit in an utterly mawkish and obscenely sentimental way." |
Matt Bailey |
Tomato |
All About Eve (1950) |
"In spite of the employ of melodramatic tropes such as shifting alliances and power-play seductions, the heart of the film is a woman’s fear of aging." |
Matt Bailey |
- |
Anchors Aweigh (1945) |
Click here to see the review. |
|
- |
Les Anges du péché (1943) |
Click here to see the review. |
Ian Johnston |
Tomato 4/5 |
Alexander Nevsky (1938) |
No article available. |
Matt Bailey |
- |
Animal Crackers (1930) |
Click here to see the review. |
Rumsey Taylor |
- |
Alibi (1929) |
Click here to see the review. |
Ian Johnston |
Tomato 5/5 |
Arsenal (1929) |
No article available. |
Leo Goldsmith |
Tomato |
Asphalt (1929) |
"An exceptional piece of entertainment with a modern sense of pacing and style." |
Matt Bailey |
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