The Hangover (2009)
90%The first time I found out about The Hangover was from a display at the theater I go to, which featured the words "Some guys just can't handle Vegas." This had me... More
The first time I found out about The Hangover was from a display at the theater I go to, which featured the words "Some guys just can't handle Vegas." This had me... More
Director Barry Shils' Motorama opens up as if it were some sort of horror film. With various shots of different tools, sparks flying everywhere and a score that is... More
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Planet B-Boy (2008)100% 100% compareAgrees With....
Posted on 12/11/08 at 4:04 PM I can't explain it, but some of the best documentaries I have ever seen have been about subjects that I had little to no prior interest or knowledge of. Maybe since I'm being informed on things I didn't know before, it seems more fresh than a topic that I am all too familiar with. Two years ago I fell in love with Patrick Creadon's Wordplay, which was about crossword puzzles (something I hated in the past). I've seen a lot of documentaries since then, but none that have created the same sort of glee that Wordplay did, especially on a subject I didn't care about. That is until I saw Benson Lee's brilliant documentary Planet B-Boy. Planet B-Boy tackles the topic of break-dancing. Now I know to some who might be reading this, the idea of watching a documentary about break-dancing might not seem all that interesting. And I would understand, since that is how I pretty much felt going into the movie. But as the minutes whizzed by, I found myself more and more absorbed in the film. In the beginning of the film we get to see a little history of break-dancing. I found it amazing that break-dancing took a lot of influence from things like Kung Fu flicks, gymnastics and even soul legend James Brown. From there we learn about a tournament, called "Battle of the Year," which is held in Germany. Break-dancing groups from all around the world battle it out to be crowned the best of the best. The movie allows the contestants in the tournament to speak for themselves. I found the selected groups the film focuses on, which were five teams (Phase-T from France, Ichigeki from Japan, Knucklehead Zoo from The United States, and two Korean groups; Gamblerz and Last for One), to be very interesting people. Some are humble with how far they've gotten with break-dancing, and some of them are arrogant with their success. And it was funny to see that a lot of them suffer some real life versions of the cliche moments in scripted movies that deal with dancing. What I admired the most about the film was that it tried to show break-dancing as a legitimate form of art and dance. I must admit that in the past I saw it as just randomly selected dance moves, with little to no merit. But my opinion has vastly changed after seeing this movie. These people put a lot of blood, sweat, tears and hours into their routines. They may be divided due to language barriers, but break-dancing has brought them together. And they are together in one of my favorite movies of 2008 |
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